Showtime’s satirical thriller “The Curse,” created by stars Nathan Fielder and Benny Safdie and also starring Emma Stone, has exclusively shared its Emmy submission plans with Variety.
The three multi-hyphenates will have more than one chance at recognition across various categories for producing, acting, directing, writing and editing.
“The Curse” explores the tumultuous lives of a married couple (Fielder and Stone), who encounter a string of misfortunes while filming an HGTV series in New Mexico. Their challenges are compounded by a dubious “curse” and a manipulative producer (Safdie), which together threaten both the show and their relationship.
Stone, fresh off her second best actress Oscar win for her role in Yorgos Lanthimos’ “Poor Things,” is eyeing her first Emmy nod. She seeks recognition for her portrayal of Whitney, the co-host of the couple’s show about eco-friendly homes. Additionally, Stone is vying for a guest comedy actress nod for...
The three multi-hyphenates will have more than one chance at recognition across various categories for producing, acting, directing, writing and editing.
“The Curse” explores the tumultuous lives of a married couple (Fielder and Stone), who encounter a string of misfortunes while filming an HGTV series in New Mexico. Their challenges are compounded by a dubious “curse” and a manipulative producer (Safdie), which together threaten both the show and their relationship.
Stone, fresh off her second best actress Oscar win for her role in Yorgos Lanthimos’ “Poor Things,” is eyeing her first Emmy nod. She seeks recognition for her portrayal of Whitney, the co-host of the couple’s show about eco-friendly homes. Additionally, Stone is vying for a guest comedy actress nod for...
- 4/24/2024
- by Clayton Davis
- Variety Film + TV
As the star, co-creator, executive producer, writer and director of Showtime’s dark comedy series The Curse, Nathan Fielder admitted he and his collaborator Benny Safdie were committed to infusing the show’s satirical take on an unscripted HGTV home-flipping series with as much a sense of reality – or faux reality – as possible that he didn’t realize some of the crew were left wondering how much of the show they were working itself on was actually real.
During Deadline’s Contenders TV panel Sunday, Fielder learned from production designer Katie Byron that she and many of the crew had begun to suspect that the rug was going to be pulled out from under them at any moment. “There was a lot of meta stuff happening in the show where we were all convinced that it was a show-within-a-show-within-a-show,” said Byron. “We actually were waiting to find out that it was.
During Deadline’s Contenders TV panel Sunday, Fielder learned from production designer Katie Byron that she and many of the crew had begun to suspect that the rug was going to be pulled out from under them at any moment. “There was a lot of meta stuff happening in the show where we were all convinced that it was a show-within-a-show-within-a-show,” said Byron. “We actually were waiting to find out that it was.
- 4/14/2024
- by Scott Huver
- Deadline Film + TV
Perhaps the only sane way to tell a story about the U.S. Immigration system is to make it as absurd and fantastical as possible, and Julio Torres’ “Problemista,” like his HBO series “Los Espookys,” is packed with visually elaborate set pieces that feel handmade and human. But the most complex build of the film — one that also features a child’s impossible dream castle and a maze of immigration offices laid out like the world’s worst ant farm — was located in Torres’ vision of the digital world.
Larry Owens personifies the website Craigslist, to which Torres’ character Alejandro turns to raise the cash to process his work sponsorship forms for his visa, assuming that the mercurial Elizabeth (Tilda Swinton) will, in fact, sign them. Over the course of “Problemista,” Alejandro and Craiglist commune several times, first and most spectacularly with Ale falling through, one assumes, the wormhole tubes...
Larry Owens personifies the website Craigslist, to which Torres’ character Alejandro turns to raise the cash to process his work sponsorship forms for his visa, assuming that the mercurial Elizabeth (Tilda Swinton) will, in fact, sign them. Over the course of “Problemista,” Alejandro and Craiglist commune several times, first and most spectacularly with Ale falling through, one assumes, the wormhole tubes...
