April (15) is running from one bad situation into another, hoping to find an answer that doesn't involve nudity, and falls in with a group of confused kids chasing their dreams. The black widow in the web is the sexy, pot-dealing Sally.
Kathryn Vale (Lena Olin) is a reclusive ex-movie star with a dark secret and a daughter hoping to follow in her mother's movie-star footsteps. When Kathryn attempts to make a career ... See full summary »
After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Anna and Jacob fall instantly in love when they meet as students at an L.A. university. But Anna is British and when graduation approaches, Anna decides to stay and violate her student visa rather than returning to England. After a visit home, she is then unable to return to the United States. While fighting customs and immigration battles, Anna and Jacob must decide if their relationship is worth the distance and the hardship. Written by
At the Toronto International Film Festival (2011), the director admitted that much of the movie was improvised. The script outlined what would happen, but Felicity Jones and Anton Yelchin improvised much of their dialogue. See more »
In the first part of the movie Anna and Jacob are using an old flip phone. When Anna is back in London in a taxi listening to Jacob's voicemail she uses an iPhone but later when she is in bed calling Jacob she is back on her flip phone. In all scenes after that Anna and Jacob both use an iPhone. See more »
It's someone that is very close to me and he's been quite an inspiration in my life. And i almost through my writing i wanted to give something back.
Yeah, when i was reading it just made me think about the fact when i was working in NY, my husband was in LA, so he was driving across country. So, on the way over he would take all these pictures of himself and the dog at varies places. So, I sent photos of me and we got all them together and they were all the moment and time being separate, but ...
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Like Crazy isn't a perfect film, but it's a refreshingly personal one. Though it has a questionable screenplay and some awkward editing, the genuine emotion in every scene is palpable. Yelchin and Jones give the film their all: their romance is believable yet they bravely portray their flaws as well - perhaps so that we can relate to them better, so we can find ourselves in their mistakes and learn from their downfalls.
There are some issues - the editing can be choppy, some lines sound like they came from a 7th grader, and the film isn't nearly as long as it should be. It's hard to be sad about their separation when they're only separated for 5 minutes at a time. In spite of the occasional clunkiness, however, the film works because of the commitment to the characters, the genuine romance, and the tearjerkingly beautiful moments of pure, human emotion.
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