Henry Fonda earned his first Oscar nomination for his indelible turn as Tom Joad who becomes head of his family of Oklahoma tenant farmers in John Ford’s 1940 masterpiece “The Grapes of Wrath’ based on John Steinbeck’s Pulitzer Prize-winning novel. And 44 years later, his two-time Oscar-winning daughter Jane Fonda had her “Grapes of Wrath” moment in the ABC Mother’s Day movie, “The Dollmaker.”
Based on Harriette Arnow’s 1954 novel of the same name, the three-hour drama set in the final two years of World War II, finds Fonda playing the indomitable Gertie Nevels, a caring, loving and uneducated mother of five. A sharecropper in Kentucky, Gertie dreams of owning her own farm and has saved enough money to buy one. Her husband (Levon Holm) isn’t much of a farmer but is good at fixing machines. When he gets a job as a mechanic at a factory in Detroit,...
Based on Harriette Arnow’s 1954 novel of the same name, the three-hour drama set in the final two years of World War II, finds Fonda playing the indomitable Gertie Nevels, a caring, loving and uneducated mother of five. A sharecropper in Kentucky, Gertie dreams of owning her own farm and has saved enough money to buy one. Her husband (Levon Holm) isn’t much of a farmer but is good at fixing machines. When he gets a job as a mechanic at a factory in Detroit,...
- 5/13/2024
- by Susan King
- Gold Derby
With hindsight being 20/20 and all, it may be a shock to learn that when Jane Fonda and producing partner Bruce Gilbert wanted to make a workplace comedy about three secretaries who decide to enact revenge on their tyrannical, chauvinist boss called "9 to 5," few people (see: men) in positions of power thought the film would be a success. And yet, the film -- which got its name after a grassroots organization of women fighting for workplace equality and fair pay (that is still around today) -- was a box-office smash, launched the mainstream career of Dolly Parton outside of music, and inspired both a TV adaptation and a Broadway musical.
Featuring interviews with Parton, Fonda, Lily Tomlin, countless others who worked on the film, the TV adaptation (Rita Moreno!), the Broadway musical (Allison Janney!), and activists from then and now, the documentary "Still Working 9 to 5" currently boasts a 93% critical score.
Featuring interviews with Parton, Fonda, Lily Tomlin, countless others who worked on the film, the TV adaptation (Rita Moreno!), the Broadway musical (Allison Janney!), and activists from then and now, the documentary "Still Working 9 to 5" currently boasts a 93% critical score.
- 4/30/2024
- by BJ Colangelo
- Slash Film
Surprise! Elizabeth Reaser is now married!
In a new profile with Vogue published on Thursday, April 4, the 48-year-old actress, best known for playing Esme Cullen in the Twilight franchise, and now-husband Bruce Gilbert privately eloped in a small Italian ceremony in August 2023.
Keep reading to find out more…“Originally, we were making these huge lists of people to invite but we realized pretty quickly it didn’t feel right for us,” Elizabeth shared. “We decided to elope instead, with a couple of friends as witnesses.”
Those guests included Sarah Paulson and partner Holland Taylor.
Elizabeth met Bruce - a composer who won an Academy Award for his work on Everything Everywhere All At Once – in 2017 when he was walking his dogs around their neighborhood in Silver Lake, Los Angeles and she was hosting a dog playdate.
“We owe our dogs everything!” Elizabeth joked.
Five years later, Bruce proposed to Elizabeth while on vacation in Italy,...
In a new profile with Vogue published on Thursday, April 4, the 48-year-old actress, best known for playing Esme Cullen in the Twilight franchise, and now-husband Bruce Gilbert privately eloped in a small Italian ceremony in August 2023.
Keep reading to find out more…“Originally, we were making these huge lists of people to invite but we realized pretty quickly it didn’t feel right for us,” Elizabeth shared. “We decided to elope instead, with a couple of friends as witnesses.”
Those guests included Sarah Paulson and partner Holland Taylor.
Elizabeth met Bruce - a composer who won an Academy Award for his work on Everything Everywhere All At Once – in 2017 when he was walking his dogs around their neighborhood in Silver Lake, Los Angeles and she was hosting a dog playdate.
“We owe our dogs everything!” Elizabeth joked.
Five years later, Bruce proposed to Elizabeth while on vacation in Italy,...
- 4/5/2024
- by Just Jared
- Just Jared
Jeff Nichols’ filmography is still young, and still showing no signs of settling in to a stylistic signature — or rut. Through such distinctive features as Take Shelter, Loving, Midnight Special and Mud, the writer-helmer has, though, established a certain directorial integrity. Valuing mood and gesture over plot or formula, his stories are propelled by an openhearted but unsentimental tenderness toward his characters, and invigorated by electrifying grace notes.