- 3/19/2024
- by Sarah Shachat
- Indiewire
Problemista.As a former Saturday Night Live writer, co-creator of the bilingual HBO cult favorite Los Espookys, and government-certified “alien of extraordinary ability,” Julio Torres has been preoccupied with the secret life of objects: the existential dilemmas that plague baubles and trinkets divorced from their original purpose. In Problemista (2024), Torres’s debut feature, the efficacy of form and function, as it applies to the predominant social order and the flimsy structures that reinforce it, is up for constant reconsideration. Through fabulist vignettes and an iridescent array of signs and symbols, the film offers a buoyant critique of institutional frameworks, especially the Kafkaesque bureaucracy of the American immigration system, but also the avarice of corporate banks and the innumerable hypocrisies of the art world. Contributing a singular perspective to the discourse surrounding “the queer art of failure,” Torres views conventional notions of utility with puckish skepticism and advocates for a deliberate...
- 3/5/2024
- MUBI
The 1950s can inspire various forms of nostalgia. Three films this Oscar season give life to that bygone era in three very different ways. Till gives a historically accurate representation of the period, heavily based on newsreels and photos documenting the Emmett Till case. The decade gets a rose-colored perspective with Don’t Worry Darling, taking a more opulent and luxurious lens to the Golden Age in America, while Living takes on 1950s London, showing a more restrained aesthetic and color palette than its American counterparts.
Related Story ‘The Son’ Star Hugh Jackman On Why Love Is “Not Always Enough” & Bringing Back Wolverine In ‘Deadpool 3’: "This Idea Was Lurking" Related Story 'Till' Team On The 29-Year Struggle To Bring The Film To The Screen – Contenders L.A. Related Story 'Living' Star Bill Nighy Finds Inspiration And Humor In His Role As A Dying Man – Contenders L.A.
Related Story ‘The Son’ Star Hugh Jackman On Why Love Is “Not Always Enough” & Bringing Back Wolverine In ‘Deadpool 3’: "This Idea Was Lurking" Related Story 'Till' Team On The 29-Year Struggle To Bring The Film To The Screen – Contenders L.A. Related Story 'Living' Star Bill Nighy Finds Inspiration And Humor In His Role As A Dying Man – Contenders L.A.
- 11/30/2022
- by Ryan Fleming
- Deadline Film + TV
“Most of it lies within the subjectivity of Florence Pugh‘s character; the character of Alice is what drives the visual language of the movie,” declares two-time Oscar nominated cinematographer Matthew Libatique about the voyeuristic framing of the central character in “Don’t Worry Darling.” For our recent webchat he adds, “that’s where we really played and I think that’s where the film really exists. Seeing her small within the confines of this ‘dollhouse’ and seeing her from outside the glass looking back in. She’s almost metaphorically encapsulated into a space. It just happens to be a wonderfully beautiful space. She’s doing this fifties housework, she’s cooking breakfast for him every morning before he leaves, and she has dinner ready every time he comes home. What is this world? For us it was really about having the camera either very far away from her and making her small inside this space,...
- 11/18/2022
- by Rob Licuria
- Gold Derby
“It was one of the most gorgeous things I’ve ever seen in my life,” declares “Don’t Worry Darling” production designer Katie Byron about some of the scenes brought to life by the creative team behind the film led by director Olivia Wilde. For our recent webchat she adds that Wilde “is so hands on, she cares about every detail, she’s obsessive and collaborative and she’s one of the most amazing people to work with, because she does have vision, but she’s so interested in hearing other people’s ideas and creating the world together,” Byron says. “When she has something very specific in her mind like this, you bend over backwards to make it happen.” Watch our exclusive video interview above.
See dozens of interviews with 2023 awards contenders
In “Don’t Worry Darling,” Alice (Florence Pugh) and Jack (Harry Styles) live in Victory, home to the mysterious...
See dozens of interviews with 2023 awards contenders
In “Don’t Worry Darling,” Alice (Florence Pugh) and Jack (Harry Styles) live in Victory, home to the mysterious...
- 11/14/2022
- by Rob Licuria
- Gold Derby
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday.
Last Updated: Oct. 20, 2022
2023 Oscars Predictions: Best Production Design Thirteen Lives, from left: Thira Chutikul, Viggo Mortensen, 2022. ph: Vince Valitutti / © MGM / Courtesy Everett Collection
Category Commentary: More to come…
See the latest film predictions, in all 23 categories, in one place on Variety’s Oscars Collective.
