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Mon Oncle (1958)
"Mon oncle" (original title)

Passed  |   |  Comedy  |  3 November 1958 (USA)
7.9
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Ratings: 7.9/10 from 11,774 users  
Reviews: 55 user | 70 critic

Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings.

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Writers:

(artistic collaboration), (artistic collaboration) (as Jean L'Hote) , 1 more credit »
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Title: Mon Oncle (1958)

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Won 1 Oscar. Another 6 wins & 2 nominations. See more awards »
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Cast

Complete credited cast:
Jean-Pierre Zola ...
Charles Arpel
Adrienne Servantie ...
Madame Arpel
Lucien Frégis ...
Monsieur Pichard (as Lucien Fregis)
Betty Schneider ...
Betty, Landlord's Daughter
Jean-François Martial ...
Walter (as J.F. Martial)
Dominique Marie ...
Neighbor
Yvonne Arnaud ...
Georgette, the Housekeeper
Adelaide Danieli ...
Madame Pichard
Alain Bécourt ...
Gerard Arpel (as Alain Becourt)
Régis Fontenay ...
Braces Dealer (as Regis Fontenay)
Claude Badolle ...
Flea Market Dealer
Max Martel ...
Drunken Man
Nicolas Bataille ...
Working Man
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Storyline

Monsieur Hulot's brother-in-law is the manager of a factory where plastics are manufactured. His nephew grows up in a house where everything is fully automated and the boy is raised in a similar fashion. To take away the influence of the uncle on his son, his brother-in-law gets Hulot a job in his factory. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Add Synopsis

Taglines:

Mr. Hulot Ventures Into Suburbia...And Disrupts...Disassembles...And Demolishes With His Very Subtle Satire See more »

Genres:

Comedy

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

3 November 1958 (USA)  »

Also Known As:

Mon Oncle  »

Filming Locations:

 »

Box Office

Budget:

FRF 250,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Goofs

Perhaps this can be forgiven in such a whimsical comedy, but whenever M. Arpel parks his car in his tiny home garage, he always pulls in front-end first; however, whenever he leaves for work in the morning, the car always exits the garage front-end first. (Possibly a subtle sight gag on Tati's part?) See more »

Crazy Credits

The opening credits appear on signs at a construction site. See more »

Connections

Referenced in After the Fox (1966) See more »

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User Reviews

Tati's Masterpiece
17 November 2000 | by (Baltimore, Maryland) – See all my reviews

I only recently discovered the work of Jacques Tati. As a fan of the great movie comedians-auteurs (Chaplin, Keaton, Brooks, Allen), I wanted to see Tati's work. So far, I have only seen PLAYTIME, MR. HULOT'S HOLIDAY and finally, just recently, MON ONCLE. I can easily say MON ONCLE is not only the greatest comedy of Tati, but also one of the finest comedies ever made. It is truly hilarious. I found MR. HULOT'S HOLIDAY to be just a bit slow at times, where I might find myself losing interest for a moment. PLAYTIME was a bit too "mainstream" with many big special effects and so on. But MON ONCLE is simple yet hilarious. For 117 minutes, Tati keeps the viewer in his own world of comedy. The ultra-modern house gadgets were hilarious, making for some very funny sight gags. Tati's Mr. Hulot character belongs in a gallery of great comic film personas, along with Chaplin's Little Tramp, Keaton's Great Stone Face, Allen's neurotic New Yorker, and Brooks' Jewish characterizations. MON ONCLE is also beautifully photographed in color, which adds a lighter touch to the comedy. I've noticed that Tati's films are unlike those of anyone else. The style is all his own.


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