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Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
Director:
Bennett Miller
Stars:
Brad Pitt,
Jonah Hill,
Philip Seymour Hoffman
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Nadine Velazquez,
Denzel Washington,
John Goodman
In New York City, Brandon's carefully cultivated private life -- which allows him to indulge his sexual addiction -- is disrupted when his sister arrives unannounced for an indefinite stay.
Director:
Steve McQueen
Stars:
Michael Fassbender,
Lucy Walters,
James Badge Dale
Colin Clark, an employee of Sir Laurence Olivier's, documents the tense interaction between Olivier and Marilyn Monroe during production of The Prince and the Showgirl.
Director:
Simon Curtis
Stars:
Michelle Williams,
Eddie Redmayne,
Julia Ormond
After India's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.
Director:
Chan-wook Park
Stars:
Mia Wasikowska,
Nicole Kidman,
Matthew Goode
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Director:
Tate Taylor
Stars:
Emma Stone,
Viola Davis,
Bryce Dallas Howard
14 year-old Ellis (Tye Sheridan) lives on a makeshift houseboat on the banks of a river in Arkansas with his parents, Mary Lee (Sarah Paulson) and Senior (Ray McKinnon). He sneaks out early one morning to meet his best friend, Neckbone (Jacob Lofland). Neckbone, also 14, lives with his uncle, Galen (Michael Shannon), who makes a hardscrabble living diving for oysters. The two boys set out to an island on the Mississippi River, where Neckbone has discovered an unusual sight-a boat, suspended high in the trees, a remnant of an extreme flood some time in the past. They climb the tree and into the boat only to find fresh bread and fresh footprints. Realizing that they are not the only ones who have discovered the treehouse boat, they decide to leave. When they reach the shore, they find the same footprint in their boat. And that's when they meet Mud (Matthew McConaughey). Mud is a gritty, superstitious character; his clothes are dirty, his tooth is cracked, and he needs help. He tells the... Written by
Roadside Attractions
After Ellis falls into the creek and gets bitten by the black snakes, Neckbone runs back to the boat to tell Mud what happened. Mud, who is shirtless at the moment, grabs his shirt from the bush where it was hanging and we see Mud and Neckbone start running up the sand to the creek to help Ellis. As they run away from the camera Mud is throwing his shirt on loosely over his shoulders. In the next shot we see Mud and Neckbone running towards the camera and Mud's shirt is fully buttoned up. See more »
Director Jeff Nichols' Third Film is an Embodiment of the Classic Americana Spirit Delivered Through Heartfelt Storytelling and Pristine Cinematic Technicality
Engaging an audience in a truly captivating sense of wonder is a lost art form in the realm of cinema, or at least it has become so rare that we begin to forget how magical the silver screen experience can be. One of those rare filmmakers is writer and director Jeff Nichols who made great strides in inventive filmmaking with his second feature Take Shelter, a deeply unsettling and atmospheric thriller that reminded us that the potential for original storytelling can have equally creative follow through. Writer/director Jeff Nichols' latest atmospheric drama Mud continues his notable prestige for dramatic filmmaking by creating a pure slice of Americana; an evocative and poignant coming of age tale that borrows the lyricism of Tennessee Williams works and mixes them with the harmonious sensitivity of a Sam Shepard play, who is ironically enough in a supporting role in the film, creating a witty and insightful modern day Mark Twain influenced adventure. Keeping his respectful gaze on rural America, Nichols creates an intimate reflection on friendship, unrequited love, and youthful discovery with a rhythmic, sensitive approach towards life's realizations during childhood. Mud is one of those films where all of the creative outlets from the ethereal cinematography to the haunting cinematic score come together in perfect unison to highlight the depth within the story being told. The film unveils its inner soul with a purposefully meditative pace that might deter some from experiencing a thoughtful approach but that would be a drastic mistake because it's one of the more authentically creative and emotionally opulent movies to grace the theaters in a long while. In Mud we're not only witnessing the artistic stamp of a director who has found his distinct voice but also the final stages of resurrection in the acting career of Matthew McConaughey who has never been more focused or impassioned on the screen. While Mud might not be as finely woven as his sophomore effort Take Shelter there is no denying his latest drama's penchant for compelling drama enhanced by the heartfelt nature of the writing, the clarity in the visuals, and the honesty in all of the acting performances.
Read more: http://wp.me/py8op-xV; More reviews: Generationfilm.net
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Engaging an audience in a truly captivating sense of wonder is a lost art form in the realm of cinema, or at least it has become so rare that we begin to forget how magical the silver screen experience can be. One of those rare filmmakers is writer and director Jeff Nichols who made great strides in inventive filmmaking with his second feature Take Shelter, a deeply unsettling and atmospheric thriller that reminded us that the potential for original storytelling can have equally creative follow through. Writer/director Jeff Nichols' latest atmospheric drama Mud continues his notable prestige for dramatic filmmaking by creating a pure slice of Americana; an evocative and poignant coming of age tale that borrows the lyricism of Tennessee Williams works and mixes them with the harmonious sensitivity of a Sam Shepard play, who is ironically enough in a supporting role in the film, creating a witty and insightful modern day Mark Twain influenced adventure. Keeping his respectful gaze on rural America, Nichols creates an intimate reflection on friendship, unrequited love, and youthful discovery with a rhythmic, sensitive approach towards life's realizations during childhood. Mud is one of those films where all of the creative outlets from the ethereal cinematography to the haunting cinematic score come together in perfect unison to highlight the depth within the story being told. The film unveils its inner soul with a purposefully meditative pace that might deter some from experiencing a thoughtful approach but that would be a drastic mistake because it's one of the more authentically creative and emotionally opulent movies to grace the theaters in a long while. In Mud we're not only witnessing the artistic stamp of a director who has found his distinct voice but also the final stages of resurrection in the acting career of Matthew McConaughey who has never been more focused or impassioned on the screen. While Mud might not be as finely woven as his sophomore effort Take Shelter there is no denying his latest drama's penchant for compelling drama enhanced by the heartfelt nature of the writing, the clarity in the visuals, and the honesty in all of the acting performances.
Read more: http://wp.me/py8op-xV; More reviews: Generationfilm.net