To see the ranked predictions for each individual category, visit Variety’s Oscars Hub.
All Awards Contenders And Rankings:
And...
Last Updated: Oct. 20, 2022
2023 Oscars Predictions: Best Production Design Thirteen Lives, from left: Thira Chutikul, Viggo Mortensen, 2022. ph: Vince Valitutti / © MGM / Courtesy Everett Collection
Category Commentary: More to come…
See the latest film predictions, in all 23 categories, in one place on Variety’s Oscars Collective.
To see the ranked predictions for each individual category, visit Variety’s Oscars Hub.
All Awards Contenders And Rankings:
And...
- 10/21/2022
- by Clayton Davis
- Variety Film + TV
Reports of a “screaming match” between Olivia Wilde and Florence Pugh on the set of “Don’t Worry Darling” are “absurd gossip,” according to a Sunday statement signed by 40 crew members.
“As a crew, we’ve avoided addressing the absurd gossip surrounding the movie we’re so proud of, but feel the need to correct the anonymous ‘sources’ quoted in a recent article,” reads the statement obtained by TheWrap. “There was never a screaming match between our director and anyone, let alone a member of our cast.”
The statement follows a Friday report from Vulture in which an anonymous source recalled a “screaming match” between Wilde and Pugh. The report said then-studio head Toby Emmerich had to intervene and moderate a “long negotiation process” to ensure that Pugh would participate in the movie’s press promotion and “not jeopardize the potential box office.”
Also Read:
‘Don’t Worry Darling’ Actors KiKi Layne...
“As a crew, we’ve avoided addressing the absurd gossip surrounding the movie we’re so proud of, but feel the need to correct the anonymous ‘sources’ quoted in a recent article,” reads the statement obtained by TheWrap. “There was never a screaming match between our director and anyone, let alone a member of our cast.”
The statement follows a Friday report from Vulture in which an anonymous source recalled a “screaming match” between Wilde and Pugh. The report said then-studio head Toby Emmerich had to intervene and moderate a “long negotiation process” to ensure that Pugh would participate in the movie’s press promotion and “not jeopardize the potential box office.”
Also Read:
‘Don’t Worry Darling’ Actors KiKi Layne...
- 9/25/2022
- by Loree Seitz
- The Wrap
Forty members of the crew and production team on Olivia Wilde’s new movie Don’t Worry Darling have spoken out to dispute “the absurd gossip” surrounding alleged on-set unrest during the production of the New Line Cinema pic starring Harry Styles, Florence Pugh and Chris Pine.
The statement, received by Deadline, comes in direct response to a recent report in Vulture about an on-set “screaming match” between Wilde, who directed as well as co-starred, and Pugh, the female lead, during the pic’s 2021 production.
‘Don’t Worry Darling’ Venice Film Festival Photo Gallery: Olivia Wilde, Harry Styles, Gemma Chan, Chris Pine
“As a crew, we’ve avoided addressing the absurd gossip surrounding the movie we’re so proud of, but feel the need to correct the anonymous ‘sources’ quoted in a recent article,” reads the statement, signed by producers including co-writer Katie Silberman, various below-the-line crew members and director of photography Matthew Libatique.
The statement, received by Deadline, comes in direct response to a recent report in Vulture about an on-set “screaming match” between Wilde, who directed as well as co-starred, and Pugh, the female lead, during the pic’s 2021 production.
‘Don’t Worry Darling’ Venice Film Festival Photo Gallery: Olivia Wilde, Harry Styles, Gemma Chan, Chris Pine
“As a crew, we’ve avoided addressing the absurd gossip surrounding the movie we’re so proud of, but feel the need to correct the anonymous ‘sources’ quoted in a recent article,” reads the statement, signed by producers including co-writer Katie Silberman, various below-the-line crew members and director of photography Matthew Libatique.
- 9/25/2022
- by Patrick Hipes and Anthony D'Alessandro
- Deadline Film + TV
A group of 40 crew members that worked on the production of “Don’t Worry Darling” issued a joint statement on Saturday, disputing a report that director Olivia Wilde and lead Florence Pugh got into an argument on the set of the film.
