Kate & Leopold (2001)
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- PG-13
- 1h 58min
- Comedy, Fantasy
- 25 Dec 2001 (USA)
- Movie
An English Duke from 1876 is inadvertently dragged to modern day New York where he falls for a plucky advertising executive.
Director:
Writers:
Stars:
Awards:
- Nominated for 1 Oscar. Another 1 win & 4 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Meg Ryan | ... |
Kate McKay
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| Hugh Jackman | ... |
Leopold
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| Liev Schreiber | ... |
Stuart Besser
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| Breckin Meyer | ... |
Charlie McKay
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| Natasha Lyonne | ... |
Darci
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| Bradley Whitford | ... |
J.J. Camden
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| Paxton Whitehead | ... |
Uncle Millard
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| Spalding Gray | ... |
Dr. Geisler
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| Josh Stamberg | ... |
Colleague Bob
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Matthew Sussman | ... |
Ad Executive Phil
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| Charlotte Ayanna | ... |
Patrice
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| Philip Bosco | ... |
Otis
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| Andrew Jack | ... |
Roebling
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Stan Tracy | ... |
Photographer
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| Kristen Schaal | ... |
Miss Tree
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William Sanford | ... |
Barry
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| Arthur J. Nascarella | ... |
Gracy
(as Arthur Nascarella)
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| Robert Ray Manning Jr. | ... |
Passerby
(as Robert Manning)
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Roma Torre | ... |
TV Newscaster
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| Viola Davis | ... |
Policewoman
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Ray Seiden | ... |
Sanitation Worker
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| Jonathan Fried | ... |
Faux Wolfgang
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| Francis Dumaurier | ... |
Faux Emeril
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Cole Hawkins | ... |
Hector
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| Stephanie Montalvo | ... |
CRG Intern
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Ebony Jo-Ann | ... |
Nurse Ester
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| George Hahn | ... |
Assistant Director
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Joseph Mosso | ... |
Cameraman
(as Joe Mosso)
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Cornelius Patrick Byrne | ... |
Carriage Driver
(as Cornelius Byrne)
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| Chazz Menendez | ... |
Purse Thief
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| Brandon Parrish | ... |
Dennis
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| Ginger Britt Daniels | ... |
Monica
(as Brittney Startzman)
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| Martha Madison | ... |
Office Woman
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| Stephanie Sanditz | ... |
Gretchen
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Nai Yuan Hu | ... |
Rooftop Violinist
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Michael Shelle | ... |
Distinguished Actor
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| Matt Beisner | ... |
Commercial Director
(as Matthew Beisner)
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| Bill Corsair | ... |
Limo Driver
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| John Rothman | ... |
Executive #1
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Dennis Rees | ... |
Executive #2
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| Michael Cassady | ... |
Executive #3
