Sally and Gillian Owens have always known they were different. Raised by their aunts after their parents' death, the sisters grew up in a household that was anything but typical--their ... See full summary »
When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
A husband and wife think they have made the move of a lifetime when they buy a house in a quiet leafy town. At first it appears to be perfect because there is no noise, no crime and no ... See full summary »
Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
Successful playwright Felix Webb has a new play, 'The Hit Man', in rehearsal. Directed by his old friend Humphrey, it is already being hailed as a masterpiece; but Felix can't enjoy his ... See full summary »
A TV reporter arrives in Stepford to do a story on the American town with the lowest crime and divorce rates and the tightest real-estate market (no one ever leaves). She needs an assistant... See full summary »
Joanna Eberhart, a wildly succesful president of a TV Network, after a series of shocking events suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the ascerbic Bobbie Markowitz, a jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful, and somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out? Written by
Miguel Cane <email@example.com>
When Claire drives Joanna through Stepford, her seat belt disappears and reappears between shots. See more »
Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
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The opening titles are shown alongside various vintage clips from the 1950s of women operating high-tech (for the time) appliances. See more »
This movie is a perfect example of what is wrong with the state of movies today. The original was a gem, with excellent acting by Katharine Ross, Paula Prentiss, and Patrick O'Neal. It was part horror story, part feminist cautionary tale. Most of all, it was BELIEVABLE! You got the feeling these were real people, and that all this could really be happening--and with a minimum of "special effects". The dialogue was pretty intelligent, the plot twists weren't given away in the first 15 minutes, and the ending was a real shocker. You cared about the female characters in the movie--you cared about Joanna's plight, and rooted for her to escape her planned fate.
The current version could only--and was probably meant to--appeal to the lowest common denominator of movie-goer. In this film, the women are just as bad as the men--you don't give a damn what happens to them; that's how annoying the characters are. The laughs are cheap and lowbrow, vital plot elements of Ira Levin's novel are missing, and the acting is just plain bad.
You know what? I'm getting annoyed just writing about this dreck. If you have any taste, any sense, any feeling for good films, any aversion to wasting good money on bad movies--stay far away from this one!! See the original, and appreciate the stunning subtlety of a thinking person's movie, well-made and well-acted.
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