The coalition of signees, which includes writer and producer Katie Silberman, cinematographer Matthew Libatique and costume designer Arianne Phillips, commends Wilde as “an incredible leader and director who was present and involved with every aspect of production.” The statement, obtained by People, expresses that “allegations about unprofessional behavior on the set of ‘Don’t Worry Darling’ are completely false.”
“As a crew, we’ve avoided addressing the absurd gossip surrounding the movie we’re so proud of, but feel the need to correct the anonymous ‘sources’ quoted in a recent article,” the statement reads. “There was never a screaming match between our director and anyone, let alone a member of our cast.
The coalition of signees, which includes writer and producer Katie Silberman, cinematographer Matthew Libatique and costume designer Arianne Phillips, commends Wilde as “an incredible leader and director who was present and involved with every aspect of production.” The statement, obtained by People, expresses that “allegations about unprofessional behavior on the set of ‘Don’t Worry Darling’ are completely false.”
“As a crew, we’ve avoided addressing the absurd gossip surrounding the movie we’re so proud of, but feel the need to correct the anonymous ‘sources’ quoted in a recent article,” the statement reads. “There was never a screaming match between our director and anyone, let alone a member of our cast.
- 9/24/2022
- by J. Kim Murphy
- Variety Film + TV
In “Don’t Worry Darling,” young housewife Alice (Florence Pugh) lives with her husband Jack (Harry Styles) in a 1950s housing development that, for both the characters and the audience, is one of the most inviting and luxurious environments to be seen in a Hollywood movie since the heyday of Vincente Minnelli and Douglas Sirk. That was every bit the intention, according to production designer Katie Byron. “There was a lot of talk about what a modern version of a 1950s utopia would be,” she told IndieWire.
From the beginning, that meant shooting in Palm Springs, where Byron took inspiration not only from the rich architecture by legends like Albert Frey and Richard Neutra, but also from the history of debauchery underneath the placid surfaces. “There was a lot of investigation into The Rat Pack and how Palm Springs became this place where the Hollywood elite — as well as artists and...
From the beginning, that meant shooting in Palm Springs, where Byron took inspiration not only from the rich architecture by legends like Albert Frey and Richard Neutra, but also from the history of debauchery underneath the placid surfaces. “There was a lot of investigation into The Rat Pack and how Palm Springs became this place where the Hollywood elite — as well as artists and...
- 9/24/2022
- by Jim Hemphill
- Indiewire
Following up her 2019 directorial debut, Booksmart, with what ostensibly looks like a remake of The Stepford Wives (1975), would be a huge gamble, were Olivia Wilde not up to the challenge. The result is a moody and frighteningly poignant social commentary titled Don’t Worry Darling that somehow seems like it shouldn’t play as relevant as it unfortunately is.
As the film opens, perfect couple Alice (Florence Pugh) and Jack (Harry Styles) are introduced living in an idyllic experimental company town housing the workers (men) of a top-secret entity called the Victory Project and their families. The 1950s-era worldview espoused by Victory Project CEO Frank (Chris Pine) seems embedded in every corner of the fabricated community. While the men get down to the important business of working on the “development of progressive materials,” their wives are expected to relax and enjoy the perfect life that has been created for them (after...
As the film opens, perfect couple Alice (Florence Pugh) and Jack (Harry Styles) are introduced living in an idyllic experimental company town housing the workers (men) of a top-secret entity called the Victory Project and their families. The 1950s-era worldview espoused by Victory Project CEO Frank (Chris Pine) seems embedded in every corner of the fabricated community. While the men get down to the important business of working on the “development of progressive materials,” their wives are expected to relax and enjoy the perfect life that has been created for them (after...
- 9/23/2022
- by Mike Tyrkus
- CinemaNerdz
Human beings have a natural resistance to change. Every time anything in someone's life is thrown off course, from their daily routine to their preconceived notions about the world, people find themselves either adjusting or resisting.The numerous instances of anti-progressive thought that can be seen in society today (especially that coming from cisgendered white men) are proof positive of this continual phenomenon, and thus the arts — being the bastion of cultural commentary that they are — react accordingly.