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| Brian Letscher | ... |
Ad Executive
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| Meg Gibson | ... |
Executive's Wife
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| Kevin Daniels | ... |
Doorman at Party
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Henry Boyle | ... |
Cab Driver
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Russell Di Perna | ... |
Bridge Cop
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Frank Arcuri | ... |
1876 Doorman
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| Rest of cast listed alphabetically: | |||
| David Aaron Baker | ... |
2nd Studio Executive (uncredited)
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| Andrea Barnes | ... |
Clara (uncredited)
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| Delia Baseman | ... |
Girl at the Bridge Opening (uncredited)
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Gary Beck | ... |
1876 Gentleman (uncredited)
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| Craig Bierko | ... |
Actor in Advertisement (uncredited)
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| Diana Brownstone | ... |
Prospective Bride (uncredited)
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Lee Burkett | ... |
Smoking Man at Barrel Shop (uncredited)
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| Carl Burrows | ... |
Party Guest (uncredited)
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| Daphna Cardinale | ... |
Gossip (uncredited)
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| Ty Copeman | ... |
Usher / Theater (uncredited)
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| Monique Gabriela Curnen | ... |
Monica Martinez (uncredited)
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| Aimee Denaro | ... |
Movie Goer (uncredited)
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Fabrizio Fante | ... |
Softball Player (uncredited)
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Howard Feller | ... |
Hospital Patient (uncredited)
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| Peggy Flood | ... |
Prospective Bride (uncredited)
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| Shalom Harlow | ... |
Woman in Movie (uncredited)
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Jennifer Johns | ... |
Ballroom Dancer (uncredited)
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Michael Lanuto | ... |
Rally Supporter (uncredited)
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| Elizabeth Logan | ... |
Movie Goer (uncredited)
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| Domenick Lombardozzi | ... |
Counterman (uncredited)
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| James Mangold | ... |
Irate Director Richard (uncredited)
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| Jorjeana Marie | ... |
Leopold's Maid (uncredited)
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| Eddie Marrero | ... |
Hospital Orderly (uncredited)
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| Celia A. Montgomery | ... |
Red-Haired Flirting Woman at Brooklyn Bridge (1870s) (uncredited)
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Del Pentecost | ... |
Marty (uncredited)
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| Todd Poudrier | ... |
Bartender (uncredited)
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| Colby Ryan | ... |
Flower Shop Clerk (uncredited)
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Directed by
| James Mangold | ||
Written by
| Steven Rogers | ... | (story) |
| James Mangold | ... | (screenplay) and |
| Steven Rogers | ... | (screenplay) |
Produced by
| Christopher Goode | ... | co-producer |
| Cathy Konrad | ... | producer |
| Kerry Orent | ... | executive producer |
| Meryl Poster | ... | executive producer |
| Bob Weinstein | ... | executive producer |
| Harvey Weinstein | ... | executive producer |
Music by
| Rolfe Kent | ||
Cinematography by
| Stuart Dryburgh | ||
Editing by
| David Brenner | ||
Editorial Department
| Andrew Buckland | ... | apprentice film editor |
| Sara Cueva | ... | apprentice film editor |
