In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in ... See full summary »
Guy Maddin reluctantly returns to his childhood home, an abandoned Canadian island, where his parents ran an orphanage. As Guy fulfills his dying mother's request to paint the lighthouse ... See full summary »
A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest... See full summary »
Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on ... See full summary »
In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with, chooses Ascilto. Only a sudden earthquake saves Encolpio from suicide. We follow Encolpio through a series of adventures, where he is eventually reunited with Ascilto, and which culminates in them helping a man kidnap a hermaphrodite demi-god from a temple. The god dies, and as punishment Encolpio becomes impotent. We then follow them in search of a cure. The film is loosely based on the book Satyricon by Gaius Petronius Arbiter, the "Arbiter of Elegance" in the court of Nero. The book has only survived in fragments, and the film reflects this by being very fragmentary itself, even stopping in mid-sentence. Written by
Steven Pemberton <Steven.Pemberton@cwi.nl>
Gian Luigi Polidoro registered the title "Satyricon" for his movie first. Federico Fellini fought to use the title for his movie but lost the case. Subsequently the title was changed to "Fellini - Satyricon". See more »
This is by far not the best film I've ever seen, but it is probably the most important film I've ever seen. I saw it for the first time when it came out in 69, when I was 16. Before then, I was only marginally interested in films. Something to while away the time. And then I saw Satyricon. And life has never been the same ever since. All of a sudden I realised that film was more than simply recording images, all of a sudden it dawned on me that cinema could be art. Now, maybe Satyricon isn't great art, but to me at that time it was overwhelming. I'm sure other films have had this same catalytic effect on other people. Satyricon got me hooked on film, and I never looked back. I saw the film again about 10 years ago. I was amazed how it was still capable of exiting me. In spite of its wooden acting, its cardboard backgrounds, the unsynchronized lip movements this is amazing movie magic.
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