Olivia Wilde's second feature as a director, "Don't Worry Darling," is the latest in an increasingly large wave of socially conscious horror and genre pictures. While some of the pitfalls of this trend can certainly be seen in the film, its themes of feminism and misogyny combined with its surprisingly compelling ambiguity makes it a more fascinating experience than its tabloid-style press tour would indicate.
The trailers for "Don't Worry Darling...
Olivia Wilde's second feature as a director, "Don't Worry Darling," is the latest in an increasingly large wave of socially conscious horror and genre pictures. While some of the pitfalls of this trend can certainly be seen in the film, its themes of feminism and misogyny combined with its surprisingly compelling ambiguity makes it a more fascinating experience than its tabloid-style press tour would indicate.
The trailers for "Don't Worry Darling...
- 9/23/2022
- by Bill Bria
- Slash Film
This review originally ran in conjunction with the film’s world premiere at the 2022 Venice Film Festival.
To say that “Don’t Worry Darling” is a mixture of “The Stepford Wives” and “Get Out” is both accurate and deeply misleading. It’s accurate because Olivia Wilde’s satiric and somewhat frantic psychological thriller does borrow from films like “Stepford,” where an idealized community is one in which the women are dolls designed for male satisfaction, and “Get Out,” which uses horror trappings to grapple with timely issues of power and privilege.
But it’s misleading because there’s another film to which “Don’t Worry Darling” owes even more than it does to those two – but to even mention the other film’s name would be to give away a crucial plot twist that happens late in the film and changes everything.
So we won’t mention The Film That Shall Remain Nameless,...
To say that “Don’t Worry Darling” is a mixture of “The Stepford Wives” and “Get Out” is both accurate and deeply misleading. It’s accurate because Olivia Wilde’s satiric and somewhat frantic psychological thriller does borrow from films like “Stepford,” where an idealized community is one in which the women are dolls designed for male satisfaction, and “Get Out,” which uses horror trappings to grapple with timely issues of power and privilege.
But it’s misleading because there’s another film to which “Don’t Worry Darling” owes even more than it does to those two – but to even mention the other film’s name would be to give away a crucial plot twist that happens late in the film and changes everything.
So we won’t mention The Film That Shall Remain Nameless,...
- 9/22/2022
- by Steve Pond
- The Wrap
Despite its striking architecture, Palm Springs has seldom been captured effectively on film — even the movie “Palm Springs” shot somewhere else. But no longer. The Olivia Wilde-directed dystopian fantasy “Don’t Worry Darling” makes ample use of the California resort town’s well-preserved mid-century buildings to showcase her vision of 1950s suburban bliss covering up something menacing underneath. Endless sunny skies, broad avenues lined with swaying palm trees and turquoise swimming pools are signifiers of an idealized life for the inhabitants of the fictional Victory Project, like the attractive young couple played by Florence Pugh and Harry Styles.
Production designer Katie Byron, the art and set decoration teams and location manager Chris Baugh pushed hard to be able to shoot in landmark mid-century buildings, and furnished them with period-appropriate items – despite the difficulty of filming in pristine historic locales.
Byron took inspiration from several of the architects and designers most associated with Palm Springs,...
Production designer Katie Byron, the art and set decoration teams and location manager Chris Baugh pushed hard to be able to shoot in landmark mid-century buildings, and furnished them with period-appropriate items – despite the difficulty of filming in pristine historic locales.
Byron took inspiration from several of the architects and designers most associated with Palm Springs,...
- 9/22/2022
- by Pat Saperstein
- Variety Film + TV
I never start a review commenting on whatever the so-called Film Twitter Mafia have to say about it, sight unseen. Starting back at CinemaCon in April when its directo/co-star Olivia Wilde was served legal papers onstage regarding her custody hearings with ex Jason Sudeikis, there has been non-stop gossip about her movie Don’t Worry Darling. There has been so much of it, right up to today’s Venice Film Festival press conference (covered by my colleague Nancy Tartaglione) that you almost have to address the elephant in the room. Others can do that, but let us not forget there is also a movie here, one I was able to preview as just that a few weeks ago in Burbank. As a reviewer, to quote Being There’s Chauncey Gardner, “I like to watch,” and that means only what is on the screen.
That said, on its own terms Don’t Worry Darling...
That said, on its own terms Don’t Worry Darling...