| Armando Fente | ... | assistant film editor |
| Lee Grubin | ... | first assistant film editor |
| Michael McCusker | ... | first assistant editor |
| Ana Nasser | ... | post-production assistant |
| Matvey Shatz | ... | color timer |
| Joe Violante | ... | dailies advisor |
| Andrea Wertheim | ... | post-production executive |
| Jeff Williams | ... | assistant film editor |
| Skipper Martin | ... | video colorist (uncredited) |
Casting By
| Kerry Barden | ||
| Suzanne Crowley | ||
| Billy Hopkins | ||
Production Design by
| Mark Friedberg | ||
Art Direction by
| Jess Gonchor | ||
Set Decoration by
| Stephanie Carroll | ||
Costume Design by
| Donna Zakowska | ||
Makeup Department
| Alan D'Angerio | ... | hair designer: Meg Ryan (as Alan Dangerio) |
| Linda Grimes | ... | makeup artist |
| Karen Kawahara | ... | makeup artist: Ms. Ryan |
| Stephen Kelley | ... | makeup artist |
| Gary Martori | ... | hair stylist |
| John Quaglia | ... | key hair stylist |
| Peggy Schierholz | ... | hair stylist (as Peg Schierholz) |
| Carla White | ... | makeup department head |
| Mary Cooke | ... | hair stylist (uncredited) |
| Christine Domaniecki | ... | makeup artist (uncredited) |
Production Management
| Alyson Evans | ... | production supervisor |
| Jane Nerlinger Evans | ... | executive in charge of production |
| Christopher Goode | ... | unit production manager |
| Anthony Gore | ... | additional post-production supervisor |
| Mark S. Hoerr | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Alex Jablonski | ... | dga trainee |
| Amy Lauritsen | ... | second assistant director |
| Nicholas Mastandrea | ... | first assistant director |
| Jennifer Truelove | ... | second second assistant director |
Art Department
| JoAnn Atwood | ... | on-set dresser |
| Stephen A. Baker | ... | company construction grip (as Stephen Baker) |
| Robert Barnett | ... | camera scenic artist (as Bob Barnett) |
| Eric Bart | ... | scenic artist |
| Stephen Barth | ... | scenic artist |
| Christine Beebe | ... | set decorating assistant |
| Andrew Benepe | ... | sculptor: Brooklyn Bridge |
| Daniel Brandes | ... | carpenter |
| Terri Brennan | ... | on-set dresser |
| Diana Burton | ... | property master |
| Gene Buser | ... | apprentice scenic |
| Ellen Christiansen | ... | additional set decorator |
| Dominick Cocuzzo | ... | company construction grip |
| Thomas Costabile | ... | construction coordinator |
| Robert Currie | ... | set dresser |
| Eva P. Davy | ... | scenic artist (as Eva Davy) |
| Maximilian De Armon | ... | construction assistant / production assistant |
| Katy Dilkes | ... | scenic artist |
| Edward J. Egan III | ... | company construction grip |
| Gerard Fiore | ... | company construction grip |
| Charles H. Furey | ... | carpenter (as Charles Furey) |
| Gerard J. Furey | ... | shop craftsman |
| Daniel Geary | ... | carpenter |
| James T. Glisson III | ... | scenic artist |
| Harvey Goldberg | ... | set dresser foreperson |
| Glen A. Gregory | ... | carpenter |
| Thomas Gregory | ... | carpenter |
| Roman Greller | ... | set dresser |
| Joanna Hartell | ... | set dresser |
| Michael Herlihy | ... | construction foreperson |
| Nicholas Hill | ... | greensman |
| Michael Jortner | ... | props |
| Janet Kalas | ... | scenic artist |
| Gerald Kammerer | ... | company construction grip |
| Henry Kaplan | ... | set dresser |
| Paul Kinghan | ... | shop electric |
| Claire Kirk | ... | art department coordinator |
| Rob Landoll | ... | shop scenic |
| Hoang Le | ... | carpenter / welder |
| Keri Lederman | ... | assistant property master |
| Elizabeth Linn | ... | scenic charge |
| Miguel López-Castillo | ... | assistant art director |
| Timothy Metzger | ... | leadman (as Tim Metzger) |
| Monique Mitchell | ... | second construction grip |
| Kevin Mullins | ... | company construction grip |
| Don Nace | ... | scenic foreperson |
| Michael O'Dell Green | ... | scenic artist (as Michael Green) |
| Janine Pesce | ... | set dresser |
| Kristyn Phillips | ... | construction auditor |
| Romano C. Pugliese | ... | set dresser |
| Robert Pyzocha | ... | model maker |
| Paul Ramirez | ... | shop scenic |
