When their mother dies; Danny and Jack must fend for themselves. Danny escapes with sex; drugs and music and Jack turns a mannequin into a surrogate parent. Finally; they must come to terms with each other.
Set in the world of mega-churches in which a former Deadhead-turned-born again-Christian finds himself on the run from fundamentalist members of his mega-church who will do anything to protect their larger-than-life pastor.
1953. Desmond Doyle is devastated when his wife abandons their family on the day after Christmas. His unemployment and the fact that there is no woman in the house to care for the children,... See full summary »
A hairdresser who has lost her hair to cancer finds out her husband is having an affair, travels to Italy for her daughter's wedding and meets a widower who still blames the world for the loss of his wife.
Teenagers Rose and Bennett were in love, and then a car crash claimed Bennett's life. He left behind a grieving mother, father and younger brother, and Rose was left all alone. She has no family to turn to for support, so when she finds out she's pregnant, she winds up at the Brewer's door. She needs their help, and although they can't quite admit it, they each need her so they can begin to heal. Written by
Writer-director Shana Feste wrote the script over three months while working as a nanny in Southern California. See more »
In the scene where Allen is looking for Rose, he stops his vehicle and hops out while the windshield wipers are still going and shuts the vehicle off with the wipers in the 'up' position. In the next shot, the wipers are down. See more »
I knew this boy... who was really wonderful to me. The first time I saw him was in freshman English. He wore a baseball hat on the first day of school, and our teacher made him take it off and his hair was all pasted on top of his head, and he smiled at me while he tried to fix it. We watched each other after that. And I started to feel like I knew him. I looked at his yearbook picture so often I knew his face by heart. Our senior year I took piano, and he had soccer, so we would pass each ...
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I Don't Want to know
Performed by The Breakups See more »
Spotty characterization undermines what could have been a great movie.
"I want to know everything I would know if he was still alive. I want more memories of him."
After their teenage son Bennett (Aaron Johnson) dies in an accident, Allen and Grace (Pierce Brosnan and Susan Sarandon) are left unable pick up the pieces and move on after his death. But when the young woman (Carey Mulligan) who's carrying Bennett's unborn baby arrives at their doorstep with nowhere else to go, the tension and pain of Bennett's death is brought forward in a way that will either destroy the family, or finally push them towards dealing with their grief. Scenes of Rose and Bennett's relationship before his death are also woven throughout the movie, and provide a nice way to better know the two characters.
The Greatest started off pretty well. The scenario of a family struggling with the loss of a child isn't an uncommon one, but the cast seemed well on their way to delivering a solid story about loss and healing. Mulligan was excellent, and Brosnan and Sarandon were solid, even though they occasionally didn't quite deliver the emotion that they were reaching for in a few scenes. No, my problem with The Greatest wasn't the actors or the premise, it was the writing.
The story takes the oddest detours at times, often with little relevance to, well...the actual story. This really seemed apparent with the character of Ryan, whose entire subplot with the girl he meets has little relevance on his character arc, and made his resolution feel artificial, as a result. And Rose and Allen's trip to a teenage party seemed completely out of place, and I was left wondering what it was supposed to add to the story. The characters also didn't appear to have a truly solid identity, and as a result, some of their decisions and interactions didn't come off as genuine. It's like writer and director Shana Feste had ideas about what she wanted to see happen in the movie, but didn't bother to build those ideas around relatable and believable characters. A movie like this depends on making a connection between the audience and the characters, and at times, that connection felt very hollow, for me.
The Greatest is an okay movie, but I'm convinced that it could have been much better with a script written by someone with a better grasp on creating solid characters.
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