A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Curtis, a father and husband, is starting to experience bad dreams and hallucinations. Assuming mental illness, he seeks medical help and counseling. However, fearing the worst, he starts building an elaborate and expensive storm shelter in their backyard. This storm shelter threatens to tear apart his family, threatens his sanity and his standing in the community, but he builds it to save his family's life. Written by
On the DVD commentary, Michael Shannon and the director, Jeff Nichols, both clarify that the daughter was not supposed to have been born deaf but had become deaf a few years before the events of the movie due to an illness like meningitis. See more »
When Curtis has his seizure, the time on the nightstand clock changes from 2:23 to 2:30, and then back to 2:28 (which then changes to 2:29 on camera). See more »
No, no, no. Don't feed the dog, darling.
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I'm going to try to be restrained in my praise of this film, but it's going to be hard, because I think it's about as close to perfect film-making as I've ever seen. I generally only write reviews for movies I've really loved, or really hated, and this movie I really loved.
This is a masterpiece.
I don't know where to begin, really. Leaving the cinema, I felt as though I'd had some kind of accident - a little as if I was in shock. I had a very strong physical reaction to this movie, in tandem with my emotional response, and in many scenes I felt my heart racing. This is powerful material and has been delivered with great skill. The pacing is perfect, moving slowly and quietly toward not one but several emotional climaxes, each greater than the last, allowing the audience to enter Curtis' world and share his emotions. The cinematography was beautiful, elegant, and achingly frightening at times; the dialogue was so real it hurt, and the soundtrack sinister and intense. Michael Shannon should win something for this role - he is Curtis completely and it's a complex and deeply sympathetic portrayal of the confusion of a good man, a complicated portrait of a man trying to BE a good man, in the face of his own fear. From the very beginning, the atmosphere is unsettled, and some of the dream sequences are heart-stoppingly frightening. The story is multi-layered, working with ideas of family, mental illness, responsibility, fear, the current feeling of the-end-is-nigh that everyone senses - when Curtis said, 'Is anyone seeing this?' I almost cried for him.
I have thought very hard about this film since I saw it two days ago and I simply cannot fault anything about it, not one thing. I know I'm going to see it many times. It left me shaken and moved and I cannot wait to see more from this writer/director. Hands down the movie of the century, so far.
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