| Photos (See all 11 | slideshow) |
| Martin Potter | ... | Encolpio | |
| Hiram Keller | ... | Ascilto | |
| Max Born | ... | Gitone | |
| Salvo Randone | ... | Eumolpo | |
| Mario Romagnoli | ... | Trimalcione (as Il Moro) | |
| Magali Noël | ... | Fortunata | |
| Capucine | ... | Trifena | |
| Alain Cuny | ... | Lica | |
| Fanfulla | ... | Vernacchio | |
| Danika La Loggia | ... | Scintilla | |
| Giuseppe Sanvitale | ... | Abinna | |
| Genius | ... | Liberto arricchito | |
| Lucia Bosé | ... | La matrona | |
| Joseph Wheeler | ... | Il suicida | |
| Hylette Adolphe | ... | La schiavetta | |
| Tanya Lopert | ... | L'imperatore | |
| Gordon Mitchell | ... | Il predone | |
| George Eastman | ... | Minotauro (as Luigi Montefiori) | |
| Marcello Di Falco | ... | Proconsole | |
| Elisa Mainardi | ... | Arianna | |
| Donyale Luna | ... | Enotea | |
| Carlo Giordana | ... | Il capitano | |
| rest of cast listed alphabetically: | |||
| Marcello Bonini Olas | ... | Man speaking latin in Suburra (scenes deleted) | |
| Ottaviano Dell'Acqua | |||
| Carole André | ... | (uncredited) | |
| Ennio Antonelli | ... | Swine Minder (uncredited) | |
| Gigi Ballista | ... | (uncredited) | |
| Luigi Battaglia | ... | Transvestite (uncredited) | |
| Dakar | ... | Black Slave (uncredited) | |
| Maria De Sisti | ... | Fat Woman (uncredited) | |
| Francesco Di Giacomo | ... | Musician (uncredited) | |
| Sandro Dori | ... | Man in Vernacchio Theatre (uncredited) | |
| Jessica Dublin | ... | (uncredited) | |
| Tania Duckworth | ... | Brothel Girl (uncredited) | |
| Elio Gigante | ... | Owner of Garden of Delights (uncredited) | |
| Veriano Ginesi | ... | Guest of Trimalcione (uncredited) | |
| Wolfgang Hillinger | ... | Soldier at Tomb (uncredited) | |
| Mara Krupp | ... | Participant in Orgy Sequence (uncredited) | |
| Gabriel Lagay | ... | Slave (uncredited) | |
| Franco Leo | ... | (uncredited) | |
| Irina Maleeva | ... | L'ancella (uncredited) | |
| Elizabetta Moscatelli | ... | (uncredited) | |
| Suleiman Ali Nashnush | ... | Tryphaena's Attendant (uncredited) | |
| Osiride Pevarello | ... | Soldier Killing the Emperor (uncredited) | |
| Lorenzo Piani | ... | Nymphomaniac's Husband (uncredited) | |
| Antonia Pietrosi | ... | Wife of Ephesus (uncredited) | |
| Amerigo Santarelli | ... | Orgy Participant (uncredited) | |
| Sibilla Sedat | ... | Nymphomaniac (uncredited) | |
| Richard Simmons | ... | Nymphomaniac's Slave (unconfirmed) (uncredited) | |
| Alvaro Vitali | ... | Blue-Faced 'Emperor' (uncredited) | |
| Vittorio Vittori | ... | Notary (uncredited) | |
| Luigi Zerbinati | ... | Nymphomaniac's Slave (uncredited) | |
| Renato Zero | ... | Extra (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits | ||
| Petronius | (book "Satyricon") | |
| Federico Fellini | (adaptation and screenplay) & | |
| Bernardino Zapponi | (adaptation and screenplay) | |
| Brunello Rondi | (additional screenplay) | |
Produced by | |||
| Alberto Grimaldi | .... | producer | |
Original Music by | |||
| Tod Dockstader | |||
| Ilhan Mimaroglu | |||
| Nino Rota | |||
| Andrew Rudin | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Casting by | |||
| Enzo Provenzale | |||
Set Decoration by | |||
| Danilo Donati | |||
| Luigi Scaccianoce | (co-set decorator) | ||
Costume Design by | |||
| Danilo Donati | |||
Makeup Department | |||
| Rino Carboni | .... | makeup artist | |
| Luciano Vito | .... | hair stylist | |
Production Management | |||
| Roberto Cocco | .... | production manager | |
| Lamberto Pippia | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Liliane Betti | .... | second assistant director (as Liliana Betti) | |
| Lia Consalvo | .... | second assistant director | |
| Maurizio Mein | .... | assistant director | |
Art Department | |||
| Danilo Donati | .... | sketch artist: furniture | |
| Giorgio Giovannini | .... | construction coordinator | |
| Roberto Granieri | .... | property master | |
| Antonio Scordia | .... | visual advisor | |
| Luigi Sergianni | .... | construction manager | |
| Italo Tomassi | .... | pictorial supervisor | |
| Dante Ferretti | .... | assistant art director (uncredited) | |
Visual Effects by | |||
| Joseph Nathanson | .... | visual effects | |
Stunts | |||
| Nazzareno Zamperla | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Giuseppe Maccari | .... | camera operator | |
| Piero Servo | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Rosemarie Steiger | .... | costumer | |
Editorial Department | |||
| Enzo Ocone | .... | supervising editor | |
| Adriana Olasio | .... | assistant editor | |
Music Department | |||
| David Behrman | .... | music recording | |
| Maurice Bitter | .... | music recording | |
| Johnny Costa | .... | music recording (as John Coast) | |
| Alain Danielov | .... | music recording | |
| Charles Duvelle | .... | music recording | |
| David Lewiston | .... | music recording | |
| Jose Pivin | .... | music recording | |
| Peter K. Siegel | .... | music recording | |
| Katsumasa Takasago | .... | music recording | |
| Nusjirwan Tirtaamidjaja | .... | music recording | |
Other crew | |||
| Luca Canali | .... | language consultant: Latin (as Prof. Luca Canali) | |
| Norma Giacchero | .... | continuity | |
| Ettore Paratore | .... | creative consultant (as Prof. Ettore Paratore) | |
| Eugene Walter | .... | assistant: Fellini (translator) | |
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| The Holy Mountain | Let Joy Reign Supreme | My Own Private Idaho | Imperium: Augustus | 1900 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Permeated with hedonism and sexuality, highly theatrical, very bizarre and surrealist while still keeping it on the ground and making it more potent and little coherence storywise; its fragments of Petronius classic (which I haven't read) wrapped in Fellinis incredible imagination.
Scenography, casting and settings are here of the absolutely highest order. Each frame is composed with the utmost care it seems, perhaps inspired by the same artworks found in the movie. Like the old Greeks this movie is made as true art in a non decadent manner contrasted with the decadent Rome we meet in the movie.
There are so much depth to this movie its no use trying to cover them here, but one key theme is, I think, what was described as the flower of youth and the withering of it, that is Encolpio's youth.
Highly recommended if you like a movie out of the ordinary, the images you see here will never be forgotten.