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A Matter of Life and Death
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Stairway to Heaven (1946) More at IMDbPro »A Matter of Life and Death (original title)

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Overview

User Rating:
8.1/10   11,175 votes »
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Writers:
Michael Powell (written by) and
Emeric Pressburger (written by)
Contact:
View company contact information for Stairway to Heaven on IMDbPro.
Release Date:
March 1947 (USA) See more »
Genre:
Tagline:
Neither Heaven nor Earth could keep them apart! See more »
Plot:
A British wartime aviator who cheats death must argue for his life before a celestial court. Full summary » | Full synopsis »
Plot Keywords:
Awards:
3 wins See more »
NewsDesk:
(2 articles)
English Heritage honours London flat that was base for Powell and Pressburger
 (From The Guardian - Film News. 17 February 2014, 4:31 PM, PST)

Ill Met By Moonlight
 (From GreenCine. 11 October 2011, 12:22 PM, PDT)

User Reviews:
What a marvel! See more (126 total) »

Cast

  (in credits order) (verified as complete)

David Niven ... Peter Carter

Kim Hunter ... June
Robert Coote ... Bob

Kathleen Byron ... An Angel

Richard Attenborough ... An English Pilot
Bonar Colleano ... An American Pilot (as Bonor Colleano in closing credits)
Joan Maude ... Chief Recorder
Marius Goring ... Conductor 71

Roger Livesey ... Doctor Reeves
Robert Atkins ... The Vicar
Bob Roberts ... Dr. Gaertler
Edwin Max ... Dr. Mc.Ewen
Betty Potter ... Mrs. Tucker

Abraham Sofaer ... The Judge

Raymond Massey ... Abraham Farlan
rest of cast listed alphabetically:
Robert Arden ... GI Playing Bottom (uncredited)

Robert Beatty ... US Crewman (uncredited)
Tommy Duggan ... Patrick Aloyusius Mahoney (uncredited)
Erik ... Spaniel (uncredited)
John Huntley ... Extra in Celestial Courtroom (uncredited)
John Longden ... Narrator of introduction (uncredited) (voice)
Howard Marshall ... Cricket Commentator on Radio (voice) (uncredited)

Lois Maxwell ... Actress (uncredited)
Richard Nielson ... Minor Role (uncredited)
Wally Patch ... ARP Warden (uncredited)
Robert Rietty ... Man on Stairway (uncredited)
Roger Snowden ... James Monahan (uncredited)
Spangle ... Spaniel (uncredited)
Wendy Thompson ... Nurse (uncredited)
Frederick Valk ... RAF Chaplain (uncredited)
Geoff van Rijssel ... Extra in Celestial Courtroom (uncredited)
Joan Verney ... Girl (uncredited)
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Directed by
Michael Powell 
Emeric Pressburger 
 
Writing credits
Michael Powell (written by) and
Emeric Pressburger (written by)

Produced by
George R. Busby .... assistant producer (as George Busby)
Michael Powell .... producer
Emeric Pressburger .... producer
 
Original Music by
Allan Gray (music composed by)
 
Cinematography by
Jack Cardiff (photographed by)
 
Film Editing by
Reginald Mills 
 
Casting by
Pat MacDonnell (uncredited)
Adele Raymond (uncredited)
 
Production Design by
Alfred Junge (production designed by)
 
Costume Design by
Joseph Bato (uncredited)
Hein Heckroth (uncredited)
 
Makeup Department
George Blackler .... make-up
Ida Mills .... hair styles
 
Production Management
Robert C. Foord .... unit manager (as Robert C.Foord)
 
Second Unit Director or Assistant Director
Parry Jones Jr. .... assistant director
Paul Kelly .... second assistant director (uncredited)
Laurie Knight .... third assistant director (uncredited)
Pat Marsden .... third assistant director (uncredited)
 
Art Department
Arthur Lawson .... assistant art director
Joseph Bato .... assistant painter (uncredited)
William Hutchinson .... draughtsman (uncredited)
William Kellner .... draughtsman (uncredited)
Terence Morgan II .... assistant property maker (uncredited)
Don Picton .... draughtsman (uncredited)
Roger Ramsdell .... assistant art director (uncredited)
 
Sound Department
C.C. Stevens .... sound recorder
Michael Colomb .... assistant boom operator (uncredited)
Peter Davies .... dubbing sound camera (uncredited)
Roy Day .... sound maintenance (uncredited)
John Dennis .... pre-dubbing (uncredited)
Desmond Dew .... dubbing crew (uncredited)
David Hildyard .... boom operator (uncredited)
Harold Rowland .... sound camera operator (uncredited)
G. Sanders .... assistant boom operator (uncredited)
Alan Whatley .... dubbing crew (uncredited)
 
Special Effects by
W. Percy Day .... additional effects (as Percy Day)
Henry Harris .... special effects
Douglas Woolsey .... special effects
William C. Andrews .... special effects (uncredited)
George Blackwell .... additional effects (uncredited)
Stanley Grant .... additional effects (uncredited)
 