With his latest offering, the gloves, at first, seem to be off. The Bikeriders is set within a testosterone-fueled counterculture where brute stupidity frequently prevails, and many viewers will find its violence and code-of-honor brotherhood distancing, or at least familiar movie territory. But what resonates beyond the brawls and blood is a profound affection for the people onscreen — those grace notes provided by a fine cast, with Jodie Comer and Tom Hardy stirring undercurrents that are particularly affecting precisely because they’re never explicitly examined or explained.
With his latest offering, the gloves, at first, seem to be off. The Bikeriders is set within a testosterone-fueled counterculture where brute stupidity frequently prevails, and many viewers will find its violence and code-of-honor brotherhood distancing, or at least familiar movie territory. But what resonates beyond the brawls and blood is a profound affection for the people onscreen — those grace notes provided by a fine cast, with Jodie Comer and Tom Hardy stirring undercurrents that are particularly affecting precisely because they’re never explicitly examined or explained.
- 9/2/2023
- by Sheri Linden
- The Hollywood Reporter - Movie News
A24’s Everything Everywhere All at Once won a pair of awards as did Rob Lowry for his music supervision on both Cha Cha Real Smooth and Do Revenge on Sunday at the 13th annual Guild of Music Supervisors Awards.
The ceremony, held at the Wiltern Theatre, celebrated outstanding achievement in the craft across film, TV, documentaries, games, advertising and trailers. It also honored Paul Williams with the guild’s Icon Award, and Pilar McCurry who was posthumously awarded the Legacy Award.
Everything‘s Oscar-nominated song “This Is A Life,” performed by David Byrne, Mitski and Son Lux, won the Best Song Written and/or Recorded for a Film category. The film’s music supervisors Lauren Marie Mikus and Bruce Gilbert also won for Best Music Supervision in the category of Film Budgeted $25 Million and Under.
Anton Monsted from Warner Bros’ Elvis won the Best Music Supervision for Film Budgeted Over $25 Million.
The ceremony, held at the Wiltern Theatre, celebrated outstanding achievement in the craft across film, TV, documentaries, games, advertising and trailers. It also honored Paul Williams with the guild’s Icon Award, and Pilar McCurry who was posthumously awarded the Legacy Award.
Everything‘s Oscar-nominated song “This Is A Life,” performed by David Byrne, Mitski and Son Lux, won the Best Song Written and/or Recorded for a Film category. The film’s music supervisors Lauren Marie Mikus and Bruce Gilbert also won for Best Music Supervision in the category of Film Budgeted $25 Million and Under.
Anton Monsted from Warner Bros’ Elvis won the Best Music Supervision for Film Budgeted Over $25 Million.
- 3/6/2023
- by Patrick Hipes
- Deadline Film + TV
The music supervisors of “Elvis” and “Everything Everywhere All at Once” have won the top feature-film awards at the 13th annual Guild of Music Supervisors Awards, which were handed out on Sunday night at the Wiltern Theatre in Los Angeles.
Anton Monsted won the award for music supervision of a film that cost more than $25 million for “Elvis,” while Lauren Marie Mikus and Bruce Gilbert won for a film under $25 million for “Everything Everywhere All at Once.” That film also won for the best song written or recorded for a film, which went to the Oscar-nominated “This Is a Life,” written by Ryan Lott, David Byrne and Mitski.
Rob Lowry won the two other film awards, one for his music supervision of “Cha Cha Real Smooth” (Best Music Supervision for a Film Budgeted $10 Million and Under) and one for “Do Revenge: Abbey Hendrix, Jonathan Wellbelove – Apple – “The Greatest”
Best...
Anton Monsted won the award for music supervision of a film that cost more than $25 million for “Elvis,” while Lauren Marie Mikus and Bruce Gilbert won for a film under $25 million for “Everything Everywhere All at Once.” That film also won for the best song written or recorded for a film, which went to the Oscar-nominated “This Is a Life,” written by Ryan Lott, David Byrne and Mitski.
Rob Lowry won the two other film awards, one for his music supervision of “Cha Cha Real Smooth” (Best Music Supervision for a Film Budgeted $10 Million and Under) and one for “Do Revenge: Abbey Hendrix, Jonathan Wellbelove – Apple – “The Greatest”
Best...
- 3/6/2023
- by Steve Pond
- The Wrap
The winners of the 13th annual Guild of Music Supervisors Awards were revealed Sunday night at the Wiltern Theatre in Los Angeles.