| Mark Ricker | ... | draftsman |
| Kevin Roach | ... | carpenter |
| John Roche | ... | set dresser |
| Alex Rubin | ... | storyboard artist |
| James Sadek | ... | carpenter |
| Will Scheck | ... | key greensman |
| Robert Schleinig | ... | assistant set decorator |
| Rob Schmitt | ... | key construction grip (as Robert W. Schmitt) |
| Mark Paul Selemon | ... | greensman (as Mark Selemon) |
| Beth Solin | ... | scenic artist |
| Eoin Sprott | ... | elevator model artist |
| Patricia Sprott | ... | scenic artist |
| W. Ernest Stalder | ... | carpenter |
| Debra Sugarman | ... | fourth props |
| Alexandra Tager | ... | art department researcher |
| Richard Tedesco | ... | art department assistant |
| Bryan Tonkin | ... | company construction grip |
| Kevin A. Tonkin | ... | company construction grip (as Kevin Tonkin) |
| Mario Ventenilla | ... | draftsman |
| Sheri von Seeburg | ... | additional research |
| Holly Watson | ... | graphic artist |
| Tim Weston | ... | company construction grip |
| James Whelan | ... | set dresser |
| Joan Winters | ... | graphic designer |
Sound Department
| Mary Andrews | ... | supervising adr editor |
| Ted Barela | ... | sound recording engineer |
| Bill W. Benton | ... | re-recording mixer |
| Tracy Bolt | ... | sound recordist |
| Charlie Bouis | ... | sound recording engineer |
| David Boulton | ... | adr mixer |
| Guy Charbonneau | ... | sound recording engineer |
| Mike Chock | ... | dialogue editor |
| Steve Coleman | ... | technical engineer (as Steven Coleman) |
| Robert Deschaine | ... | adr mixer (as Bob Descaine) |
| Donald Flick | ... | sound effects editor |
| Howell Gibbens | ... | supervising sound editor |
| Peter Gleaves | ... | adr mixer |
| Dan Guachione | ... | boom operator |
| Vincent Guisetti | ... | foley artist |
| Jeffrey J. Haboush | ... | re-recording mixer |
| Pamela Kahn | ... | foley artist |
| Larry Kemp | ... | dialogue editor |
| Elizabeth Kenton | ... | dialogue editor |
| Howard London | ... | adr mixer |
| Marilyn McCoppen | ... | adr editor |
| Jan McLaughlin | ... | sound utility |
| James Morioka | ... | assistant sound editor |
| Mathew Price | ... | production sound mixer |
| Kyle Rochlin | ... | foley mixer |
| James J. Sabat Jr. | ... | sound recordist |
| David Weisberg | ... | adr mixer |
| James Wright | ... | stereo sound consultant: Dolby |
Special Effects by
| Conrad V. Brink Jr. | ... | special effects foreperson (as Connie Brink Jr.) |
| Connie Brink | ... | special effects coordinator (as Connie Brink Sr.) |
| Harold McConnell Jr. | ... | special effects technician |
Visual Effects by
| Curtis Augspurger | ... | visual effects producer/roto lead |
| Buckley Collum | ... | CG lead |
| Joseph Conti | ... | 3d lead (as Joe Conti) |
| C. Marie Davis | ... | visual effects executive producer |
| Anna Foerster | ... | miniature director of photography |
| Julia Frey | ... | visual effects producer |
| Shannon Blake Gans | ... | miniatures: Hunter/Gratzner Industries Inc. |
| Laurie Powers Going | ... | digital compositor (as Laurie Powers) |
| Matthew Gratzner | ... | miniatures: New Deal Studios, Inc. |
| Anthony Harris | ... | digital color timer: SPI |
| Elizabeth Hirsch | ... | visual effects production manager |
| Shaina Holmes | ... | digital compositor |
| Ian Hunter | ... | miniatures / visual effects supervisor: New Deal Studios Inc. |
| Leigh-Alexandra Jacob | ... | lead painter |
| Justin Johnson | ... | digital artist |
| Ken Jones | ... | visual effects supervisor (as Dr. Ken Jones) |
| David Henry Levy | ... | special consultant on time travel |
| Suzanne Mitus-Uribe | ... | digital compositing supervisor |
| Gregory Oehler | ... | digital compositing supervisor |
| Rick Riche | ... | matte painter |
| Rick Rische | ... | digital matte artist (as Rick Riche) |
| David Sanger | ... | producer: New Deal Studios |
| Robert Scifo | ... | matte painter (as Bob Scifo) |
| Nicholas Siapkaris | ... | visual effects production supervisor |
| Robert Stromberg | ... | visual effects supervisor |
| Patrick Zentis | ... | matte painter |
| Edward Helmers | ... | digital artist (uncredited) |
Stunts
