Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on ... See full summary »
Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic ... See full summary »
In 1914, a luxury ship leaves Italy in order to scatter the ashes of a famous opera singer. A lovable bumbling journalist chronicles the voyage and meets the singer's many eccentric friends and admirers.
In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with, chooses Ascilto. Only a sudden earthquake saves Encolpio from suicide. We follow Encolpio through a series of adventures, where he is eventually reunited with Ascilto, and which culminates in them helping a man kidnap a hermaphrodite demi-god from a temple. The god dies, and as punishment Encolpio becomes impotent. We then follow them in search of a cure. The film is loosely based on the book Satyricon by Gaius Petronius Arbiter, the "Arbiter of Elegance" in the court of Nero. The book has only survived in fragments, and the film reflects this by being very fragmentary itself, even stopping in mid-sentence. Written by
Steven Pemberton <Steven.Pemberton@cwi.nl>
According to an episode of the NPR-WNYC radio program "Wait Wait... Don't Tell Me!" (broadcast January 15, 2011), future fitness guru Richard Simmons is in this film. An American student living in Rome in the late 1960's, he was cast as an obese nobleman in the banquet scene. See more »
This is by far not the best film I've ever seen, but it is probably the most important film I've ever seen. I saw it for the first time when it came out in 69, when I was 16. Before then, I was only marginally interested in films. Something to while away the time. And then I saw Satyricon. And life has never been the same ever since. All of a sudden I realised that film was more than simply recording images, all of a sudden it dawned on me that cinema could be art. Now, maybe Satyricon isn't great art, but to me at that time it was overwhelming. I'm sure other films have had this same catalytic effect on other people. Satyricon got me hooked on film, and I never looked back. I saw the film again about 10 years ago. I was amazed how it was still capable of exiting me. In spite of its wooden acting, its cardboard backgrounds, the unsynchronized lip movements this is amazing movie magic.
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