The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted. While he's resisting temptation, his wife encounters her past love.
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Anna and Jacob fall instantly in love when they meet as students at an L.A. university. But Anna is British and when graduation approaches, Anna decides to stay and violate her student visa rather than returning to England. After a visit home, she is then unable to return to the United States. While fighting customs and immigration battles, Anna and Jacob must decide if their relationship is worth the distance and the hardship. Written by
Director Drake Doremus viewed a rough cut of this film to his former students at the Orange County High School of the Arts before submitting it to the Sundance Film Festival. See more »
When Jacob is sending a text message to Sam in Anna's kitchen, upon being questioned who he is "texting", he sets his phone down in front of the laptop computer on the table and leaves the room. In the next shot, Anna goes to browse his text messages, and the phone has changed its position to the side of the computer instead. See more »
Do you want something to drink? I only have whiskey.
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Like Crazy isn't a perfect film, but it's a refreshingly personal one. Though it has a questionable screenplay and some awkward editing, the genuine emotion in every scene is palpable. Yelchin and Jones give the film their all: their romance is believable yet they bravely portray their flaws as well - perhaps so that we can relate to them better, so we can find ourselves in their mistakes and learn from their downfalls.
There are some issues - the editing can be choppy, some lines sound like they came from a 7th grader, and the film isn't nearly as long as it should be. It's hard to be sad about their separation when they're only separated for 5 minutes at a time. In spite of the occasional clunkiness, however, the film works because of the commitment to the characters, the genuine romance, and the tearjerkingly beautiful moments of pure, human emotion.
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