Are you young, sexually confused, just trying to get by? Do you sing, dance or possess some other talent? Welcome to the Garden Party. At the center of the story is 15-year-old April. She ... See full summary »
Kathryn Vale (Lena Olin) is a reclusive ex-movie star with a dark secret and a daughter hoping to follow in her mother's movie-star footsteps. When Kathryn attempts to make a career ... See full summary »
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
George, a lonely and fatalistic teen who has made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.
The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted to. While he's resisting temptation, his wife encounters her past love.
After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
Anna and Jacob fall instantly in love when they meet as students at an L.A. university. But Anna is British and when graduation approaches, Anna decides to stay and violate her student visa rather than returning to England. After a visit home, she is then unable to return to the United States. While fighting customs and immigration battles, Anna and Jacob must decide if their relationship is worth the distance and the hardship. Written by
Director Drake Doremus viewed a rough cut of this film to his former students at the Orange County High School of the Arts before submitting it to the Sundance Film Festival. See more »
When Jacob is sending a text message to Sam in Anna's kitchen, upon being questioned who he is "texting", he sets his phone down in front of the laptop computer on the table and leaves the room. In the next shot, Anna goes to browse his text messages, and the phone has changed its position to the side of the computer instead. See more »
I thought I understood it, that I could grasp it, but I didn't, not really. Only the smudgeness of it; the pink-slippered, all-containered, semi-precious eagerness of it. I didn't realize it would sometimes be more than whole, that the wholeness was a rather luxurious idea. Because it's the halves that halve you in half. I didn't know, don't know, about the in-between bits; the gory bits of you, and the gory bits of me.
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Like Crazy isn't a perfect film, but it's a refreshingly personal one. Though it has a questionable screenplay and some awkward editing, the genuine emotion in every scene is palpable. Yelchin and Jones give the film their all: their romance is believable yet they bravely portray their flaws as well - perhaps so that we can relate to them better, so we can find ourselves in their mistakes and learn from their downfalls.
There are some issues - the editing can be choppy, some lines sound like they came from a 7th grader, and the film isn't nearly as long as it should be. It's hard to be sad about their separation when they're only separated for 5 minutes at a time. In spite of the occasional clunkiness, however, the film works because of the commitment to the characters, the genuine romance, and the tearjerkingly beautiful moments of pure, human emotion.
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