
Europe '51 (1952)
Europa '51 (original title)Reference View | Change View
- Not Rated
- 1h 58min
- Drama
- 03 Nov 1954 (USA)
- Movie
- 4 wins & 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Ingrid Bergman | ... |
Irene Girard
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Alexander Knox | ... |
George Girard
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Ettore Giannini | ... |
Andrea Casatti
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Giulietta Masina | ... |
Giulietta, detta Passerotto
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Teresa Pellati | ... |
Ines
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Marcella Rovena | ... |
Signora Puglisi
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Tina Perna | ... |
Cesira
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Sandro Franchina | ... |
Michele Girard
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Maria Zanoli | ... |
Signora Galli
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Silvana Veronese |
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William Tubbs | ... |
Professor Alessandrini
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Alberto Plebani | ... |
Signor Puglisi
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Eleonora Barracco |
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Alfonso Di Stefano |
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Alfred Browne | ... |
Prete
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Rest of cast listed alphabetically: | |||
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Carlo Hintermann | ... |
Extra (uncredited)
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Antonio Pietrangeli | ... |
Psichiatra (uncredited)
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Rossana Rory | ... |
Infermiera della casa di cura (uncredited)
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Gianna Segale | ... |
Infermiera dell'ospedale (uncredited)
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Giancarlo Vigorelli | ... |
Giudice (uncredited)
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Directed by
Roberto Rossellini |
Written by
Roberto Rossellini | ... | (story) |
Roberto Rossellini | ... | (written by) and |
Sandro De Feo | ... | (written by) and |
Mario Pannunzio | ... | (written by) and |
Ivo Perilli | ... | (written by) and |
Brunello Rondi | ... | (written by) |
Produced by
Dino De Laurentiis | ... | associate producer |
Carlo Ponti | ... | associate producer |
Roberto Rossellini | ... | producer |
Music by
Renzo Rossellini |
Cinematography by
Aldo Tonti |
Editing by
Jolanda Benvenuti | ... | (as Iolanda Benvenuti) |
Editorial Department
Sandro Corbo | ... | assistant editor |
Production Design by
Virgilio Marchi |
Set Decoration by
Ferdinando Ruffo |
Production Management
Nando Pisani | ... | production manager |
Bruno Todini | ... | general production manager |
Second Unit Director or Assistant Director
Marcello Caracciolo Di Laurino | ... | first assistant director (as Marcello Caracciolo) |
William Demby | ... | second assistant director |
Marcello Girosi | ... | first assistant director |
Antonio Pietrangeli | ... | second assistant director |
Sound Department
Piero Cavazzuti | ... | sound |
Paolo Uccello | ... | sound |
Camera and Electrical Department
Luciano Tonti | ... | assistant camera / camera operator |
Costume and Wardrobe Department
Fernanda Gattinoni | ... | costumes: Miss Bergman |
Music Department
Renzo Rossellini | ... | conductor |
Script and Continuity Department
Sandro Corso | ... | script supervisor |
Additional Crew
Pio Angeletti | ... | production assistant |
Trento Petrella | ... | production assistant |
Nando Pisani | ... | production assistant |
Federico Teti | ... | production assistant |
Lola Braccini | ... | italian voice dubbing (uncredited) |
Giorgio Capecchi | ... | italian voice dubbing (uncredited) |
Emilio Cigoli | ... | italian voice dubbing: Alexander Knox (uncredited) |
Gualtiero De Angelis | ... | italian voice dubbing: Antonio Pietrangeli (uncredited) |
Lauro Gazzolo | ... | italian voice dubbing (uncredited) |
Micaela Giustiniani | ... | italian voice dubbing: Rossana Rory (uncredited) |
Pino Locchi | ... | italian voice dubbing (uncredited) |
Augusto Marcacci | ... | italian voice dubbing: Giancarlo Vigorelli (uncredited) |
Renata Marini | ... | italian voice dubbing: Tina Perna (uncredited) |
Giulio Panicali | ... | italian voice dubbing: Ettore Giannini (uncredited) |
Luigi Pavese | ... | italian voice dubbing (uncredited) |
Amilcare Pettinelli | ... | italian voice dubbing: Alberto Plebani (uncredited) |
Maria Saccenti | ... | italian voice dubbing: Maria Zanoli (uncredited) |
Giovanna Scotto | ... | italian voice dubbing (uncredited) |
Lydia Simoneschi | ... | italian voice dubbing: Ingrid Bergman (uncredited) |
Renato Turi | ... | italian voice dubbing: Alfred Brown (uncredited) |
Production Companies
Distributors
- Lux Film (1952) (Italy) (theatrical)
- Lux Compagnie Cinématographique de France (1953) (France) (theatrical)
- I.F.E. Releasing Corporation (1954) (United States) (theatrical) (dubbed)
- Terrafilm (1954) (Sweden) (theatrical)
- Fotorama (1954) (Norway) (theatrical)
- Favorit-Filmverleih (1955) (Austria) (theatrical)
- Dolmen Home Video (2008) (Italy) (DVD) (restored version)
- The Criterion Collection (2013) (United States) (DVD)
- New Star (2015) (Greece) (theatrical) (re-release)
- Leopardo Filmes (2015) (Portugal)
- Rai Movie (2016) (Italy) (tv)
- CG Entertainment (2019) (Italy) (Blu-ray)
- HBO Max (2020) (United States) (video) (VOD)
- Jeunesse kikaku (2012) (Japan) (DVD)
- Pioneer LDC (2001) (Japan) (DVD)
- The Criterion Collection (2013) (United States) (Blu-ray) (in "3 Films By Roberto Rossellini Starring Ingrid Bergman")
Special Effects
Other Companies
Storyline
Plot Summary |
Irene Girard is an ambassador's wife and used to living in luxury. After the dramatic death of her son, she feels guilty of having neglected him and feels compelled to help people in need who cross her path. One day she offers shelter to a man who is evading justice, and she ends being arrested herself. Her husband, for the sake of social propriety, arranges for a doctor to declare her insane. Irene escapes one prison to enter another, and to reflect on what sort of society she lives in. Written by Artemis-9 |
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Taglines | BERGMAN'S BACK! The event and performance the motion picture world has waited for for four long years! See more » |
Genres | |
Parents Guide | View content advisory » |
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Did You Know?
Trivia | The square Irene and Andrea drive to is the Campidoglio in Rome. The equestrian statue is of Marcus Aurelius, emperor and stoic philosopher. See more » |
Goofs | When Michele falls down the stairs, his parents rush to the car to get him to the hospital. When his mother finds him, she is wearing the white gown she wore at the dinner. When they first arrive at the hospital, she has a fur coat on. A few hours later, suddenly she has changed into a grey suit. See more » |
Movie Connections | Edited into Damned! Daney (1991). See more » |
Soundtracks | Bésame Mucho See more » |
Quotes |
Irene Girard:
It is just that the love we feel for those closest to us, for those who should be and maybe really are dearest to us, suddenly isn't enough. It seems too selfish, too narrow. So, that we feel the need to share it, to make our love bigger until it embraces everyone. See more » |