Anton Monsted won best music supervision for a film budgeted over $25 million for Elvis, while Lauren Marie Mikus and Bruce Gilbert won the award for a film budgeted $25 million or under for Everything Everywhere All at Once. The latter film also won best song written and/or record for a film for “This Is a Life.” Rob Lowry took home two awards for his work on Cha Cha Real Smooth and Do Revenge.
On the television side, Nora Felder won for best music supervision for a television drama for the fourth season of Stranger Things, while Kier Lehman won in the comedy/musical category for Insecure season five. “Perfect Day” from Better Call Saul season six won best song written and/or recorded for TV.
At the awards ceremony,...
Anton Monsted won best music supervision for a film budgeted over $25 million for Elvis, while Lauren Marie Mikus and Bruce Gilbert won the award for a film budgeted $25 million or under for Everything Everywhere All at Once. The latter film also won best song written and/or record for a film for “This Is a Life.” Rob Lowry took home two awards for his work on Cha Cha Real Smooth and Do Revenge.
On the television side, Nora Felder won for best music supervision for a television drama for the fourth season of Stranger Things, while Kier Lehman won in the comedy/musical category for Insecure season five. “Perfect Day” from Better Call Saul season six won best song written and/or recorded for TV.
At the awards ceremony,...
- 3/6/2023
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
Black Panther: Wakanda Forever and Elvis lead the nominees for the 2023 Music Supervisors Guild Awards.
Each film earned three nominations in the same categories: best music supervision for film budgeted over 25 million, best song written and/or recorded for a film and best music supervision in a trailer – film.
Artists who contributed to the Black Panther sequel and Elvis movie soundtrack, Rihanna and Doja Cat, were also nominated for awards this year, as were performers and songwriters Lady Gaga, Taylor Swift, Diana Ross and David Byrne.
High-profile films and TV shows that earned two nominations apiece include A Jazzman’s Blues, Everything Everywhere All at Once, Minions: The Rise of Gru, Glass Onion: A Knives Out Mystery, Atlanta, The Marvelous Mrs. Maisel, Better Call Saul, Stranger Things, P-Valley and The Afterparty.
The winners in categories spanning film, TV, video games, advertising and trailers will be revealed at an in-person and...
Each film earned three nominations in the same categories: best music supervision for film budgeted over 25 million, best song written and/or recorded for a film and best music supervision in a trailer – film.
Artists who contributed to the Black Panther sequel and Elvis movie soundtrack, Rihanna and Doja Cat, were also nominated for awards this year, as were performers and songwriters Lady Gaga, Taylor Swift, Diana Ross and David Byrne.
High-profile films and TV shows that earned two nominations apiece include A Jazzman’s Blues, Everything Everywhere All at Once, Minions: The Rise of Gru, Glass Onion: A Knives Out Mystery, Atlanta, The Marvelous Mrs. Maisel, Better Call Saul, Stranger Things, P-Valley and The Afterparty.
The winners in categories spanning film, TV, video games, advertising and trailers will be revealed at an in-person and...
- 1/23/2023
- by Hilary Lewis
- The Hollywood Reporter - Movie News
There is nothing better than a cinematic needle drop. This year was absolutely loaded perfect song selections that charmed, horrified, confused or absolutely destroyed audiences. To celebrate the best moments of music in 2022’s film and television the Variety staff cobbled together a list of our favorite hits.
Labrinth & Zendaya “I’m Tired” – “Euphoria”
Music Supervisor: Jen Malone
This song is hauntingly perfect for the scene in which it is featured. Rue (Zendaya) is out of her mind on drugs and hallucinates that she is in a church before she sees herself in her living room dancing with her dead father. Zendaya proves that she is not only one of the best actresses of her time in this scene, but one hell of a singer to boot. – Joe Otterson
Donovan “Riki Tiki Tavi” – “Barbarian”
Music Supervisor: Jillian Ennis
During the tensest scene of this year’s horror hit “Barbarian,” Tess...
Labrinth & Zendaya “I’m Tired” – “Euphoria”
Music Supervisor: Jen Malone
This song is hauntingly perfect for the scene in which it is featured. Rue (Zendaya) is out of her mind on drugs and hallucinates that she is in a church before she sees herself in her living room dancing with her dead father. Zendaya proves that she is not only one of the best actresses of her time in this scene, but one hell of a singer to boot. – Joe Otterson
Donovan “Riki Tiki Tavi” – “Barbarian”
Music Supervisor: Jillian Ennis
During the tensest scene of this year’s horror hit “Barbarian,” Tess...
