Sally and Gillian Owens have always known they were different. Raised by their aunts after their parents' death, the sisters grew up in a household that was anything but typical--their ... See full summary »
When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
Successful playwright Felix Webb has a new play, 'The Hit Man', in rehearsal. Directed by his old friend Humphrey, it is already being hailed as a masterpiece; but Felix can't enjoy his ... See full summary »
A husband and wife think they have made the move of a lifetime when they buy a house in a quiet leafy town. At first it appears to be perfect because there is no noise, no crime and no ... See full summary »
A TV reporter arrives in Stepford to do a story on the American town with the lowest crime and divorce rates and the tightest real-estate market (no one ever leaves). She needs an assistant... See full summary »
Joanna Eberhart, a wildly succesful president of a TV Network, after a series of shocking events suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the ascerbic Bobbie Markowitz, a jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful, and somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out? Written by
Miguel Cane <email@example.com>
The film had an infamously troubled production, with reports of clashes between director Frank Oz and stars Nicole Kidman and Bette Midler. In later interviews, Kidman, Matthew Broderick, and producer Scott Rudin all expressed regret for being part of this movie. Kidman reportedly almost left the project, dissatisfied with the script rewrites. Oz has reported regrets over his involvement, admitting that he feels he made too many mistakes, cared too much about what the studios, audiences, and producers wanted, and ultimately delivered a substandard product. See more »
The beam of Roger's flashlight produces spots - a sign it's being reflected off the camera's lens. See more »
Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
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In the credits, Corning is credited with "cutlured stone" rather than "cultured stone". See more »
Ultra modern reworking of Ira Levin's bestseller from the 1970s (and the 1975 film counterpart starring Katharine Ross) about Connecticut suburb filled with perky, beautiful housewives and their boorish, piggy husbands. Nicole Kidman is very good as the newcomer in town whose husband (a rather stolid Matthew Broderick) immediately joins the Men's Association. Abandoning the sly dark humor of the original movie, this rather bombastic--and brief--92 minute version shows heavy signs of post-production tinkering. There are all sorts of things wrong with this movie, starting with the obvious hedging-of-bets pertaining to the mystery behind the wives (which might've been wildly successful if the filmmakers had just stuck to their original vision); Kidman's children disappear at camp, are brought home (off-camera), and then disappear again; one Stepford bunny coughs up money--exactly how is this done according to Christopher Walken's "home movie" near the finish? But the worst is saved for last, when an outlandish twist leads to the kind of teeth-grinding, Larry King-cameoed ending that undermines director Frank Oz's ability to even work on a movie much less direct one. Some of the cartoonish humor (though over-the-top) is entertaining and colorful, and the movie's first 45 minutes are good, but the thicker the plot gets, the more ridiculous the film becomes. *1/2 from ****
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