James Schamus, who was one of the master teachers at the recent second edition of Doha Film Institute’s Qumra, says the new filmmakers are the most important and I agree. Even when I was “new” I knew that and now that I am “old” I still do.
Qumra is the prime opportunity to see the new filmmakers of Mena as they create their early works. Now three are here extending their visibility and learning more about the international film world.
Qumra’s second edition in March introduced an intensive workshop during which 10 Qatar-based filmmakers presented their short film projects, currently in development, to a group of international industry professionals, including script consultants, producers, lab representatives, programmers and buyers, all of whom are experts in the short form. Ten shorts is not too few so that the films are representative of a broad swatch of filmmakers and/ or stories but not too many for us to get to know all the projects and even the filmmakers on a more personal, deeper level.
The Qumra Shorts Group Tutorials gave me the chance to present “The International Festival Circuit”, which sets the stage for understanding how to present first films and next projects to film-business executives, possible co-producers, financiers, etc. My objective was to provide a practical overview of the key issues to consider in choosing the best festivals and/or market events that best suit scripts, projects in pre-production, or completed films. Emerging filmmakers can then create the ideal marketing campaign to advance their films and further their career while approaching buyers, distributors and financiers.
All the filmmakers are creating stories out of issues of identity. Each of the projects is indicative of these young emerging filmmakers’ intensely personal searches for identity within their environments. The transformation of the personal to the universal is, as we all know, key to artistic creation. I was deeply moved by these filmmakers daring to meet the challenge of every thinking person – young or old -- through their choices in creating works of fiction or documentaries which speak to this issue. Their honesty in facing themselves in their society today is brave.
Watch videos of the short filmmakers here (and other videos of Qumra too).
The Shorts of Qumra
“The World Is Blue”
Amna Al-Binali, a graduate of Qatar University English Literature and Linguistics major, directed her first short film, “Doctor’s Office” at the La Fémis Gulf Summer School in 2015. “The Notebook”, her second short film, had its premiere at the Ajyal Youth Film Festival in 2015.
How people present themselves in our society today and how they feel about
it in reality is what this comedy/drama portrays. A young bride prefers to read a book rather than attend her own engagement party. The book is the evil object that prevents her from playing her role and coming out to the stage as a bride.
What Amna said in explanation of this film reminded me of how our weddings and Bar Mitzvahs and Quinceanera’s work as well.
“In the film, we see the different parts women play in society. There are young women lavishly dressed, elderly women completely covered, little children with little care in the world and pregnant women. These are the usual sights in a Qatari engagement party. Because I have been attending quite a few engagement parties recently, I have been observing how they all go on the same way, and how everyone acts and reacts the same. They don’t really talk to each other. They seem to be there only because it’s a social duty. You almost never feel that you are attending different engagement parties. It made me think about why these parties repeat themselves over and over. It felt like I was attending a play. Everyone was acting according to their assigned roles, whether it’s the bride, the mother of the bride, the cousin of the bride, etc.
The protagonists spends most of the story trying to finish the book she is reading. Through the narrative, she is trying to understand the fictional character’s emotional experience. Perhaps it will help her understand her own.”
She is dealing with psychological issues within the context of society’s strict adherence to engagement/ marital rules and customs.
The issue of identity plays out with the heroine not wanting to fit the same mold as everyone else, not satisfied with her sister’s answer that she will understand once she gets married…what will she understand? That she is now to have children who will take up her life? I admire the heroine for her intense questioning and wonder how it will be resolved.
"Amer : The Arabian Legend"
Jassim Al-Rumaihi works as a reporter at Al-Jazeera News Channel, covering news from Tunisia to Nepal. While studying at Northwestern University in Qatar, he took several classes in film production. Since then, he has worked on a two short films, and he is currently working on his third with the support of the Doha Film Institute. His film “The Palm Tree” (Qatar, No Dialogue, 2015) was made as a part of a documentary workshop in just over a week. With the film winning the Made in Qatar – Best Documentary Award at the Ajyal Youth Film Festival 2015, it is now receiving interest from film festivals and critics.
“Amer : The Arabian Legend” is his third short.
Sent as a gift to the late Emir of Qatar in the 1980s, Amer seemed like an average purebred Arabian. After he was taken to the tracks of Umm Qarn to train other horses, however, he showed his class, changing the face of Arabian horseracing forever.
Besides being a champion horse – he won nine of his thirteen starts – Amer is the most influential stallion in Arabian horseracing history. With a current stud fee of Us $60,000, the grey horse from the deserts of Arabia has sired more than 130 champions. Yet Amer’s extraordinary story is almost unbelievable for many, who speculate as to the legitimacy of his legacy.
“Amer” deals with the subject of identity. First of all, I had always heard all great race horses called “Arabian horses” but I had not really thought about the term. I find so many of my preconceptions are brought to consciousnss with my experience in Doha. I learned that what I have called Arabian is actually a western definition. The true Arabian horse: Is it built for racing or for endurance? Amer, a legendary Arabian stallion, is changing the definition of Arabian horse racing with Europeanized “Arabian” horses encountering the “upstart” genetically, and perhaps “out of line” horse Amer who most definitely is Arabian and his mixed progeny.
“Buqsha”
Director, Fahad Al Obaidly, is a researcher at the National Museum of Qatar as well as a curator and fashion designer. He introduced his brand Fahad Al-Obaidly in 2014. He completed his course in fashion design, specializing in casual menswear, at the Institute Marangoni. Being an Arab with a European vision of style in fashion greatly contributes to the philosophy behind his work. Al Obaidly has directed two short fashion films and directed one short documentary.
I had more time and more occasions to socialize with the film’s producer, Salwa Al Khalifa, during several activities at Qumra. She is so outgoing and engaging and her background is unique as she is a Sudanese filmmaker whose father moved to Qatar before she was born and yet she still grapples with what it means to be Sudanese-Qatari. She studied Mass Communication at Qatar University, and obtained a diploma in Documentary Filmmaking. She has directed a few short films, and has worked as an assistant director and script supervisor in a number of independent short films in Qatar.
“Buqsha”’s underpinning is modern day’s greatest philosophic dilemma: How can we venture into the past to look to the future? Here Fahad posits the question in terms of his own his wish to pursue a difficult line of artistic freedom as a designer which he knows has great import to his society, even though the society is not exactly eager for him to follow the path he has chosen.
Director-writer Fahad Al Obaldly and the producer Salwa Al Khalifa are both dealing with their personal issues of identity in an intense and creative way as seen in their previous autobiographical films.
Fahad is looking directly at his grandmother, a weaver of tents who incorporated coded language into the designs. Fahad’s definition of himself is found in this grandmother’s weaving and the sense of design that weaving brings to societies around the world. Design is not a trivial modern pursuit; it reflects society’s need for shelter and for clothing to protect us against the elements. And within the designs is the secret language of the society itself.