- 12/21/2022
- by Jazz Tangcay, William Earl, Joe Otterson, Kate Aurthur, Todd Gilchrist, EJ Panaligan, Ellise Shafer, Meredith Woerner, Katie Reul and Ethan Shanfeld
- Variety Film + TV
Every week, IndieWire asks a select handful of TV critics two questions and publishes the results on Tuesday.
This week’s question: What’s the best new overlooked show of 2018 so far?
Ben Travers (@BenTTravers), IndieWire
The best score of 2018 belongs to Nicholas Britell for his work on “Succession.” The best soundtrack, though, comes from “Dear White People” (with “Legion” and “Atlanta” giving it a run for its money). Soundtracks enhance the story by providing punctuation marks, setting tone, and guiding (without manipulating) emotions through existing music choices. The aptly named “Dear White People Vol. 2” does precisely that. Few series are deft enough to place Erykah Badu so close to Jaden Smith, and fewer still pull in a key musical moment from a cast member — Ashley Blaine Ferguson just kills “Tyrone.”
My second choice is a tie between HBO’s “Barry” which music supervisor Liza Richardson kills it for song...
This week’s question: What’s the best new overlooked show of 2018 so far?
Ben Travers (@BenTTravers), IndieWire
The best score of 2018 belongs to Nicholas Britell for his work on “Succession.” The best soundtrack, though, comes from “Dear White People” (with “Legion” and “Atlanta” giving it a run for its money). Soundtracks enhance the story by providing punctuation marks, setting tone, and guiding (without manipulating) emotions through existing music choices. The aptly named “Dear White People Vol. 2” does precisely that. Few series are deft enough to place Erykah Badu so close to Jaden Smith, and fewer still pull in a key musical moment from a cast member — Ashley Blaine Ferguson just kills “Tyrone.”
My second choice is a tie between HBO’s “Barry” which music supervisor Liza Richardson kills it for song...
- 7/4/2018
- by Hanh Nguyen
- Indiewire
Another year, another move further away from caring about pop. Whether that's pop's fault or mine, I'm not sure. But there was still plenty of great new music released in 2015, and here, according to my idiosyncratic tastes, are the best albums, or at least my favorites.
1. Wire: Wire (Pink Flag)
This is said to be the first time that Bruce Gilbert's replacement, guitarist Matthew Simms, was heavily involved in the creation of a Wire album, and the result is...the closest Wire has ever come to sounding like a Colin Newman album. I exaggerate for effect, but only slightly: most everything thrums along smoothly and motorik-ly, he takes all the lead vocals (though Graham Lewis supposedly wrote many of the lyrics), and there are none of the post-punkier outbursts of the group's previous two reunion albums, though near the end of Wire, the one-two punch of "Split Your Ends" and "Octopus" come close.
1. Wire: Wire (Pink Flag)
This is said to be the first time that Bruce Gilbert's replacement, guitarist Matthew Simms, was heavily involved in the creation of a Wire album, and the result is...the closest Wire has ever come to sounding like a Colin Newman album. I exaggerate for effect, but only slightly: most everything thrums along smoothly and motorik-ly, he takes all the lead vocals (though Graham Lewis supposedly wrote many of the lyrics), and there are none of the post-punkier outbursts of the group's previous two reunion albums, though near the end of Wire, the one-two punch of "Split Your Ends" and "Octopus" come close.
- 12/27/2015
- by SteveHoltje
- www.culturecatch.com
How do you underscore the themes and punctuate the emotions in a story that is both comedic and dramatic, current and nostalgic? This was the challenge facing Transparent’s music supervisor Bruce Gilbert, a veteran TV music supervisor who managed to line up songs from several musical legends for the groundbreaking new series.
He spoke to Amazon Music about the role of music in storytelling, the significance of Jim Croce’s “Operator” in Transparent, and his process for coming up with the songs that fit the scripts. While many TV shows and films today use songs that are current hits or about to break, Gilbert focused on “timeless music” that speaks to the themes of family, longing, self-delusion and revelation.
Read the interview with AmazonMusicNotes, then listen to the music from Transparent.
He spoke to Amazon Music about the role of music in storytelling, the significance of Jim Croce’s “Operator” in Transparent, and his process for coming up with the songs that fit the scripts. While many TV shows and films today use songs that are current hits or about to break, Gilbert focused on “timeless music” that speaks to the themes of family, longing, self-delusion and revelation.
Read the interview with AmazonMusicNotes, then listen to the music from Transparent.
- 10/6/2014
- Hollywonk
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