The Stepford Wives (2004)

What does it take to become a Stepford wife, a woman perfect beyond belief? Ask the Stepford husbands, who've created this high-tech terrifying little town, in a very modern comedy-thriller.

Director:

Frank Oz

Writers:

Ira Levin (book), Paul Rudnick (screenplay)

Stars:

Nicole Kidman, Matthew Broderick, Bette Midler

3 wins.

Cast

Cast overview, first billed only:
Nicole Kidman	...	Joanna Eberhart
Matthew Broderick	...	Walter Kresby
Bette Midler	...	Bobbie Markowitz
Glenn Close	...	Claire Wellington
Christopher Walken	...	Mike Wellington
Roger Bart	...	Roger Bannister
David Marshall Grant	...	Jerry Harmon
Jon Lovitz	...	Dave Markowitz
Dylan Hartigan	...	Pete Kresby
Fallon Brooking	...	Kimberly Kresby
Faith Hill	...	Sarah Sunderson
Matt Malloy	...	Herb Sunderson
Kate Shindle	...	Beth Peters
Tom Riis Farrell	...	Stan Peters
Lorri Bagley	...	Charmaine Van Sant

Storyline

Joanna Eberhart, a wildly succesful president of a TV Network, after a series of shocking events suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the ascerbic Bobbie Markowitz, a jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful, and somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out?

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Plot Keywords:

writer | community | connecticut | television | fired from the job | 

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Taglines:

Are you a Stepford wife? Are you a Stepford husband? Couple, ask yourselves: Would you move to Stepford?

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Genres:

Comedy | Sci-Fi | Thriller

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Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, thematic material and language

Details

Official Sites:

Paramount Pictures UIP [br]

Country:

USA

Language:

English

Release Date:

11 June 2004 (USA)

Also Known As:

Las mujeres perfectas

Filming Locations:

Bedminster, New Jersey, USA

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend:

$134,506 (South Africa) (29 October 2004)

Gross:

$268,694 (South Africa) (12 November 2004)

Company Credits

Production Co:

Paramount Pictures, DreamWorks SKG, Scott Rudin Productions

Technical Specs

Runtime:

93 min

Sound Mix:

DTS Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

At the beginning of the movie, when the "wives" are exercising, they do it to the song "1975", a reference to the date of the original The Stepford Wives.

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Goofs

When the family is driving to Stepford, Pete says "But why are we moving?". Kimberly can be clearly seen mouthing his line before saying "to Conneticut?"

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Quotes

[first lines]
Helen Devlin: Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.

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Crazy Credits

The opening titles are shown alongside various vintage clips from the 1950s of women operating high-tech (for the time) appliances.

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Connections

Version of The Stepford Wives (1975)

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Soundtracks

"The Marines' Hymn"
(1868)
Music by Jacques Offenbach from "Genevieve de Brabant" (1868) (uncredited)
Lyrics by L.Z. Phillips (1919)
Performed by The Band of the Grenadier Guards
Courtesy of Decca Music Group Limited
Under License from Universal Music Enterprises

User Reviews

Too lightweight for its subject matter

The original film, and the great novel that preceded it are worthy of a better treatment than this lighthearted, anti-suspenseful, Hollywood variety show. What's more, the excellent veteran cast, the catchy soundtrack and the expensive production values could have made this into the socially serious, poignant and yet funny contemporary masterwork it should have been. Instead, we are left with a film whose campiest moments are clichés and whose point seems to be love conquers all - even the sexism, genderism and masculocentrism still rampant in American Society today! I never expect comedies to do a particularly good job with continuity and logic, but some of the continuity problems in this film are really pretty amazing. Plot twists are, after all, supposed to change the COURSE of the plot, not its basic premises. I'm dying to tell you about it, but I won't write a spoiler.

Here are the basics: Nicole Kidman and Matthew Broderick are a successful couple whose marriage has been suffering a bit because of the stress of their work-lives. Nicole, a TV executive famous for post-feminist male-bashing shows gets fired for no particular reason and they couple decides to move away to Stepford, an exclusive community populated by people who seem to have no particular troubles of any kind, or even jobs for that matter. Some of the first things Matthew Broderick realizes about Stepford is that all of the women are beautiful, and everybody is marvelously happy with a few possible exceptions - his own wife, Bette Midler and a gay liberal whose partner has been sucked into republicanism. Predictably, these three conspire to resist the happiness all around them and investigate the mystery of the Stepford men's club.

I've described the first quarter of the film. Although the central plot is interesting and strong, the lack of even a shred of seriousness detracts very heavily from it - even from a comedic point of view. If this film hadn't made me disinterested, the feminist in me would have simply been angry over the missed opportunity this film represents. Moreover, it is possible to see this film as a justification of the 'blame the victim' mentality so often prevalent in contemporary culture.

Most of the cast seems equally unengaged. They sometimes seem to be playing roles in different films - interacting with each other poorly and playing their roles with no particular goal in mind. I can only fault the director here. Broderick and Kidman are, as usual, very watchable, but even Nicole seems to be unsure what her character is supposed to be portraying at times. Bette Midler is fine, as are Walken and Glenn Close. Close was actually, IMO, the show stealer - making the film tolerable with her excruciatingly irritating and very dominant presence.

While not a complete travesty, I can not recommend The Stepford Wives.