Fahad and Sara Al Obaidly journey around Qatar, capturing the beauty of the Doha landscapes while exploring the rich diversity of arts and ancestral traditions, as well as the impact contemporary and traditional culture have on each other. During their travels, they focus on “sedu” weaving, one of the most important of Qatari traditional textile crafts. They meet with and interview an expert to discover and learn the historical background of “sedu” in Qatar. Along the way they visit artisans and cultural experts, and explore their roles in preserving and promoting the cultural and ethnic heritage of Qatar.
A treasure trove of talent is also remaining at home in Qatar but their films will have lives extending beyond in the coming year. Here are the others which we discussed in Qumra.
“Love in the Middle East”
I loved this project. I was amazed to learn that Arabic has about 99 words describing different degrees and types of love; way beyond our English vocabulary. Mostafa Sheshtawy is an emerging filmmaker I think will become an important interpreter of mores in Mena of interest to the world today. His sense of humanity is very apparent.
To some people, love is the pursuit of happiness. Throughout the history of the Arab world, love has always been one of the most popular subjects of discussion, as we can see from poetry, literature and folktales. In a series of interviews and stories, the director, a 28-year-old Arab, explores what love means in the Middle East – how it is affected by culture and tradition, how much it is influenced by religion, and how it is perceived by different generations.
Filmmaker and photographer Mostafa Sheshtawy was born in Egypt and raised in Qatar. He began his film career by documenting the Egyptian revolution in 2011. Since then, he has worked on various productions in Egypt and Qatar with the Doha Film Institute, primarily in the camera department. His directorial debut was the short documentary ‘Immortalizing Memories’, which screened in the Ajyal Youth Film Festival in 2015. Sheshtawy’s first short narrative film is the romantic comedy ‘Love Blood Test’ (2015).
“A Ranged Marriage”
Dealing with society’s arranged marriages, and an unhappy one at that, this is daring and fantastical . Nora Al-Subai’s multi cultural upbringing -- a Qatari born and raised in France, a graduate of Carnegie Mellon in Computer Science – and her earlier film “My Hero” which already won for Best Short Film at the Ajyal Youth Film Festivla and was in Cannes, Clermont-Ferrand and other top festivals was a very well developed, well produced and well directed story about a little boy paying for his busy father’s time. Her other film, a Middle Eastern Cinderella story for today was also very well told. She has a sure hand directing and a flair for storytelling. These two previous films, both of which make comedies out of current societal issues, bode well for her ability to tell this story.
She does not tell her stories in a dark way; instead she uses lightness to illuminate what we would normally label “dark comedy”. In a way this reminds me of “Of Kind Hearts and Coronets” a classic British comedy of in 1949 dealing with murder in a light-hearted funny way.
Nora Al Subai says, “I have always been intrigued by the concept of arranged marriages, and people agreeing to live the rest of their lives with another person simply because they are “good people” or come from a good family. I wanted to explore the comical concept of an arranged marriage in which one partner decides that the best anniversary gift of all would be the death of their spouse. Since she is in an arranged marriage, however, Sarah finds it difficult to kill her husband when she realizes she doesn’t know anything about him.
“Qafas”
Mayar Hamdan’s previous film in live action was about a girl caught cheating in school. It was funny and whimsical in style, but is very subversive. It reminded me of Todd Solondz’ “Welcome to the Dollhouse”. Mayar said that people strongly objected to her film as if she were revealing something that should not be revealed. And that is what made it a brave story to tell.
“Qafas” is toned down. It is also to be animated. Thematically it fits into the issue of finding one’s true identity when confined within strictures not of one’s own choosing. It is the story of a young man who tries everything to escape the cage in which he is chained. Only when he realizes that the true obstacle to his release is not the chains, but rather his outlook on his situation, does he finally become free.
Mayar Hamdan is a recent graduate of Northwestern University in Qatar, where she studied Media Industries and Technology, with a concentration in Animation and Post-Production.
“More Than Two Days”
Ahmed Abdelnaser was born in Doha. A filmmaker and an editor, he became passionate about cinema at an early age. After winning two awards for best editing, he became a montage trainer with Avid. As a lecturer, he taught the art of film editing at the Aljazeera Media Training Centre. His first film, ‘Children of the Earthquake’ (2007) was shot in Pakistan with the support of Reach Out to Asia. His recent short film ‘I Exist’ (2014), filmed on the borders of Turkey, won five international awards for Best Short Film, and participated in more than 30 film festivals. ‘More Than Two Days’ (2015) was supported by the Film Training and Development Department of the Doha Film Institute.
Something has occurred that has cast a shadow on two brothers who are in the prime of their lives. Between silence, admonition, and a desire to reveal, the film dives into the implications of what has happened – a conflict that reflects on their lives, their relationship, and how each of them tries to deal with his new life. Over two days, the story focuses on the eruption of the conflict they face, and its weighty influence on the future of each of the brothers.
“Kashta”
A father takes his two sons out on a trip to the desert to go hunting, but the results are not quite what he was expecting. The story has a primal quality as it unfolds in the most beautiful desert valley. I could see filmmaker Aj Al-Thani’s fascination with “Star Wars” as she told me when we spoke. She and her producer Jaime Siordia are a unique team to watch.
Aj Al-Thani is a Qatar-born filmmaker. Her love for movies and moviemaking began at the age of six when she saw ‘Star Wars’ (1977) in the cinema in 1999. Al-Thani’s relationship with the Doha Film Institute began in 2010 when she participated in one of its first film workshops, which opened the door for many local filmmakers to pursue their passion. For almost six years Al-Thani has been developing her skills with the help of the Institute. She is now working on her first professional short film through a grant from the Institute.
Born and raised in Los Angeles, Jaime Siordia studied photography and cinema before beginning his film career. Spending several years on numerous sets, he wrote and produced television pilots and independent films throughout the United States. After spending a year as an event producer with Film Independent, he began working for film festivals including the Los Angeles Film Festival, Sundance and Tribeca, landing in New York where he returned to filmmaking. Now based in Doha, Siordia has produced films for clients including Qatar Airways, Vodafone, Barwa Bank and Al Jazeera.
“The Innocent Prisoner”
The story of a man trying to wash away his history of being a prisoner, determining his destiny by becoming a better person, and finding himself a place in his own society. ‘The Innocent Prisoner’ reveals stories of people who were jailed not because they committed a crime or broke the law, but rather because they were irresponsible or ignorant. When Yassir kindly took on a business loan taken out by his close friend Fadhil, all seemed well until his lost his job and was no longer able to make the necessary payments. Now he faces prison time for helping out his friend. This film asks why Yassir should face a future of unemployment after his release, and why society would punish him a second time by not accepting him.
Amina Ahmed Al Boluchi graduated from Qatar University with a BA in Mass Communication. She has directed ‘The Pearl of Qatar’s Concert: Abdulrahman Almanai’ (2013) and her graduation project, ‘Made in Qatar’ (2015). Most recently, working with the Doha Film Institute, she made ‘To My Mother’ (2015).