Visual Effects by
Peter Ellenshaw .... assistant matte artist (uncredited)
Stanley Grant .... special photographic effects (uncredited)
Jack Whitehead .... back projection (uncredited)
 
Camera and Electrical Department
Geoffrey Unsworth .... camera operator
Bill Wall .... chief electrician (as William Wall)
Dick Allport .... clapper loader (uncredited)
Eric Besche .... focus puller (uncredited)
Jim Body .... focus puller (uncredited)
Christopher Challis .... second assistant camera (uncredited)
Fred Daniels .... still photographer: portraits (uncredited)
Eric Gray .... still photographer (uncredited)
George Minassian .... assistant camera (uncredited)
Johnnie von Klotze .... assistant camera (uncredited)
 
Costume and Wardrobe Department
Hein Heckroth .... costumes
 
Editorial Department
David Powell .... assistant editor (uncredited)
 
Music Department
Walter Goehr .... conductor
Lambert Williamson .... assistant conductor (as W.L. Williamson)
 
Other crew
Joan Bridge .... associate colour control
Michael C. Chorlton .... motor-bike shots (as MichaelChorlton)
Natalie Kalmus .... colour control
J. Arthur Rank .... presents (as J.Arthur Rank)
John Seabourne Jr. .... liaison editor
Alan Brook .... advisor: table tennis (uncredited)
Alan Brook .... trainer: table tennis (uncredited)
Andrew Donally .... support team (uncredited)
Bernard Kaplan .... technical advisor: operating theatre (uncredited)
Vivienne Knight .... publicist (uncredited)
Ainslie L'evine .... assistant continuity (uncredited)
Bunny Parsons .... continuity (uncredited)
Bill Paton .... assistant: Mr Powell (uncredited)
Maggie Unsworth .... continuity (uncredited)
 
Crew verified as complete


Production Companies
  • Archers, The (as A Production of the Archers London England)
DistributorsSpecial Effects
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Additional Details

Also Known As:
"A Matter of Life and Death" - UK (original title)
See more »
MPAA:
Rated PG for thematic elements (re-rating) (1995)
Runtime:
104 min
Country:
Language:
Color:
Black and White (Dye-Monochrome) | Color (colour) (Technicolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Finland:K-16 | Ireland:G | Portugal:M/12 | Spain:T | UK:A (original rating) (passed with cuts) | UK:U (tv rating) | UK:U (re-release) (2005) | UK:U (re-release: re-rating) (2000) | UK:U (video rating) (1995) (uncut) | USA:Approved (PCA #11724) | USA:TV-PG (TV rating) | USA:PG (re-rating) (1995) | West Germany:16

Did You Know?

Trivia:
David Niven and Raymond Massey who both starred together in The Prisoner of Zenda (1937) and Stairway to Heaven (1946) both died on the same day, July 29th 1983.See more »
Goofs:
Continuity: When the table tennis game is frozen, the ball moves back a few inches from the first shot of the game to the second, and the position of Frank's left arm changes.See more »
Quotes:
[first lines]
Narrator:This is the universe. Big, isn't it.
See more »
Movie Connections:
Referenced in Bill & Ted's Bogus Journey (1991)See more »
Soundtrack:
Shoo Shoo BabySee more »

FAQ

Did it really happen?
Did they use CGI?
See more »
46 out of 58 people found the following review useful.
What a marvel!, 15 December 2004
Author: film-29 from Deserts of vast eternity

This movie has the most beautiful opening sequence ever made. I've seen this movie for the first time a week ago, since then every day I see the opening and every time I feel as thrilled as I felt the first time I heard David Niven uttering the immortal words from Sir Walter Raleigh's The Pilgrimage:

Give me my scallop-shell of quiet, My staff of faith to walk upon, My scrip of joy, immortal diet, My bottle of salvation, My gown of glory, hope's true gage; And thus I'll take my pilgrimage (…)

Do you know why it would be a truism to say Michael Powell's and Emeric Pressuburger's lives are thoroughly justified for having crafted such a wonderful opening? Because they had been already admitted in the Paradise of Poets long before they made this movie.

I imagine both of them facing trial during Doomsday and saying nonchalantly to an irate God: I beg your pardon, Sir. So, do You want to know what have we done during our lifetime? Well, well you'll see: We've written directed and produced: I know Where I'm Going, Colonel Blimp, Red Shoes… do you think that enough Sir? It is rather obvious that these two great artists had already fulfilled their duty with God, Nature the Muse or Whatever you may call It when they shot A Matter of Life and Death. The fact that other people's lives would be justified for their deeds could be not apparent to everybody, notwithstanding I feel my life would have a meaning had I never done anything else that to see this movie.

Of course old-timers will be tempted to say: They don't do movies like this one any more. They'll be partially mistaken; they didn't make movies like this in the past times either.

I've have already quoted Keats here, but I'll repeat his words: A thing of beauty is a joy forever.

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