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Kate & Leopold (2001)

An English Duke from 1876 is inadvertedly dragged to modern day New York where he falls for a plucky advertising executive.

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(story), (screenplay) | 1 more credit »
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Nominated for 1 Oscar. Another 1 win & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
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J.J. Camden
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Dr. Geisler
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Colleague Bob
Matthew Sussman ...
Ad Executive Phil
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Otis
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Stan Tracy ...
Photographer
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Miss Tree
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Storyline

Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time. He goes back to the 19th Century and takes pictures of the place. Leopold -- a man living in the 1870s -- is puzzled by Stuart's tiny camera, follows him back through the gap, and they both ended up in the present day. Leopold is clueless about his new surroundings. He gets help and insight from Charlie who thinks that Leopold is an actor who is always in character. Leopold is a highly intelligent man and tries his best to learn and even improve the modern conveniences that he encounters. Written by Rosemea D.S. MacPherson

Plot Summary | Plot Synopsis

Taglines:

This Christmas, chivalry makes a comeback. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

25 December 2001 (USA)  »

Also Known As:

Kate and Leopold  »

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Box Office

Budget:

$48,000,000 (estimated)

Opening Weekend USA:

$2,562,448, 23 December 2001, Wide Release

Gross USA:

$47,121,859

Cumulative Worldwide Gross:

$76,019,048
See more on IMDbPro »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Also on the wall of Stuart's apartment is a Spanish-language poster for the movie "Cerebro Atomico" ("The Atomic Brain"), starring Gene Nelson. Although this 1955 film is known to American audiences as The Atomic Man (1955), the movie's original title was "Timeslip," which is appropriate for this film. (The other, more visible Spanish-language movie poster in Stuart's apartment is "Yo Nombrare Al Asesino" (I'll Name the Murderer (1936).) See more »

Goofs

When Stuart falls down the elevator shaft, he is sloppily dressed in a casual modern dress shirt, as it is the morning in the present, however, when he is brought out to the ambulance he is dressed in the outfit that he used to go back to 1876. See more »

Quotes

[first lines]
Roebling: Time. Time, it has been proposed, is the fourth dimension. And yet, for mortal man, time has no dimension at all. We are like horses with blinders, seeing only what lies before us. Forever guessing the future and fabricating the past.
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Crazy Credits

In 1852, Elisha Graves Otis invented the safety brake for a lifting platform. One year later in 1853, he founded the Otis Elevator Company in Yonkers, New York. The Otis Elevator Company is a wholly owned subsidiary of United Technologies Corporation. See more »

Connections

Spoofs Rain Man (1988) See more »

Soundtracks

Alt Wien
Composed by Leopold Godowsky
Transcribed by Jascha Heifetz
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User Reviews

Charming romantic comedy...with time travel weaknesses...
6 March 2004 | by See all my reviews

If you can accept the totally ridiculous premise of KATE AND LEOPOLD and enjoy romantic fantasies of this sort, you'll find yourself drawn into the plot because of the very charismatic HUGH JACKMAN. He is the main reason for watching and carries the film on his sturdy shoulders, so adept is he at being a "knight in shining armor".

As for MEG RYAN, she is giving her usual Meg Ryan schtick--a sort of slightly brighter version of Goldie Hawn--but here it doesn't matter because Jackman manages to steal every scene he's in. BRECKIN MEYER is excellent as her boorish brother who learns a few things from his 18th Century friend about manners and etiquette. But it's the time travel aspect of the story that is its weakest link.

Highly recommended as a romantic comedy that owes much of its charm to the performance of its leading man--an actor of remarkable skill whose hunky presence dominates much of the movie.

It's the sort of romantic fluff that would have starred JEAN ARTHUR and GARY COOPER had it been made in the '30s. The New York location photography is excellent.


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