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Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Thornton Wilder | (screenplay) & | |
| Sally Benson | (screenplay) & | |
| Alma Reville | (screenplay) | |
| Gordon McDonell | (from an original story by) | |
Produced by | |||
| Jack H. Skirball | .... | producer | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Joseph A. Valentine | (director of photography) (as Joseph Valentine) | ||
Film Editing by | |||
| Milton Carruth | |||
Art Direction by | |||
| John B. Goodman | |||
Set Decoration by | |||
| Russell A. Gausman | (set decorations) (as R.A.Gausman) | ||
Costume Design by | |||
| Vera West | (costumes) | ||
Second Unit Director or Assistant Director | |||
| William Tummel | .... | assistant director | |
| Ralph Slosser | .... | second assistant director (uncredited) | |
Art Department | |||
| Robert F. Boyle | .... | associate art director (as Robert Boyle) | |
| Edward R. Robinson | .... | associate set decorator (as E.R. Robinson) | |
| Dorothea Holt | .... | illustrator (uncredited) | |
Sound Department | |||
| Bernard B. Brown | .... | director of sound | |
| Robert Pritchard | .... | technician | |
Visual Effects by | |||
| John P. Fulton | .... | special photography (uncredited) | |
Costume and Wardrobe Department | |||
| Adrian | .... | gowns: Teresa Wright | |
Music Department | |||
| Charles Previn | .... | musical director | |
Other crew | |||
| Adele Cannon | .... | set continuity | |
Thanks | |||
| Thornton Wilder | .... | we wish to acknowledge the contribution of, to the preparation of this production (as Mr. Thornton Wilder) | |
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| So Sweet, So Dead | Greed | Giant | Suspicion | The Best Years of Our Lives |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
"Shadow of a Doubt" may only be listed as #181 on IMDb's "Top 250" list, but in my opinion it far outweighs some of the films higher up on that list and is one of Hitch's very best films.
Joseph Cotten plays Charlie, a crook on the run from the police. Left stranded and pursued, he decides to move in with his brother's family. His niece - who loves him and sees him as a sort of perfect role model - at first is excited that her Uncle Charlie is coming...but then things start to get strange. Charlie acts oddly and, at times, violent. She begins to become suspicious of her uncle as he becomes more suspicious of her own awareness.
The ending of "Shadow of a Doubt" is classic Hitchcock and some of the best stuff he's done. The entire film is taut and suspenseful, well-filmed and realistic. It manages to focus on family ties and the struggles within the family itself while it also juggles the whole theme of an outcast family member.
In the end, however, it's just a nail-biting thriller that - now over sixty years old - still reigns as one of the absolute best of its genre.