- 9/5/2022
- by Pete Hammond
- Deadline Film + TV
By now, the question isn’t whether you’ve heard of Don’t Worry Darling, Olivia Wilde’s social-thriller-cum-thirst-valentine — it’s what you’ve heard about it. High-profile hook-ups, the humiliating serving of papers during public appearances, leaked videos, cross-media sniping, several pints’ worth of alleged bad blood, the ghosting of press conferences, etc. Every film production is dysfunctional in its own way. This movie stands head and subzero-temp-cold shoulders above its peers in terms of salacious scuttlebutt, however. Wilde has said she set out to make “The Feminist Mystique on acid.
- 9/5/2022
- by David Fear
- Rollingstone.com
Click here to read the full article.
Olivia Wilde’s second feature behind the camera, Don’t Worry Darling, will more likely be remembered for the offscreen intrigue — tabloid romance, lead actor replacement, a glaringly public serving of custody papers, a rumored clash between director and star — than it is for much else in this umpteenth Stepford Wives knockoff. That’s not to say it’s without sizeable pluses, chief among them a meaty lead role for the dependably compelling Florence Pugh, who hasn’t played a woman in this much peril since Midsommar. It also scores points for allowing Chris Pine to show what a devilishly charismatic villain he can be.
The high-concept, low-satisfaction psychological thriller marks an ambitious upgrade in scope for Wilde from the character-driven coming-of-age comedy of Booksmart, and she handles the physical aspects of the project with assurance. It’s just a shame all the effort...
Olivia Wilde’s second feature behind the camera, Don’t Worry Darling, will more likely be remembered for the offscreen intrigue — tabloid romance, lead actor replacement, a glaringly public serving of custody papers, a rumored clash between director and star — than it is for much else in this umpteenth Stepford Wives knockoff. That’s not to say it’s without sizeable pluses, chief among them a meaty lead role for the dependably compelling Florence Pugh, who hasn’t played a woman in this much peril since Midsommar. It also scores points for allowing Chris Pine to show what a devilishly charismatic villain he can be.
The high-concept, low-satisfaction psychological thriller marks an ambitious upgrade in scope for Wilde from the character-driven coming-of-age comedy of Booksmart, and she handles the physical aspects of the project with assurance. It’s just a shame all the effort...
- 9/5/2022
- by David Rooney
- The Hollywood Reporter - Movie News
Olivia Wilde’s “Don’t Worry Darling” is a movie that, in recent weeks, has been besieged and consumed by offscreen dramas, none of which I’ll recount here, except to note that when a film’s lead actress seems actively reluctant to publicize the film in question, that’s a sign of some serious discord. Yet it would be hugely unfair to allow this tempest in a teapot of gossipy turmoil to influence one’s feelings about the movie. If you want to talk about problems related to “Don’t Worry Darling,” you need look no further than at what’s onscreen.
The film, written by Katie Silberman, with the brilliant production design of Katie Byron, is a kind of candy-colored “Stepford Wives” in the Twilight Zone meets “The Handmaid’s Tale” for the age of torn-at-the-seams democracy. In theory, this should add up to a juicy watch. Wilde, whose first feature...
The film, written by Katie Silberman, with the brilliant production design of Katie Byron, is a kind of candy-colored “Stepford Wives” in the Twilight Zone meets “The Handmaid’s Tale” for the age of torn-at-the-seams democracy. In theory, this should add up to a juicy watch. Wilde, whose first feature...
- 9/5/2022
- by Owen Gleiberman
- Variety Film + TV
New Line Cinema’s anticipated psychological thriller Don’t Worry Darling was confirmed this morning for an Out of Competition slot at the Venice Film Festival (August 31 – Sep 10) and the studio has confirmed that director Olivia Wilde and stars Florence Pugh, Harry Styles, Gemma Chan and Chris Pine will tread the red carpet.
Wilde’s sophomore feature follows Alice (Pugh) and Jack (Styles) who seem lucky to be living in the idealized community of Victory, an experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.
While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty,...
Wilde’s sophomore feature follows Alice (Pugh) and Jack (Styles) who seem lucky to be living in the idealized community of Victory, an experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.
While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty,...
