A husband and wife think they have made the move of a lifetime when they buy a house in a quiet leafy town. At first it appears to be perfect because there is no noise, no crime and no ... See full summary »
Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
A TV reporter arrives in Stepford to do a story on the American town with the lowest crime and divorce rates and the tightest real-estate market (no one ever leaves). She needs an assistant... See full summary »
Joanna Eberhart, a wildly succesful president of a TV Network, after a series of shocking events suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the ascerbic Bobbie Markowitz, a jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful, and somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out? Written by
Miguel Cane <firstname.lastname@example.org>
Director Frank Oz considered the idea of filming cameos with actresses Katharine Ross and Paula Prentiss, who appeared in the original film. He voted against the idea, citing that it would disrupt the credibility of the film. See more »
Joanna has a short, dark hairdo. After (we think) she has been made into a robot, her hair has grown 12 inches. Nicole Kidman is sporting her own hair. It should've been styled as a wig, not as a combed back style which is not available as a wig. The final scene shows Joanna with the short, dark hairdo again. See more »
Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
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The opening credits are presented in a cursive script font rather than regular block letters. The letters alternate "flashing" on and off, mimicing machine lights. See more »
I very rarely write comments here about films I didn't enjoy but this is different. This film boasts a cast that will be pulling people in cinemas. My advice is: don't bother. It's just the most boring, predictable, badly planned and executed piece of celluloid I've ever seen. It's as if Frank Oz had a good idea but got bored half-way through realising it. I haven't seen the original but surely the actors who got involved in this read the script of the remake? They can't have based their participation on the Seventies film, surely. Because the 2004 remake is full of awful cliches, bad jokes (OK, there are a couple of good lines but that's about it) and it is so empty of ideas that it makes you want to shout to the screen. If the actors playing in this film were unknowns there is NO WAY anyone would have gone to see it. It's just a parade of famous names (some good actors, some average) that sleepwalk through a dreadful script. It can't even become a cult classic - it's THAT average. 1/10 for me and that's being lenient.
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