4 items from 2015
Over the past few years, the Venice Film Festival, which celebrates its 72nd anniversary in September, has presented newly restored versions of classic films in the Classics section at the festival. Yesterday their list of restored films to be shown was released, and among the 21 classic films selected are Akira Kurosawa’s 1965 "Red Beard," Sergej Ėisenstein’s 1938 epic "Alexander Nevsky," 1946 fantasy "A Matter of Life and Death" co-directed by Michael Powell and Emeric Pressburger, and Pier Paolo Pasolini’s highly controversial and graphic 1975 film "Salò, or the 120 Days of Sodom." But a very welcome surprise was »
For the first time in Venice, the recipient of the Golden Lion for Lifetime Achievement has been given “carte blanche” to select rare, forgotten or underestimated films for the Venice Classics section. This year's festival runs September 2-12, 2015. French cinema auteur (and dedicated film critic) Bertrand Tavernier will present four masterpieces he has personally chosen as Guest Director of the Venice Classics section: "White Paws" by Jean Grémillon (France, 1949, 92’, B&W), "The Vixen" by Alberto Lattuada (Italy, 1953, 93’, B&W), "Ray of Sunshine" by Pál Fejös (Germany/Austria, 1933, 87’, B&W) and "A Matter Of Life and Death" by Michael Powell and Emeric Pressburger (UK, 1946, 104’, Color). Read More: Fellini Restoration Makes World Premiere in Venice Also, Italian film director Francesco Patierno will chair the Jury of film students which, for the third time, will award Best Restored Film and Best »
- Ryan Lattanzio
Akahige, Amarcord, Aleksandr Nevskij and A Matter of Life and Death are among 21 titles announced today to screen in Venice’s (September 2-12) Classics section, which will reveal further titles later this month.
Director Bertrand Tavernier, who is to receive the Golden Lion for Lifetime Achievement award, has selected and will present four films for the Classics strand: Pattes Blances (White Paws) by Jean Grémillion, La Lupa (The Vixen) by Alberto Lattuada, Sonnenstrahl (Ray of Sunshine) by Pál Fejös and A Matter of Life and Death by Michael Powell and Eric Pressburger.
The 21 restorations:
Aleksandr Nevskij (Alexander Nevsky) by Sergej Michajlovič Ėjzenštejn (Ussr, 1938, 108’, B&W), restoration by Mosfilm
- email@example.com (Madison Antus)
One of the great experiences of British cinema in the mid-20th century was to sit in the stalls as the curtain drew aside and an arrow hit a bull’s-eye on a target, announcing a film by the Archers, the team of British director Michael Powell and Hungarian émigré screenwriter Emeric Pressburger. They took a joint credit as “writer, director and producer”. This logo presaged a wartime movie such as 49th Parallel or The Life and Death of Colonel Blimp, which took a subtler, more humane view of the conflict than the usual black-and-white propaganda, or it proffered a thoughtful view of a possible postwar world the way A Canterbury Tale and A Matter of Life and Death did.
In the 1940s and 50s, the Archers stood apart from the prevailing social realism of that period in their feeling for the mystery of the landscape, »
- Philip French
4 items from 2015
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