“I believe that everyone deserves a second chance. As such, society should support those of its members who need its understanding. It is the responsibility of every individual to help those with whom they share their community, and take into consideration that there will be always exceptional cases and irregular circumstances. With that in mind, I think people who experience being imprisoned deserve special treatment after finishing their years of punishment. They ought to be treated fairly and should have the rights of getting married and starting a new life, just like anyone else. I want this film to help those who have lost their chance to participate fully in their society because of their background.”
“I Want to Feel What I Feel When I Am Asleep”
In a post-apocalyptic world, in a ruined city, little of humanity remains. The residue of a poison has become a drug, which creates the illusion that life is still beautiful, and that everything is as it was before. The survivors wander through the rubble as though nothing had ever happened – except one woman. Unaffected by the poison, she sees the horrors around her. She begins to clean the streets and the buildings in the hope of recreating the reality that existed before the catastrophe.
Writer-DirectorAbdullah Al-Mulla grew up in Qatar until moving abroad to pursue his university studies. He first became involved in film through the Doha Film Institute, and has worked on 10 short films to date. He is currently working on his next screenplay and researching a larger work.
This version of a dystopian society is dealing with the same dilemma as “The World is Blue” though the circumstances differ. Everyone is totally accepting of a condition of life which the protagonist finds unacceptable.
It has resonance today with the ruined cities of Damsascus, Hons, etc. although I cannot say everyone is walking around thinking all is well; perhaps they are walking around in a daze; most likely they are struggling to survive, but it still has resonance.
And people in the fine world that has not been destroyed perhaps are the ones in a drugged state believing all is well in their world…when in fact, it is not, as in “The World is Blue”. Again, there is a resonance with “I Want to Feel”, a surreal synthesis of these two co-existing worlds.
Qumra is the prime opportunity to see the new filmmakers of Mena as they create their early works. Now three are here extending their visibility and learning more about the international film world.
Qumra’s second edition in March introduced an intensive workshop during which 10 Qatar-based filmmakers presented their short film projects, currently in development, to a group of international industry professionals, including script consultants, producers, lab representatives, programmers and buyers, all of whom are experts in the short form. Ten shorts is not too few so that the films are representative of a broad swatch of filmmakers and/ or stories but not too many for us to get to know all the projects and even the filmmakers on a more personal, deeper level.
The Qumra Shorts Group Tutorials gave me the chance to present “The International Festival Circuit”, which sets the stage for understanding how to present first films and next projects to film-business executives, possible co-producers, financiers, etc. My objective was to provide a practical overview of the key issues to consider in choosing the best festivals and/or market events that best suit scripts, projects in pre-production, or completed films. Emerging filmmakers can then create the ideal marketing campaign to advance their films and further their career while approaching buyers, distributors and financiers.
All the filmmakers are creating stories out of issues of identity. Each of the projects is indicative of these young emerging filmmakers’ intensely personal searches for identity within their environments. The transformation of the personal to the universal is, as we all know, key to artistic creation. I was deeply moved by these filmmakers daring to meet the challenge of every thinking person – young or old -- through their choices in creating works of fiction or documentaries which speak to this issue. Their honesty in facing themselves in their society today is brave.
Watch videos of the short filmmakers here (and other videos of Qumra too).
The Shorts of Qumra
“The World Is Blue”
Amna Al-Binali, a graduate of Qatar University English Literature and Linguistics major, directed her first short film, “Doctor’s Office” at the La Fémis Gulf Summer School in 2015. “The Notebook”, her second short film, had its premiere at the Ajyal Youth Film Festival in 2015.
How people present themselves in our society today and how they feel about
it in reality is what this comedy/drama portrays. A young bride prefers to read a book rather than attend her own engagement party. The book is the evil object that prevents her from playing her role and coming out to the stage as a bride.
What Amna said in explanation of this film reminded me of how our weddings and Bar Mitzvahs and Quinceanera’s work as well.
“In the film, we see the different parts women play in society. There are young women lavishly dressed, elderly women completely covered, little children with little care in the world and pregnant women. These are the usual sights in a Qatari engagement party. Because I have been attending quite a few engagement parties recently, I have been observing how they all go on the same way, and how everyone acts and reacts the same. They don’t really talk to each other. They seem to be there only because it’s a social duty. You almost never feel that you are attending different engagement parties. It made me think about why these parties repeat themselves over and over. It felt like I was attending a play. Everyone was acting according to their assigned roles, whether it’s the bride, the mother of the bride, the cousin of the bride, etc.
The protagonists spends most of the story trying to finish the book she is reading. Through the narrative, she is trying to understand the fictional character’s emotional experience. Perhaps it will help her understand her own.”
She is dealing with psychological issues within the context of society’s strict adherence to engagement/ marital rules and customs.
The issue of identity plays out with the heroine not wanting to fit the same mold as everyone else, not satisfied with her sister’s answer that she will understand once she gets married…what will she understand? That she is now to have children who will take up her life? I admire the heroine for her intense questioning and wonder how it will be resolved.
"Amer : The Arabian Legend"
Jassim Al-Rumaihi works as a reporter at Al-Jazeera News Channel, covering news from Tunisia to Nepal. While studying at Northwestern University in Qatar, he took several classes in film production. Since then, he has worked on a two short films, and he is currently working on his third with the support of the Doha Film Institute. His film “The Palm Tree” (Qatar, No Dialogue, 2015) was made as a part of a documentary workshop in just over a week. With the film winning the Made in Qatar – Best Documentary Award at the Ajyal Youth Film Festival 2015, it is now receiving interest from film festivals and critics.
“Amer : The Arabian Legend” is his third short.
Sent as a gift to the late Emir of Qatar in the 1980s, Amer seemed like an average purebred Arabian. After he was taken to the tracks of Umm Qarn to train other horses, however, he showed his class, changing the face of Arabian horseracing forever.
Besides being a champion horse – he won nine of his thirteen starts – Amer is the most influential stallion in Arabian horseracing history. With a current stud fee of Us $60,000, the grey horse from the deserts of Arabia has sired more than 130 champions. Yet Amer’s extraordinary story is almost unbelievable for many, who speculate as to the legitimacy of his legacy.
“Amer” deals with the subject of identity. First of all, I had always heard all great race horses called “Arabian horses” but I had not really thought about the term. I find so many of my preconceptions are brought to consciousnss with my experience in Doha. I learned that what I have called Arabian is actually a western definition. The true Arabian horse: Is it built for racing or for endurance? Amer, a legendary Arabian stallion, is changing the definition of Arabian horse racing with Europeanized “Arabian” horses encountering the “upstart” genetically, and perhaps “out of line” horse Amer who most definitely is Arabian and his mixed progeny.
“Buqsha”
Director, Fahad Al Obaidly, is a researcher at the National Museum of Qatar as well as a curator and fashion designer. He introduced his brand Fahad Al-Obaidly in 2014. He completed his course in fashion design, specializing in casual menswear, at the Institute Marangoni. Being an Arab with a European vision of style in fashion greatly contributes to the philosophy behind his work. Al Obaidly has directed two short fashion films and directed one short documentary.