- 7/26/2022
- by Andreas Wiseman
- Deadline Film + TV
From New Line Cinema comes Don’T Worry Darling, directed by Olivia Wilde (“Booksmart”) and starring Florence Pugh (Oscar-nominated for “Little Women”), Harry Styles (“Dunkirk”), Wilde (upcoming “Babylon”), Gemma Chan (“Crazy Rich Asians”), KiKi Layne (“The Old Guard”) and Chris Pine (“All the Old Knives”).
Check out the brand new trailer now and see it in theaters September 23.
Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.
While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty,...
Check out the brand new trailer now and see it in theaters September 23.
Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.
While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty,...
- 7/21/2022
- by Michelle Hannett
- WeAreMovieGeeks.com
Getting a lot of attention is Harry Styles upcoming film, Don’T Worry Darling, from director Olivia Wilde. The first trailer hit today. Check it out now.
From New Line Cinema comes “Don’t Worry Darling,” directed by Olivia Wilde (“Booksmart”) and starring Florence Pugh (Oscar-nominated for “Little Women”), Harry Styles (“Dunkirk”), Wilde (upcoming “Babylon”), Gemma Chan (“Crazy Rich Asians”), KiKi Layne (“The Old Guard”) and Chris Pine (“All the Old Knives”).
Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.
While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,...
From New Line Cinema comes “Don’t Worry Darling,” directed by Olivia Wilde (“Booksmart”) and starring Florence Pugh (Oscar-nominated for “Little Women”), Harry Styles (“Dunkirk”), Wilde (upcoming “Babylon”), Gemma Chan (“Crazy Rich Asians”), KiKi Layne (“The Old Guard”) and Chris Pine (“All the Old Knives”).
Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.
While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,...
- 5/2/2022
- by Michelle Hannett
- WeAreMovieGeeks.com
Set in the 1950s and starring Florence Pugh and Harry Styles, Olivia Wilde's Don't Worry Darling will be released in theaters on September 23rd, and we have a look at the official trailer for the psychological thriller:
From New Line Cinema comes “Don’t Worry Darling,” directed by Olivia Wilde (“Booksmart”) and starring Florence Pugh (Oscar-nominated for “Little Women”), Harry Styles (“Dunkirk”), Wilde (upcoming “Babylon”), Gemma Chan (“Crazy Rich Asians”), KiKi Layne (“The Old Guard”) and Chris Pine (“All the Old Knives”).
Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.
While the husbands spend every day inside the Victory Project Headquarters,...
From New Line Cinema comes “Don’t Worry Darling,” directed by Olivia Wilde (“Booksmart”) and starring Florence Pugh (Oscar-nominated for “Little Women”), Harry Styles (“Dunkirk”), Wilde (upcoming “Babylon”), Gemma Chan (“Crazy Rich Asians”), KiKi Layne (“The Old Guard”) and Chris Pine (“All the Old Knives”).
Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.
While the husbands spend every day inside the Victory Project Headquarters,...
- 5/2/2022
- by Derek Anderson
- DailyDead
On Monday, Warner Bros. Pictures officially released the first full-length trailer for their upcoming psychological thriller “Don’t Worry Darling,” directed by Olivia Wilde who previously helmed “Booksmart.”
The film stars Florence Pugh as Alice, a housewife living with her husband Jack (Harry Styles), who’s employed by an enigmatic operation known as the Victory Project — which is expected to change the world as we know it.
Wilde directs from a screenplay penned by her “Booksmart” writer Katie Silberman, based on a story by Carey Van Dyke & Shane Van Dyke (“Chernobyl Diaries”) and Silberman. The film is produced by Wilde, Silberman, Miri Yoon, and Roy Lee, with Richard Brener, Celia Khong, Alex G. Scott, Catherine Hardwicke, Carey Van Dyke, and Shane Van Dyke executive producing.
Wilde is joined behind the camera by two-time Oscar-nominated director of photography Matthew Libatique, production designer Katie Byron (“Booksmart”), editor Affonso Gonçalves (“The Lost Daughter”), Oscar-nominated...
The film stars Florence Pugh as Alice, a housewife living with her husband Jack (Harry Styles), who’s employed by an enigmatic operation known as the Victory Project — which is expected to change the world as we know it.