| Danny Aiello III | ... | stunts |
| Bill Anagnos | ... | stunt driver |
| Chris Barnes | ... | stunt rigger |
| Paul Bucossi | ... | stunts |
| Peter Bucossi | ... | stunt coordinator |
| Vic Bucossi | ... | stunts |
| Jay Carrado | ... | stunts |
| Jerry Cetrulo | ... | stunts |
| Victor Chan | ... | stunts |
| John Copeman | ... | stunts |
| Pete Corby | ... | stunts (as Pete Corry) |
| Stracy Diaz | ... | stunts |
| Roy Farfel | ... | stunts |
| Ken Harris | ... | stunts |
| Don Hewitt | ... | stunts |
| Donald John Hewitt | ... | stunts |
| Jery Hewitt | ... | stunts |
| John Patrick McLaughlin | ... | stunts (as Jack McLaughlin) |
| Donal Oldaker | ... | stunts |
| Jodi Michelle Pynn | ... | stunts (as Jodi Pynn) |
| Michael Russo | ... | stunts (as Mike Russo) |
| David Shumbris | ... | stunts |
| Jimmy P. Wong | ... | stunts |
| Amy Yanagisawa | ... | stunts |
| Donal Oldaker | ... | equestrian stunt double: Hugh Jackman (uncredited) |
Camera and Electrical Department
| Phil Abraham | ... | additional photographer: second unit |
| Hashim Al-Mashat | ... | rigging electrician |
| John Baer | ... | still photographer |
| Nicolas L. Charuet | ... | company grip (as Nick Charuet) |
| Steve Comesky | ... | best boy electric (as Steven Comesky) |
| Stephen Consentino | ... | camera operator: "b" camera / steadicam operator |
| Gavin Curran | ... | company electrician |
| Aaron Dawley | ... | company grip |
| Gene Engels | ... | gaffer |
| Jeffrey A. Eplett | ... | rigging electrician |
| Jamie Fitzpatrick | ... | second assistant camera: "b" camera |
| Brian Fitzsimons | ... | company grip |
| Pyare Fortunato | ... | assistant camera |
| Dennis Gamiello Jr. | ... | company grip |
| Anthony Gamiello | ... | company grip |
| Chris Gamiello | ... | company grip |
| Dennis Gamiello | ... | key grip |
| Carlos Omar Guerra | ... | first assistant camera: "a" camera (as Carlos Guerra) |
| James Harker | ... | company electrician |
| Jendra Jarnagin | ... | rigging electrician |
| Lukasz Jogalla | ... | camera operator: "a" camera |
| Eric Leigh | ... | electrician |
| Edward W. Lowry | ... | dolly grip (as Edward Lowry) |
| James Mah | ... | company electrician |
| Frances 'Buddy' McBride | ... | rigging gaffer |
| Sean McCardell | ... | rigging electrician |
| Tim Metivier | ... | first assistant camera: "b" camera (as Timothy Metivier) |
| John Milcetic | ... | company electrician |
| Robert Murphy | ... | company grip |
| Neil Orlowski | ... | camera loader |
| Brian A. Pitts | ... | set electrician |
| James Quinn | ... | best boy grip (as James C. Quinn) |
| Leigh Rathner | ... | second assistant camera: "a" camera |
| Jon W. Rosenbloom | ... | rigging grip |
| Louis Sabat | ... | company grip |
| Lewis Sadler | ... | electrician |
| Gerard Sava | ... | camera operator: additional "b" camera |
| Igor Srubshchik | ... | video playback operator |
| Kyle Stephens | ... | electrician |
| Brian Stocklin | ... | company electrician |
| Joel Tishcoff | ... | rigging best boy |
| Tomas von Rauchhaupt | ... | company electrician (as Tom von Rauchhaupt) |
| Darren Ryan | ... | 24 frame video operator (uncredited) |
Casting Department
| Mark Bennett | ... | casting associate: New York |
| Kristine Bulakowski | ... | extras casting |
| Molly Clayton | ... | casting assistant |
| Deborah Maxwell Dion | ... | casting associate: Los Angeles |
| Barbara Harris | ... | voice casting |
| Driss Tijani | ... | extras casting assistant (uncredited) |
Costume and Wardrobe Department
| Amy Andrews | ... | costume supervisor |
| Stacy Havens | ... | tailor |
| Iris Horta Lemos | ... | costumer: Ms. Ryan (as Iris Lemos) |
| Estella Marie | ... | seamstress |
| Hilary Niederer | ... | wardrobe assistant |
| Frankie Ritacco | ... | costume supervisor (as Francine Ritacco) |
| Michael Sharpe | ... | assistant costume designer |
| Angielette Smith | ... | wardrobe assistant (as Angelielette Smith) |
| Laura Steinman | ... | set costumer |
| Gillian Waterman | ... | assistant costume designer |
| Annie Yun | ... | wardrobe assistant |
Location Management
| Jessica Archer | ... | location coordinator |