I had more time and more occasions to socialize with the film’s producer, Salwa Al Khalifa, during several activities at Qumra. She is so outgoing and engaging and her background is unique as she is a Sudanese filmmaker whose father moved to Qatar before she was born and yet she still grapples with what it means to be Sudanese-Qatari. She studied Mass Communication at Qatar University, and obtained a diploma in Documentary Filmmaking. She has directed a few short films, and has worked as an assistant director and script supervisor in a number of independent short films in Qatar.
“Buqsha”’s underpinning is modern day’s greatest philosophic dilemma: How can we venture into the past to look to the future? Here Fahad posits the question in terms of his own his wish to pursue a difficult line of artistic freedom as a designer which he knows has great import to his society, even though the society is not exactly eager for him to follow the path he has chosen.
Director-writer Fahad Al Obaldly and the producer Salwa Al Khalifa are both dealing with their personal issues of identity in an intense and creative way as seen in their previous autobiographical films.
Fahad is looking directly at his grandmother, a weaver of tents who incorporated coded language into the designs. Fahad’s definition of himself is found in this grandmother’s weaving and the sense of design that weaving brings to societies around the world. Design is not a trivial modern pursuit; it reflects society’s need for shelter and for clothing to protect us against the elements. And within the designs is the secret language of the society itself.
Fahad and Sara Al Obaidly journey around Qatar, capturing the beauty of the Doha landscapes while exploring the rich diversity of arts and ancestral traditions, as well as the impact contemporary and traditional culture have on each other. During their travels, they focus on “sedu” weaving, one of the most important of Qatari traditional textile crafts. They meet with and interview an expert to discover and learn the historical background of “sedu” in Qatar. Along the way they visit artisans and cultural experts, and explore their roles in preserving and promoting the cultural and ethnic heritage of Qatar.
A treasure trove of talent is also remaining at home in Qatar but their films will have lives extending beyond in the coming year. Here are the others which we discussed in Qumra.
“Love in the Middle East”
I loved this project. I was amazed to learn that Arabic has about 99 words describing different degrees and types of love; way beyond our English vocabulary. Mostafa Sheshtawy is an emerging filmmaker I think will become an important interpreter of mores in Mena of interest to the world today. His sense of humanity is very apparent.
To some people, love is the pursuit of happiness. Throughout the history of the Arab world, love has always been one of the most popular subjects of discussion, as we can see from poetry, literature and folktales. In a series of interviews and stories, the director, a 28-year-old Arab, explores what love means in the Middle East – how it is affected by culture and tradition, how much it is influenced by religion, and how it is perceived by different generations.
Filmmaker and photographer Mostafa Sheshtawy was born in Egypt and raised in Qatar. He began his film career by documenting the Egyptian revolution in 2011. Since then, he has worked on various productions in Egypt and Qatar with the Doha Film Institute, primarily in the camera department. His directorial debut was the short documentary ‘Immortalizing Memories’, which screened in the Ajyal Youth Film Festival in 2015. Sheshtawy’s first short narrative film is the romantic comedy ‘Love Blood Test’ (2015).
“A Ranged Marriage”
Dealing with society’s arranged marriages, and an unhappy one at that, this is daring and fantastical . Nora Al-Subai’s multi cultural upbringing -- a Qatari born and raised in France, a graduate of Carnegie Mellon in Computer Science – and her earlier film “My Hero” which already won for Best Short Film at the Ajyal Youth Film Festivla and was in Cannes, Clermont-Ferrand and other top festivals was a very well developed, well produced and well directed story about a little boy paying for his busy father’s time. Her other film, a Middle Eastern Cinderella story for today was also very well told. She has a sure hand directing and a flair for storytelling. These two previous films, both of which make comedies out of current societal issues, bode well for her ability to tell this story.
She does not tell her stories in a dark way; instead she uses lightness to illuminate what we would normally label “dark comedy”. In a way this reminds me of “Of Kind Hearts and Coronets” a classic British comedy of in 1949 dealing with murder in a light-hearted funny way.
Nora Al Subai says, “I have always been intrigued by the concept of arranged marriages, and people agreeing to live the rest of their lives with another person simply because they are “good people” or come from a good family. I wanted to explore the comical concept of an arranged marriage in which one partner decides that the best anniversary gift of all would be the death of their spouse. Since she is in an arranged marriage, however, Sarah finds it difficult to kill her husband when she realizes she doesn’t know anything about him.
“Qafas”
Mayar Hamdan’s previous film in live action was about a girl caught cheating in school. It was funny and whimsical in style, but is very subversive. It reminded me of Todd Solondz’ “Welcome to the Dollhouse”. Mayar said that people strongly objected to her film as if she were revealing something that should not be revealed. And that is what made it a brave story to tell.
“Qafas” is toned down. It is also to be animated. Thematically it fits into the issue of finding one’s true identity when confined within strictures not of one’s own choosing. It is the story of a young man who tries everything to escape the cage in which he is chained. Only when he realizes that the true obstacle to his release is not the chains, but rather his outlook on his situation, does he finally become free.
Mayar Hamdan is a recent graduate of Northwestern University in Qatar, where she studied Media Industries and Technology, with a concentration in Animation and Post-Production.
“More Than Two Days”
Ahmed Abdelnaser was born in Doha. A filmmaker and an editor, he became passionate about cinema at an early age. After winning two awards for best editing, he became a montage trainer with Avid. As a lecturer, he taught the art of film editing at the Aljazeera Media Training Centre. His first film, ‘Children of the Earthquake’ (2007) was shot in Pakistan with the support of Reach Out to Asia. His recent short film ‘I Exist’ (2014), filmed on the borders of Turkey, won five international awards for Best Short Film, and participated in more than 30 film festivals. ‘More Than Two Days’ (2015) was supported by the Film Training and Development Department of the Doha Film Institute.
Something has occurred that has cast a shadow on two brothers who are in the prime of their lives. Between silence, admonition, and a desire to reveal, the film dives into the implications of what has happened – a conflict that reflects on their lives, their relationship, and how each of them tries to deal with his new life. Over two days, the story focuses on the eruption of the conflict they face, and its weighty influence on the future of each of the brothers.
“Kashta”
A father takes his two sons out on a trip to the desert to go hunting, but the results are not quite what he was expecting. The story has a primal quality as it unfolds in the most beautiful desert valley. I could see filmmaker Aj Al-Thani’s fascination with “Star Wars” as she told me when we spoke. She and her producer Jaime Siordia are a unique team to watch.
Aj Al-Thani is a Qatar-born filmmaker. Her love for movies and moviemaking began at the age of six when she saw ‘Star Wars’ (1977) in the cinema in 1999. Al-Thani’s relationship with the Doha Film Institute began in 2010 when she participated in one of its first film workshops, which opened the door for many local filmmakers to pursue their passion. For almost six years Al-Thani has been developing her skills with the help of the Institute. She is now working on her first professional short film through a grant from the Institute.
