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Fellini Satyricon (1969)
"Fellini - Satyricon" (original title)

R  |   |  Drama, Fantasy  |  11 March 1970 (USA)
6.9
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Ratings: 6.9/10 from 10,830 users  
Reviews: 91 user | 60 critic

A series of disjointed mythical tales set in first century Rome.

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(book), (adaptation), 2 more credits »
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Title: Fellini Satyricon (1969)

Fellini Satyricon (1969) on IMDb 6.9/10

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Nominated for 1 Oscar. Another 7 wins & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Max Born ...
Salvo Randone ...
Mario Romagnoli ...
Trimalcione (as Il Moro)
...
Fortunata
...
Trifena
Alain Cuny ...
Fanfulla ...
Vernacchio
Danika La Loggia ...
Scintilla (as Danica la Loggia)
Giuseppe Sanvitale ...
Abinna
Genius ...
Liberto arricchito
Lucia Bosé ...
La matrona
Joseph Wheeler ...
Il suicida (as Joseph Weelher)
Hylette Adolphe ...
La schiavetta
Edit

Storyline

In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with, chooses Ascilto. Only a sudden earthquake saves Encolpio from suicide. We follow Encolpio through a series of adventures, where he is eventually reunited with Ascilto, and which culminates in them helping a man kidnap a hermaphrodite demi-god from a temple. The god dies, and as punishment Encolpio becomes impotent. We then follow them in search of a cure. The film is loosely based on the book Satyricon by Gaius Petronius Arbiter, the "Arbiter of Elegance" in the court of Nero. The book has only survived in fragments, and the film reflects this by being very fragmentary itself, even stopping in mid-sentence. Written by Steven Pemberton <Steven.Pemberton@cwi.nl>

Plot Summary | Plot Synopsis

Taglines:

Rome. Before Christ. After Fellini.

Genres:

Drama | Fantasy

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

11 March 1970 (USA)  »

Also Known As:

Fellini Satyricon  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(DeLuxe)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Gian Luigi Polidoro registered the title "Satyricon" for his movie first. Federico Fellini fought to use the title for his movie but lost the case. Subsequently the title was changed to "Fellini - Satyricon". See more »

Goofs

In one version, Joseph Wheeler is credited as 'Joseph Weelher'. See more »

Quotes

Soldier at Tomb: They've stolen the hanged man! While I was with you, the thief's family took him away! I know what punishment I'll get... a horrible death. Why should I wait for it? I'd rather die by my own hands.
[pulls his sword out and is about to stab himself]
Wife of Ephesus: [stops him] No! No, my dear... To lose the two men in my life, one after the other, would be too much...
Wife of Ephesus: [looks at the corpse of her husband] Better to hang a dead husband than to lose a living lover.
[...]
See more »

Connections

Referenced in Midnight Movies: From the Margin to the Mainstream (2005) See more »

Soundtracks

The Drums for the Niegpadouda Dance
From Anthology of Music of Black Africa
Recorded by Everest Records
Arranged by Bernard C. Salomon
Published by Arvon Music
See more »

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User Reviews

 
Phantasmagorical brilliance
29 June 2004 | by (the rock) – See all my reviews

There's not much of a story in SATYRICON: we follow the disjointed "adventures" of two young men during decadent ancient Rome. What follows though is pure visual brilliance. The film reminded me a lot of psychedelic European comic books of the late 1960s and 1970s. I saw this Fellini film on TV, in pan and scan, and even though SATYRICON has to be seen on widescreen format, the cropped version was still mighty impressive to look at. But to experience the complete visual splendor of the film, widescreen is simply a must!

The film did drag here and there (certainly with Fellini letting some vignettes last longer than they should) but overall, the cumulative effect of all the stories creates a unique visceral experience that's seldom seen, back then or since. My only critique with SATYRICON is that in the end, it feels more like some avant-guard experimental theater experience than an actual film. The set-pieces are so stagy that SATYRICON often looks like a filmed stage play. This doesn't make the film bad but its staginess detracts a bit from achieving the perfect surreal effect that only a true cinematic experience can recreate. I could not immerse myself 100% in it because the staginess kept reminding me that I was watching a film. Even Pauline Kael said SATYRICON felt like 2 hours of people walking along walls. That's a bit of an exaggeration but I agree with her point. The staginess (which I'm aware is part of the surreal effect Fellini wanted to create) keeps SATYRICON from being a definitive masterpiece.

Even so, Fellini's SATYRICON is worth seeing for anyone who's into bawdy, surreal visual feasts. It's a one-of-a-kind experience.


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Movies Influenced by Satyricon ebm83
C'mon everyone, it's not that good really... cardronaseasonpass
waht is your feeling when you watched satyricon? kurosawa176
i like watching this without reading the subtitles hypemankenny
Richard Simmons is in this movie ? ? ? ? ? ? Unfinished_Symphony
Whats going on with the dubbing? iregretthisname
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