| Guy Efrat | ... | location assistant / location scout |
| John Galas | ... | location security |
| Heather Gauntt | ... | location scout |
| Christine Leaman | ... | location scout |
| Kellie Morrison | ... | assistant location manager |
| Kip Myers | ... | location scout |
| Carla Raij | ... | location manager |
| Andrew Saxe | ... | location scout |
| Mimi Turner | ... | assistant location manager |
| Danny Winchester | ... | location scout |
| Jennifer Lyne | ... | location scout (uncredited) |
Music Department
| Tony Blondal | ... | orchestrator |
| Michael Farrow | ... | music scoring mixer |
| Jascha Heifetz | ... | musician: violin, "Alt Wien" |
| Gretchen O'Neal | ... | music production coordinator |
| Paul Rabjohns | ... | music editor |
| Joe Rangel | ... | source music coordinator |
| David Sabee | ... | orchestra contractor |
| Marc Shaiman | ... | executive charge of music |
| Nick South | ... | music editor |
| Randy Spendlove | ... | executive in charge of music |
| William T. Stromberg | ... | conductor (as William Stromberg) |
| Suzanne Coffman | ... | music clearance (uncredited) |
Script and Continuity Department
| Sheila G. Waldron | ... | script supervisor (as Sheila Waldron) |
| Andrew Fleming | ... | script revisions (uncredited) |
| Audrey Wells | ... | script revisions (uncredited) |
Transportation Department
| Thomas Buckman | ... | transportation co-captain (as Thomas Buckman Sr.) |
| David Conelli | ... | camera car driver |
| José Tejada | ... | parking coordinator |
| Ralph Volpe | ... | transportation captain |
Additional Crew
| Thomas Ahlers | ... | office assistant |
| Frank Anello | ... | stand-in: Liev Schreiber |
| Kevin Berman | ... | consultant |
| Christopher Biggins | ... | set staff assistant |
| Mauro Blanco | ... | dubbing actor |
| Ursula Brauner | ... | animal trainer |
| Tamara Brock | ... | animal trainer |
| Rupert Cole | ... | assistant to producer |
| Brian Cooper | ... | assistant production coordinator |
| Dr. Corridino | ... | medical technical advisor |
| Debora Fearon | ... | craft service |
| Christopher Gambale | ... | assistant to harvey weinstein |
| Ellen Gannon | ... | production coordinator |
| Traci Hainsworth | ... | production resources |
| Arlene Hellerman | ... | researcher |
| Andrew Jack | ... | dialect coach: Hugh Jackman |
| Josh Jacobs | ... | set staff assistant |
| Karen Jones | ... | personal assistant: Hugh Jackman |
| Bruce Kaye | ... | assistant: Mr. Mangold |
| Kathleen Kearney | ... | set staff assistant |
| Kathleen E. Kearney | ... | key production assistant |
| Kristan C. Keck | ... | office assistant |
| Brooke Keesling | ... | production coordinator |
| Adam J. Kreps | ... | office assistant / production assistant |
| Steve Kupp | ... | office assistant |
| Victoria Lang | ... | set production assistant |
| Cara Leibovitz | ... | unit publicist |
| Mark R. Lindsay | ... | sales representative (as Mark Lindsay) |
| Lily Lodge | ... | etiquette consultant |
| Steven Gil Malach | ... | production coordinator |
| Alex McCord | ... | stand-in: Ms. Tree |
| F. Ron Miller | ... | title designer: main titles |
| Bobby Munster | ... | production assistant |
| Reese Nanavati | ... | production assistant (as Tess Nanavati) |
| Mike Phillips | ... | production accountant |
| Patricia Porter | ... | payroll accountant |
| Art Rabin | ... | horse coordinator |
| Don Reynolds | ... | animal trainer |
| Titus Reynolds | ... | animal trainer |
| Vernon Rodriquez | ... | assistant parking coordinator |
| Nicole Romero | ... | assistant: Ms. Konrad |
| Arthur Roses | ... | set staff assistant |
| Thomas Roughan | ... | set staff assistant (as Thomas J. Roughan) |
| Peter Sabat | ... | additional production coordinator |
| Jodi Shapera | ... | first assistant accountant (as Jodi Shapera Yeager) |
| Elizabeth Speckman | ... | post-production accountant |
| Noah Thomson | ... | craft service |
| Linda Toon | ... | accounting assistant |
| Lorna Ventura | ... | choreographer |
| Ryan Viniotis | ... | stage manager |
| Mimi Wyeth | ... | second assistant accountant |
| Andrew Zolot | ... | assistant: Mr. Orent (as Andy Zolot) |