Born and raised in Los Angeles, Jaime Siordia studied photography and cinema before beginning his film career. Spending several years on numerous sets, he wrote and produced television pilots and independent films throughout the United States. After spending a year as an event producer with Film Independent, he began working for film festivals including the Los Angeles Film Festival, Sundance and Tribeca, landing in New York where he returned to filmmaking. Now based in Doha, Siordia has produced films for clients including Qatar Airways, Vodafone, Barwa Bank and Al Jazeera.
“The Innocent Prisoner”
The story of a man trying to wash away his history of being a prisoner, determining his destiny by becoming a better person, and finding himself a place in his own society. ‘The Innocent Prisoner’ reveals stories of people who were jailed not because they committed a crime or broke the law, but rather because they were irresponsible or ignorant. When Yassir kindly took on a business loan taken out by his close friend Fadhil, all seemed well until his lost his job and was no longer able to make the necessary payments. Now he faces prison time for helping out his friend. This film asks why Yassir should face a future of unemployment after his release, and why society would punish him a second time by not accepting him.
Amina Ahmed Al Boluchi graduated from Qatar University with a BA in Mass Communication. She has directed ‘The Pearl of Qatar’s Concert: Abdulrahman Almanai’ (2013) and her graduation project, ‘Made in Qatar’ (2015). Most recently, working with the Doha Film Institute, she made ‘To My Mother’ (2015).
“I believe that everyone deserves a second chance. As such, society should support those of its members who need its understanding. It is the responsibility of every individual to help those with whom they share their community, and take into consideration that there will be always exceptional cases and irregular circumstances. With that in mind, I think people who experience being imprisoned deserve special treatment after finishing their years of punishment. They ought to be treated fairly and should have the rights of getting married and starting a new life, just like anyone else. I want this film to help those who have lost their chance to participate fully in their society because of their background.”
“I Want to Feel What I Feel When I Am Asleep”
In a post-apocalyptic world, in a ruined city, little of humanity remains. The residue of a poison has become a drug, which creates the illusion that life is still beautiful, and that everything is as it was before. The survivors wander through the rubble as though nothing had ever happened – except one woman. Unaffected by the poison, she sees the horrors around her. She begins to clean the streets and the buildings in the hope of recreating the reality that existed before the catastrophe.
Writer-DirectorAbdullah Al-Mulla grew up in Qatar until moving abroad to pursue his university studies. He first became involved in film through the Doha Film Institute, and has worked on 10 short films to date. He is currently working on his next screenplay and researching a larger work.
This version of a dystopian society is dealing with the same dilemma as “The World is Blue” though the circumstances differ. Everyone is totally accepting of a condition of life which the protagonist finds unacceptable.
It has resonance today with the ruined cities of Damsascus, Hons, etc. although I cannot say everyone is walking around thinking all is well; perhaps they are walking around in a daze; most likely they are struggling to survive, but it still has resonance.
And people in the fine world that has not been destroyed perhaps are the ones in a drugged state believing all is well in their world…when in fact, it is not, as in “The World is Blue”. Again, there is a resonance with “I Want to Feel”, a surreal synthesis of these two co-existing worlds.
- 5/5/2016
- by Sydney Levine
- Sydney's Buzz
Directors and producers from 19 countries are attached to 13 narrative feature films, 10 feature documentaries and 10 short films participating in the 6 day program of industry sessions designed to progress their projects and prepare them for international markets. The emphasis is on supporting first-and-second-time filmmakers with projects in development and post-production.
The Doha Film Institute's second edition of Qumra will be taking place in Doha, Qatar from March 4-9. 15 projects are from Qatar-based filmmakers, 12 from the Middle East North Africa (Mena) region and 6 from the rest of the world. 11 of the 33 projects are features films in development, 12 are in post-production and 10 are short films in development.
Twenty of the feature projects are alumni of the Institute’s grants program and 3 are by independent filmmakers from Qatar. Of the 10 short projects, 7 are by Qatari filmmakers and 3 are by Qatar-based filmmakers identified through the Institute’s ongoing engagement with local industry.
Doha Film Institute CEO Fatma Al Remaihi said: “We are very excited by the diverse slate of projects selected for Qumra 2016, representing emerging talent from Qatar, the Arab region and around the world.”
“We have prepared an intensive program for our project delegates which is designed to inspire them creatively and support them in navigating the evolving landscape of the film industry. I look forward to welcoming each of our project delegates to Qumra for what promises to be a productive exchange of ideas, culture and creativity.”
New to this year’s edition is the Qumra Shorts Programme, a dedicated strand designed to address the unique requirements of short films in development, during which 10 Qatar-based filmmakers will present their projects to a group of international industry professionals, including script consultants, producers, lab representatives, programmers and buyers, all of whom are experts in the short form.
The ten short filmmakers have been supported by the Doha Film Institute in various ways throughout their careers and many are alumni of its educational initiatives, workshops and funding programs. "Kashta" by Aj Al Thani has been supported by the Institute’s grants program and "Amer: The Arabian Legend" by Jassim Al-Rumaihi is supported by the Qatari Film Fund, the newly established funding and development program for Qatari filmmakers which was announced last year.
Directors and producers attached to each of the 33 projects will attend the sessions in Doha where they will be linked with more than 100 seasoned industry experts from all facets of the film industry including representatives from leading international film festivals, funding bodies, sales, production and distribution companies along with development specialists and script consultants.
The program is specifically tailored to each project’s needs and is divided according to their stage of development. Projects in development will participate in group and individual sessions for script consulting, legal, sales, marketing and co-production advice along with one-on-one match-made meetings and tutorials.
Projects in post-production are divided into two strands: the Work-in-Progress sessions will present a series of closed rough-cut screenings of 20-minute excerpts from the four narrative and four documentary Qumra projects in post-production followed by immediate, individual feedback from a panel of selected industry experts; and the Picture Lock Screenings will present exclusive 20 minute excerpts of four feature-length Qumra projects in the final stages of post-production for leading festival programmers, broadcasters, market representatives, sales agents and distributors.
The Qumra Projects delegates will also attend daily master classes and screenings presented by five Qumra Masters who represent some of the leading figures in world cinema today.
The 2016 Qumra Masters are Nuri Bilge Ceylan (Turkey), Naomi Kawase (Japan), Joshua Oppenheimer (Us), James Schamus (Us), Aleksandr Sokurov (Russia). Each Master will be matched to a selection of Qumra projects to participate in dedicated mentoring sessions with the emerging filmmakers.
The 2016 Qumra Projects are:
Feature Films:
Feature Narrative, Development
"Bull Shark" by Mohammed Al Ibrahim (Qatar, Bahrain, USA)
An up-and-coming investment banker makes his mark in the Arab region’s most prominent Islamic investment bank, only to find he has been caught in the middle of the costliest embezzlement scheme in Arab history.
"Death Street" by Mohanad Hayal (Iraq, Qatar)
Tariq, the sniper of Haifa Street in Baghdad, kills Ahmed on the day he intends to propose marriage. While Tariq prevents anyone from approaching the corpse in the street, an intimate and telling drama unfolds.
"Evil Eye" by Sophia Al-Maria (Qatar, Morocco)
After inheriting the keys to an apartment in The City, country girl Dihya finds out that The Village she comes from has a reputation for witchcraft in this North African take on the teen witch film.
