"To the Ends of the Earth" (2005) TV mini-series

Director:

David Attwood

Writers:

Tony Basgallop (screenplay)
William Golding (novels)

Seasons:

1

Release Date:

6 July 2005 (UK)

Genre:

Drama

Tagline:

An Epic Journey of Self Discovery

Plot:

In the early 1800s young Edmund Talbot travels on a not too sea-worthy ship to New South Wales to take up a post with its governor...

Plot Keywords:

19th Century | Coming Of Age | British | Storm | Buggery

Awards:

1 win & 10 nominations

Cast

Denise Black

...

Mrs. Brocklebank (1 episode, 2005)

Also Known As:

To the Ends of the Earth: Close Quarters (UK) (second part title)
To the Ends of the Earth: Fire Down Below (UK) (third part title)
To the Ends of the Earth: Rites of Passage (UK) (first part title)

Runtime:

267 min (3 parts)

Country:

UK

Language:

English

Color:

Color

Sound Mix:

Stereo

Certification:

UK:15

Filming Locations:

Richards Bay, KwaZulu-Natal, South Africa

Company:

British Broadcasting Corporation (BBC)

Trivia:

The pale green gown with pink trim Paula Jennings (Zenobia) wears for Sunday services is the same gown Frances Grey (Amelia Sedley) wears in "Vanity Fair" (1998), and Christina Cole (Mrs. Elton) wears at dinner in "Emma" (2009).

Soundtrack:

Lord, Whom Winds and Waves Obey

Horatio Hornblower by Leo Tolstoy

The three-part series ended last night on PBS, which I believe was its first wide exposure to an American audience. The richness of its text and the unique quality of its filming are high points. It seems very novel to view and hear an action play employing the vernacular of Georgian England, Jane Austen's filmed drawing rooms being the primary example of that form of speech. Yet it is the scope of drama overwhelming the senses that makes quaint language fit perfectly into each and every scene. Such bold exposure to an old reality is evocative of literary giants like Tolstoy or Shakespeare while at the same time entertaining in the manner of a C. S. Forester or Patrick O'Brian sea saga. The universality of basic human condition lies at its center.

Narrator Talbot as played by an actor with the almost perfectly appropriate name of Benedict Cumberbatch (surely not even Dickens could beat that one!) alternates between stodgy jingoism and extreme vulnerability, an acting tour de force. Indeed, I cannot recall among this very fine cast any misstep of interpretation. That is a tribute not only to the actors themselves, but to the director as well.

The most impressive element, however, is how perfectly life aboard a man-of-war en route to Australia in the early 1800's is presented. That is especially true of how the motion of the ship becomes almost a character itself, something sea stories rarely take into account except as backdrop. Anyone who has ever experienced mal de mer in person will recognize it instantly, and appreciate all the more how difficult it must have been to recreate within the context of filming.

This is no fanciful Pirates of the Caribbean. Some effort must be expended in attaining an understanding of its nuances.