Wilde directs from a screenplay penned by her “Booksmart” writer Katie Silberman, based on a story by Carey Van Dyke & Shane Van Dyke (“Chernobyl Diaries”) and Silberman. The film is produced by Wilde, Silberman, Miri Yoon, and Roy Lee, with Richard Brener, Celia Khong, Alex G. Scott, Catherine Hardwicke, Carey Van Dyke, and Shane Van Dyke executive producing.
Wilde is joined behind the camera by two-time Oscar-nominated director of photography Matthew Libatique, production designer Katie Byron (“Booksmart”), editor Affonso Gonçalves (“The Lost Daughter”), Oscar-nominated...
- 5/2/2022
- by Caillou Pettis
- Gold Derby
IFC’s “Documentary Now!” has always gone for more than the cheap laugh. While it’s a mockumentary of public-tv programming and the documentaries they feature, the real pleasure lies in watching how it will create homages to great nonfiction filmmaking.
“We really wanted you to be clicking through the channels, landing on our show and thinking that it is a real documentary, and then suddenly say, ‘Hey, hold on for a minute — that’s Fred Armisen, what’s he doing in this documentary?'” said Alexander Buono, the executive producer who has co-directed and served as cinematographer on every episode of the show’s two seasons.
Buono and his fellow co-director, executive producer Rhys Thomas, started their collaboration on “Saturday Night Live” where every week they were charged with creating send-ups of everything from a suspense drama to a pharmaceutical commercial to a music video.
Read More: How ‘The...
“We really wanted you to be clicking through the channels, landing on our show and thinking that it is a real documentary, and then suddenly say, ‘Hey, hold on for a minute — that’s Fred Armisen, what’s he doing in this documentary?'” said Alexander Buono, the executive producer who has co-directed and served as cinematographer on every episode of the show’s two seasons.
Buono and his fellow co-director, executive producer Rhys Thomas, started their collaboration on “Saturday Night Live” where every week they were charged with creating send-ups of everything from a suspense drama to a pharmaceutical commercial to a music video.
Read More: How ‘The...
- 6/7/2017
- by Chris O'Falt
- Indiewire
The Final Girls was recently released to theaters and VOD, and is available today on Blu-ray and DVD. For those that are interested in what went on behind-the-scenes, I recently caught up with director Todd Strauss-Schulson to talk about the movie's evolution before he got behind the camera, improv comedy on set, building the camp for the movie, and much more:
Can you talk a little bit about how this script came about, what it took to bring it to the screen and what changes you made?
Todd Strauss-Schulson: I was editing my first movie and thinking about what I would do second. These guys I went to college with, Mark Fortin and Josh Miller, are these really cool writers. They're big horror fans—Mark especially is really deep, deep into horror stuff—and had written a script.
Eight years prior to this, we went to college together in L.
Can you talk a little bit about how this script came about, what it took to bring it to the screen and what changes you made?
Todd Strauss-Schulson: I was editing my first movie and thinking about what I would do second. These guys I went to college with, Mark Fortin and Josh Miller, are these really cool writers. They're big horror fans—Mark especially is really deep, deep into horror stuff—and had written a script.
Eight years prior to this, we went to college together in L.
- 11/4/2015
- by Jonathan James
- DailyDead
In his 4 out of 5 stars review of Like Crazy, Wamg writer Jim Batts said the film ”is an emotional rollercoaster and a great showcase for two very gifted young actors.” Like Crazy is not so much a love story as a story about what we experience when we.re in love . the excitement, the inspiration, the communion, the angst and the all-out craziness that envelop us, shake us and leave us wondering what on earth just happened to us. Rather than spin another ethereal fairy tale about the ideal of love, director Drake Doremus decided to get down into the dirt with the sheer emotional reality of falling into it .- and then battling to sustain it, especially in a world in which geography, technology and individuality seem to conspire against it at every turn.
Wamg is giving away passes to a screening of this very special film – Thursday (11/10) at Plaza Frontenac at 7Pm.
Wamg is giving away passes to a screening of this very special film – Thursday (11/10) at Plaza Frontenac at 7Pm.
- 11/8/2011
- by Movie Geeks
- WeAreMovieGeeks.com
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