"The Pearl" by Noor Al-Nasr (Qatar)
A tech-obsessed Qatari teen, disconnected from his family, travels back in time to an era before his beloved technology existed, when the city’s main source of income was pearl diving. Alone on this journey, he must learn how to survive and communicate face-to-face in order to reconnect with his family.
"The Search for the Star Pearl" by Hafiz Ali Ali (Qatar)
Ali, a 17-year-old pearl diver from Doha, discovers a map to the Star Pearl of Abu Derya, the most valuable gem on Earth, and sets sail with three teenaged friends in search of it. Along the way, they face mythological beasts that challenge their skills and friendship.
"Stolen Skies" by Laila Hotait Salas (Lebanon, Qatar)
When a bomb is detonated in Cairo, one family feels it ricochet through the erased memories of three generations.
"Till the Swallows Return" by Karim Moussaoui (Algeria, France, Qatar)
This is the story of three characters who are a product of the conflicted Algeria of the 2000s. Their ideals shattered and their moral strength drained, each now faces a difficult life choice.
Feature Documentary, Development
"Agnus Dei" by Karim Sayad (Algeria, Switzerland, Qatar)
On the vacant lot where the confrontation takes place, the tension is at its peak. Foufa and his sheep King are getting ready for the fight...
"Behind the Doors" by Yakout Elhababi (Morocco, Qatar)
High in the Rif mountains of Morocco, the people survive by growing kif. Beneath the shadow of the ambiguous legality of the crop, ‘Behind the Doors’ tells the story of a family through its children and their mirroring games.
"The Great Family" by Eliane Raheb (Lebanon, France, Qatar)
In 1976, at the age of four, Marlene was put up for adoption in Lebanon and raised in France. In delving into her past, she discovers she is a survivor of the massacre at the Tal Al Zaatar Palestinian refugee camp, and a family of survivors grows around her.
"To the Ends of the Earth" by Hamida Issa (Qatar)
A Qatari woman travels on an environmental expedition to Antarctica in search of hope, before returning to the Gulf and finding unity and inspiration for positive change.
Feature Narrative, Works-in-Progress
"Ali, The Goat and Ibrahim" by Sherif Elbendary (Egypt, France, Germany, USA, Qatar)
Ali and Ibrahim are two lonely and weird characters who are rejected by their society. Ali loves a goat called Nada, and Ibrahim is a sound engineer who is disturbed by strange voices that he alone can hear. When their paths cross, this odd pair embarks on a journey that will change their lives.
"Dede" by Mariam Khatchvani (Georgia, Qatar)
As Georgia fights for its independence after the collapse of the Soviet Union, a young woman struggles to make a life in the remote, isolated villages high in the Caucasus Mountains, where ancient patriarchal laws threaten to separate her from her daughter.
"Poisonous Roses" by Fawzi Saleh (Egypt, Qatar)
The world has left nothing to Taheya apart from her brother Saqr. When he disappears, Taheya pursues him in desperation.
"White Sun" by Deepak Rauniyar (Nepal, The Netherlands, Qatar)
A drama about life in a Nepali mountain village in the wake of the decade-long armed conflict.
Feature Documentary, Works-in-Progress
"Ghost Hunting" by Raed Andoni (Palestine, France, Switzerland, Qatar)
Director Raed Andoni assembles an eclectic group of Palestinians to rebuild the Israeli investigation centre in which they were imprisoned – a place they never actually saw because they were always blindfolded.
"My Uncle the “Terrorist” by Elias Moubarak (Lebanon, Germany, Qatar)
A film director seeks to uncover a 40-year-old family taboo: the controversial life of his Uncle Fouad, a poet and an engineer of the Munich massacre.
"The Silk Railroad" by Martin Dicicco (USA, Georgia, Qatar)
Wealth, opportunity, and discord collide along the route of a new railroad bridging Europe and Asia.
"Tondo" by Jewel Maranan (The Philippines, Germany, Qatar)
‘Tondo’ is a film about four people in different stages of life - birth, youth, adulthood and death - who are caught in the path of expansion of Manila’s busiest international port.
Feature Narrative, Picture Lock
"Bastard" by Uda Benyamina (Morocco, France, Qatar)
Fifteen-year-old Dounia lives with her mother in a rough
Parisian suburb, where she has been saddled with the nickname “bastard”.
"The Mimosas" by Oliver Laxe (Spain, Morocco, France, Qatar)
In the Atlas Mountains in the past, a caravan searches for the path to take a Sufi master home to die. Among the party is Ahmed, a rascal who eventually becomes inspired to lead the caravan to its destination. Along the way, Ahmed is assisted by Shakib, a man sent from contemporary Morocco to guide him on his journey.
"Beirut Rooster" by Ziad Kalthoum (Syria, Lebanon, Germany, Qatar)
While Syrian workers rebuild Lebanon, a country ruined by a lengthy civil war, their hometowns in Syria are destroyed during the brutal conflict there. Who will rebuild their houses?
"Those From the Shore" by Tamara Stepanyan (Armenia, Lebanon, France, Qatar)
Marseille, 2014. Dozens of Armenian asylum seekers are trying to survive while waiting for their applications to be considered. They live in an indeterminate space, wandering in limbo.
Short Films:
Development, Short Narrative
"I Want to Feel What I Feel When I Am Asleep" by Abdullah Al-Mulla (Qatar)
A man wearing a gas mask is on a journey to fulfil a selfless purpose. Among the people of a drugged and mesmerised society, he cleans up a ruined city in order to cover up the destruction that has taken place.
"Kashta" by Aj Al Thani (Qatar)
A father takes his two sons out on a trip to the desert to go hunting, but the results are not quite what he was expecting.
"Qafas" by Mayar Hamdan (Qatar)
A young man tries everything to escape the cage he is chained in. Only when he realises that the true obstacle to his release is not the chains, but rather his outlook on his situation, does he finally become free.
"A Ranged Marriage" by Nora Al Subai (Qatar)
After being stuck in an arranged married for a year, a desperate wife discovers the perfect gift for their anniversary: a romantic dinner that will kill her husband.
"The World is Blue" by Amna Al Binali (Qatar)
During her sister’s engagement party, Hend comes to terms with the contradiction between how she wants her life to unfold and the inevitability of how it has been drawn for her.
Development, Short Documentary
"Amer: The Arabian Legend" by Jassim Al-Rumaihi (Qatar)
Sent as a gift to the late Emir of Qatar in the 1980s, Amer seemed like an average purebred Arabian. After he was taken to the tracks of Umm Qarn to train other horses, however, he showed his class, changing the face of Arabian horseracing forever.
"Buqsha" by Fahad Al Obaidly (Qatar)
‘Buqsha’ strives to encourage people to go beyond their preconceptions and venture into the past to look to the future Throughout our journey, we demonstrate the importance of learning from traditional culture while preserving our own, and that the balance between artistic heritage and the contemporary arts nurtures creativity.