| Carrie Fisher | ... | script doctor (uncredited) |
| Paula Jack | ... | dialogue advisor (uncredited) |
Thanks
| Linda A. Borgeson | ... | thanks (as Linda Borgeson) |
| Jane Nerlinger Evans | ... | thanks (as Jane Evans) |
| John Hadity | ... | thanks |
| Steve Hutensky | ... | thanks (as Steven Hutensky) |
| Kevin Hyman | ... | thanks |
| Bob Osher | ... | thanks |
| Andrea Wertheim | ... | thanks |
| Thom Zadra | ... | thanks |
Production Companies
Distributors
- Miramax (2001) (United States) (theatrical)
- Twentieth Century Fox (2002) (Germany) (theatrical)
- Gaga (2001) (Japan) (as GAGA Communications)
- Bac Films (2002) (France) (theatrical)
- Buena Vista International (2002) (Argentina) (theatrical)
- Buena Vista International (2002) (Italy) (theatrical)
- Buena Vista International (2002) (United Kingdom) (theatrical)
- Laurenfilm (2002) (Spain) (theatrical)
- RCV Film Distribution (2002) (Belgium) (theatrical)
- RCV Film Distribution (2002) (Luxembourg) (theatrical)
- RCV Film Distribution (2002) (Netherlands) (theatrical)
- Village Films (2002) (Greece) (theatrical)
- Audio Visual Enterprises (2002) (Greece) (DVD)
- Gativideo (2002) (Argentina) (DVD)
- Gativideo (2002) (Argentina) (VHS)
- Miramax Home Entertainment (2002) (United States) (DVD)
- RCV Home Entertainment (2002) (Netherlands) (DVD)
- RCV Home Entertainment (2002) (Netherlands) (VHS)
- Splendid Film (2002) (Germany) (DVD)
- Yorin (2004) (Netherlands) (tv)
- Shringar Distributors (2003) (India) (theatrical) (as Shringar Films)
- 10 Shake (2023) (Australia) (tv)
- Buena Vista Home Video (World-wide) (VHS)
- Buena Vista International (Brazil) (DVD)
- Buena Vista International (Brazil) (VHS)
- West Video (Russia) (VHS)
Special Effects
- CIS Hollywood (additional special visual effects)
- Digital Backlot (visual effects)
- Hunter/Gratzner Industries (miniatures)
- Menace FX (additional visual effects)
- New Deal Studios
Other Companies
- Abrams Books (books provided by)
- Alfred. A. Knopf Company (books provided by)
- Amacom (books provided by)
- Amber-Allen Publishing (courtesy of: "Seven Spiritual Laws of Success" by Deepak Chopra)
- American Humane Association (animal activity monitoring)
- American Institute of Physics (journals used with permission)
- American Physical Society (journals used with permission)
- Animals for Hollywood (dogs provided by)
- Applause Books (books provided by)
- Barnes & Noble (books provided by)
- Best Shot (stock footage provided by)
- Boone's Animals for Hollywood (animals provided by)
- CNBC (courtesy of: "Rivera Live" footage)
- Cameo Film Library (stock footage provided by)
- Carlton International (courtesy of: "The Prisoner")
- Chapman/Leonard Studio Equipment (cranes and dollies)
- Chronicle Books (books provided by)
- Copy Workshop (books provided by)
- Custom Film Effects (titles and opticals)
- Dia Art Foundation Collection (courtesy of: "The Thief" by Francis Alys)
- Dorchester Publications (books provided by)
- Ecco Bella (bath products provided by)
- European Soaps (bath products provided by)
- Gentle Jungle (animals provided by)
- Global Entertainment Partners (Avid editing equipment provided by)
- Harcourt (books provided by)
- Hayes School Publishing (books provided by)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of)
- Kala (bath products provided by)
- Kama Sutra Company (bath products provided by)
- Le Mobile (mobile recording facilities)
- M+J Savitt (acknowledgement: jewelry by Janis Savitt)
- Major League Baseball Properties (licensed by: the Major League Baseball trademarks depicted in this motion picture)
- Marlborough Gallery, New York (licensed by: Tom Otterness)
- Marshall Cavendish Education (books provided by)
- Mary Nelson-Duerrstein & Associates (negative cutting)
- McGraw-Hill Book Company (books provided by)
- Miramax (soundtrack)
- Motion Picture Association (MPA)
- NY1 News (courtesy: NY1 footage)
- National Oceanic and Atmospheric Administration (NOAA) (maps courtesy of)
- New York State Governor's Office for Motion Picture & Television Development (thanks)
- Old Bethpage Village Restoration Band (thanks)
- Overlook Press (books provided by)