"The Innocent Prisoner" by Amina Ahmed Al-Boluchi (Qatar)
The story of a man trying to wash away his history of being a prisoner, determining his destiny by becoming a better person, and finding himself a place in his own society.
"Love in the Middle East" by Mostafa Sheshtawy (Qatar)
Romantic love is very common, yet it can mean something completely different from one person to the next. Through a young man’s journey, this film looks at what it means to fall in love in the Middle East.
Picture Lock, Short Narrative
"More Than Two Days" by Ahmed Abdelnaser (Qatar)
Over the course of two days, two brothers go through critical moments that may change their lives. ‘More Than Two Days’ examines their relationship and how each of them is trying to face up to the new situation in their lives.
The Doha Film Institute's second edition of Qumra will be taking place in Doha, Qatar from March 4-9. 15 projects are from Qatar-based filmmakers, 12 from the Middle East North Africa (Mena) region and 6 from the rest of the world. 11 of the 33 projects are features films in development, 12 are in post-production and 10 are short films in development.
Twenty of the feature projects are alumni of the Institute’s grants program and 3 are by independent filmmakers from Qatar. Of the 10 short projects, 7 are by Qatari filmmakers and 3 are by Qatar-based filmmakers identified through the Institute’s ongoing engagement with local industry.
Doha Film Institute CEO Fatma Al Remaihi said: “We are very excited by the diverse slate of projects selected for Qumra 2016, representing emerging talent from Qatar, the Arab region and around the world.”
“We have prepared an intensive program for our project delegates which is designed to inspire them creatively and support them in navigating the evolving landscape of the film industry. I look forward to welcoming each of our project delegates to Qumra for what promises to be a productive exchange of ideas, culture and creativity.”
New to this year’s edition is the Qumra Shorts Programme, a dedicated strand designed to address the unique requirements of short films in development, during which 10 Qatar-based filmmakers will present their projects to a group of international industry professionals, including script consultants, producers, lab representatives, programmers and buyers, all of whom are experts in the short form.
The ten short filmmakers have been supported by the Doha Film Institute in various ways throughout their careers and many are alumni of its educational initiatives, workshops and funding programs. "Kashta" by Aj Al Thani has been supported by the Institute’s grants program and "Amer: The Arabian Legend" by Jassim Al-Rumaihi is supported by the Qatari Film Fund, the newly established funding and development program for Qatari filmmakers which was announced last year.
Directors and producers attached to each of the 33 projects will attend the sessions in Doha where they will be linked with more than 100 seasoned industry experts from all facets of the film industry including representatives from leading international film festivals, funding bodies, sales, production and distribution companies along with development specialists and script consultants.
The program is specifically tailored to each project’s needs and is divided according to their stage of development. Projects in development will participate in group and individual sessions for script consulting, legal, sales, marketing and co-production advice along with one-on-one match-made meetings and tutorials.
Projects in post-production are divided into two strands: the Work-in-Progress sessions will present a series of closed rough-cut screenings of 20-minute excerpts from the four narrative and four documentary Qumra projects in post-production followed by immediate, individual feedback from a panel of selected industry experts; and the Picture Lock Screenings will present exclusive 20 minute excerpts of four feature-length Qumra projects in the final stages of post-production for leading festival programmers, broadcasters, market representatives, sales agents and distributors.
The Qumra Projects delegates will also attend daily master classes and screenings presented by five Qumra Masters who represent some of the leading figures in world cinema today.
The 2016 Qumra Masters are Nuri Bilge Ceylan (Turkey), Naomi Kawase (Japan), Joshua Oppenheimer (Us), James Schamus (Us), Aleksandr Sokurov (Russia). Each Master will be matched to a selection of Qumra projects to participate in dedicated mentoring sessions with the emerging filmmakers.
The 2016 Qumra Projects are:
Feature Films:
Feature Narrative, Development
"Bull Shark" by Mohammed Al Ibrahim (Qatar, Bahrain, USA)
An up-and-coming investment banker makes his mark in the Arab region’s most prominent Islamic investment bank, only to find he has been caught in the middle of the costliest embezzlement scheme in Arab history.
"Death Street" by Mohanad Hayal (Iraq, Qatar)
Tariq, the sniper of Haifa Street in Baghdad, kills Ahmed on the day he intends to propose marriage. While Tariq prevents anyone from approaching the corpse in the street, an intimate and telling drama unfolds.
"Evil Eye" by Sophia Al-Maria (Qatar, Morocco)
After inheriting the keys to an apartment in The City, country girl Dihya finds out that The Village she comes from has a reputation for witchcraft in this North African take on the teen witch film.
"The Pearl" by Noor Al-Nasr (Qatar)
A tech-obsessed Qatari teen, disconnected from his family, travels back in time to an era before his beloved technology existed, when the city’s main source of income was pearl diving. Alone on this journey, he must learn how to survive and communicate face-to-face in order to reconnect with his family.
"The Search for the Star Pearl" by Hafiz Ali Ali (Qatar)
Ali, a 17-year-old pearl diver from Doha, discovers a map to the Star Pearl of Abu Derya, the most valuable gem on Earth, and sets sail with three teenaged friends in search of it. Along the way, they face mythological beasts that challenge their skills and friendship.
"Stolen Skies" by Laila Hotait Salas (Lebanon, Qatar)
When a bomb is detonated in Cairo, one family feels it ricochet through the erased memories of three generations.
"Till the Swallows Return" by Karim Moussaoui (Algeria, France, Qatar)
This is the story of three characters who are a product of the conflicted Algeria of the 2000s. Their ideals shattered and their moral strength drained, each now faces a difficult life choice.
Feature Documentary, Development
"Agnus Dei" by Karim Sayad (Algeria, Switzerland, Qatar)
On the vacant lot where the confrontation takes place, the tension is at its peak. Foufa and his sheep King are getting ready for the fight...
"Behind the Doors" by Yakout Elhababi (Morocco, Qatar)
High in the Rif mountains of Morocco, the people survive by growing kif. Beneath the shadow of the ambiguous legality of the crop, ‘Behind the Doors’ tells the story of a family through its children and their mirroring games.
"The Great Family" by Eliane Raheb (Lebanon, France, Qatar)
In 1976, at the age of four, Marlene was put up for adoption in Lebanon and raised in France. In delving into her past, she discovers she is a survivor of the massacre at the Tal Al Zaatar Palestinian refugee camp, and a family of survivors grows around her.
"To the Ends of the Earth" by Hamida Issa (Qatar)
A Qatari woman travels on an environmental expedition to Antarctica in search of hope, before returning to the Gulf and finding unity and inspiration for positive change.
Feature Narrative, Works-in-Progress
"Ali, The Goat and Ibrahim" by Sherif Elbendary (Egypt, France, Germany, USA, Qatar)
Ali and Ibrahim are two lonely and weird characters who are rejected by their society. Ali loves a goat called Nada, and Ibrahim is a sound engineer who is disturbed by strange voices that he alone can hear. When their paths cross, this odd pair embarks on a journey that will change their lives.
"Dede" by Mariam Khatchvani (Georgia, Qatar)
As Georgia fights for its independence after the collapse of the Soviet Union, a young woman struggles to make a life in the remote, isolated villages high in the Caucasus Mountains, where ancient patriarchal laws threaten to separate her from her daughter.
"Poisonous Roses" by Fawzi Saleh (Egypt, Qatar)
The world has left nothing to Taheya apart from her brother Saqr. When he disappears, Taheya pursues him in desperation.
"White Sun" by Deepak Rauniyar (Nepal, The Netherlands, Qatar)
A drama about life in a Nepali mountain village in the wake of the decade-long armed conflict.
Feature Documentary, Works-in-Progress
"Ghost Hunting" by Raed Andoni (Palestine, France, Switzerland, Qatar)
Director Raed Andoni assembles an eclectic group of Palestinians to rebuild the Israeli investigation centre in which they were imprisoned – a place they never actually saw because they were always blindfolded.
"My Uncle the “Terrorist” by Elias Moubarak (Lebanon, Germany, Qatar)
A film director seeks to uncover a 40-year-old family taboo: the controversial life of his Uncle Fouad, a poet and an engineer of the Munich massacre.
"The Silk Railroad" by Martin Dicicco (USA, Georgia, Qatar)
Wealth, opportunity, and discord collide along the route of a new railroad bridging Europe and Asia.
"Tondo" by Jewel Maranan (The Philippines, Germany, Qatar)
‘Tondo’ is a film about four people in different stages of life - birth, youth, adulthood and death - who are caught in the path of expansion of Manila’s busiest international port.
Feature Narrative, Picture Lock
"Bastard" by Uda Benyamina (Morocco, France, Qatar)
Fifteen-year-old Dounia lives with her mother in a rough
Parisian suburb, where she has been saddled with the nickname “bastard”.
"The Mimosas" by Oliver Laxe (Spain, Morocco, France, Qatar)
In the Atlas Mountains in the past, a caravan searches for the path to take a Sufi master home to die. Among the party is Ahmed, a rascal who eventually becomes inspired to lead the caravan to its destination. Along the way, Ahmed is assisted by Shakib, a man sent from contemporary Morocco to guide him on his journey.
"Beirut Rooster" by Ziad Kalthoum (Syria, Lebanon, Germany, Qatar)
While Syrian workers rebuild Lebanon, a country ruined by a lengthy civil war, their hometowns in Syria are destroyed during the brutal conflict there. Who will rebuild their houses?
"Those From the Shore" by Tamara Stepanyan (Armenia, Lebanon, France, Qatar)
Marseille, 2014. Dozens of Armenian asylum seekers are trying to survive while waiting for their applications to be considered. They live in an indeterminate space, wandering in limbo.
Short Films:
Development, Short Narrative
"I Want to Feel What I Feel When I Am Asleep" by Abdullah Al-Mulla (Qatar)
A man wearing a gas mask is on a journey to fulfil a selfless purpose. Among the people of a drugged and mesmerised society, he cleans up a ruined city in order to cover up the destruction that has taken place.
"Kashta" by Aj Al Thani (Qatar)
A father takes his two sons out on a trip to the desert to go hunting, but the results are not quite what he was expecting.
"Qafas" by Mayar Hamdan (Qatar)
A young man tries everything to escape the cage he is chained in. Only when he realises that the true obstacle to his release is not the chains, but rather his outlook on his situation, does he finally become free.
"A Ranged Marriage" by Nora Al Subai (Qatar)
After being stuck in an arranged married for a year, a desperate wife discovers the perfect gift for their anniversary: a romantic dinner that will kill her husband.
"The World is Blue" by Amna Al Binali (Qatar)
During her sister’s engagement party, Hend comes to terms with the contradiction between how she wants her life to unfold and the inevitability of how it has been drawn for her.
Development, Short Documentary
"Amer: The Arabian Legend" by Jassim Al-Rumaihi (Qatar)
Sent as a gift to the late Emir of Qatar in the 1980s, Amer seemed like an average purebred Arabian. After he was taken to the tracks of Umm Qarn to train other horses, however, he showed his class, changing the face of Arabian horseracing forever.
"Buqsha" by Fahad Al Obaidly (Qatar)
‘Buqsha’ strives to encourage people to go beyond their preconceptions and venture into the past to look to the future Throughout our journey, we demonstrate the importance of learning from traditional culture while preserving our own, and that the balance between artistic heritage and the contemporary arts nurtures creativity.
"The Innocent Prisoner" by Amina Ahmed Al-Boluchi (Qatar)
The story of a man trying to wash away his history of being a prisoner, determining his destiny by becoming a better person, and finding himself a place in his own society.
"Love in the Middle East" by Mostafa Sheshtawy (Qatar)
Romantic love is very common, yet it can mean something completely different from one person to the next. Through a young man’s journey, this film looks at what it means to fall in love in the Middle East.
Picture Lock, Short Narrative
"More Than Two Days" by Ahmed Abdelnaser (Qatar)
Over the course of two days, two brothers go through critical moments that may change their lives. ‘More Than Two Days’ examines their relationship and how each of them is trying to face up to the new situation in their lives.
- 2/24/2016
- by Sydney Levine
- Sydney's Buzz
The directors and producers of the selected projects will participate in a six-day programme with industry figures including Joshua Oppenheimer and Aleksandr Sokurov.Scroll down for the full list of projects
The Doha Film Institute has revealed the projects that will participate in the second edition of Qumra (March 4-9).
There are a total of 33 projects from 19 countries involved, including 13 narrative features, 10 feature documentaries and 10 short films.
Of those, 15 are Qatar-based projects, and a further 12 are from the wider Arab region, with 6 international projects involved.
The directors and producers of the selected titles will participate in a six-day programme of industry sessions with leading industry figures, designed to progress their projects and prepare them for international markets.
This year’s Qumra masters are Joshua Oppenheimer, James Schamus, Naomi Kawase, Nuri Bilge Ceylan, and Aleksandr Sokurov.
The 2016 Qumra Projects are:Feature Narrative, Development:
Bull Shark by Mohammed Al Ibrahim (Qatar, Bahrain, USA)
An up-and-coming investment banker makes his mark...
The Doha Film Institute has revealed the projects that will participate in the second edition of Qumra (March 4-9).
There are a total of 33 projects from 19 countries involved, including 13 narrative features, 10 feature documentaries and 10 short films.
Of those, 15 are Qatar-based projects, and a further 12 are from the wider Arab region, with 6 international projects involved.
The directors and producers of the selected titles will participate in a six-day programme of industry sessions with leading industry figures, designed to progress their projects and prepare them for international markets.
This year’s Qumra masters are Joshua Oppenheimer, James Schamus, Naomi Kawase, Nuri Bilge Ceylan, and Aleksandr Sokurov.
The 2016 Qumra Projects are:Feature Narrative, Development:
Bull Shark by Mohammed Al Ibrahim (Qatar, Bahrain, USA)
An up-and-coming investment banker makes his mark...
- 2/24/2016
- ScreenDaily
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