- PaceWildenstein (courtesy of: "Very Picante" 1995 by Jim Dine and "Yellow/Gray Looped Line Zone" 1999 by Robert Mangold)
- Prep Shoot Post (post-production accounting)
- Riverbed Media (courtesy of: "Haringmorphs")
- Rizzoli New York (books provided by)
- Samuel French (books provided by)
- SeattleMusic (music performers)
- Sony Pictures Releasing (sound services)
- South Western Books (books provided by)
- St. Martin's Press (books provided by)
- The City of Yonkers (thanks)
- The Estate of Keith Haring (courtesy of: "Haringmorphs")
- The Estate of Roy Lichtenstein (licensed by: Roy Lichtenstein)
- The Hudson River Stage (thanks)
- The New York City Mayor's Office of Film, Theatre & Broadcasting (thanks)
- The Rainforest Foundation (acknowledgement: "Cielo, Sole, Terra" photographs by Antonia Bandirali)
- Tom Doherty Associates (books provided by)
- Universal Stock Footage Library (stock footage provided by)
- VAGA, New York (licensed by: Jasper Johns)
- VAGA, New York (licensed by: Robert Rauchenberg)
- VAGA, New York (licensed by: Tom Otterness)
- Weddington Productions (sound services)
Storyline
| Plot Summary |
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time. He goes back to the 19th Century and takes pictures of the place. Leopold -- a man living in the 1870s -- is puzzled by Stuart's tiny camera, follows him back through the gap, and they both ended up in the present day. Leopold is clueless about his new surroundings. He gets help and insight from Charlie who thinks that Leopold is an actor who is always in character. Leopold is a highly intelligent man and tries his best to learn and even improve the modern conveniences that he encounters. Written by Rosemea D.S. MacPherson |
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| Taglines | If they lived in the same century they'd be perfect for each other. See more » |
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| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $48,000,000 (estimated) |
| Opening Weekend United States | $2,562,448, 23 Dec 2001 |
| Cumulative Worldwide Gross | $76,019,048 |
Did You Know?
| Trivia | Hugh Jackman took etiquette lessons from 19th-century etiquette expert Jane Gibson (who trained actors for such projects as Sense and Sensibility (1995)). He also studied ballroom dancing and trained to ride a horse for the film. See more » |
| Goofs | Among the people he admires, Leopold mentions "Edison with his lamp", Diesel, Bell, and Westinghouse. In 1876, when the movie takes place, Thomas A. Edison had just gotten his first interest in incandescent lamps, Rudolph Diesel was 18, and Alexander Graham Bell's telephone had just been patented. Although the Westinghouse Electric Company wasn't founded until 1886, George Westinghouse received his first patent in 1873. See more » |
| Movie Connections | Featured in Sting: Until (2001). See more » |
| Soundtracks | Manhattan Beach See more » |
| Crazy Credits | In 1852, Elisha Graves Otis invented the safety brake for a lifting platform. One year later in 1853, he founded the Otis Elevator Company in Yonkers, New York. The Otis Elevator Company is a wholly owned subsidiary of United Technologies Corporation. See more » |
| Quotes |
Stuart:
It is no more crazy than a dog finding a rainbow. Dogs are colourblind, Gretchen. They don't see colour. Just like we don't see time. We can feel it, we can feel it passing, but we can't see it. It's just like a blur. It's like we're riding in a supersonic train and the world is just blowing by, but imagine if we could stop that train, eh, Gretchen? Imagine if we could stop that train, get out, look around, and see time for what it really is? A universe, a world, a thing as unimaginable as colour to a dog, and as real, as tangible as that chair you're sitting in. Now if we could see it like that, really look at it, then maybe we could see the flaws as well as the form. And that's it; it's that simple. That's all I discovered. I'm just a... a guy who saw a crack in a chair that no one else could see. I'm that dog who saw a rainbow, only none of the other dogs believed me. Gretchen: I believe you. See more » |