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The Grapes of Wrath (1940)

 -  Drama  -  15 March 1940 (USA)
8.2
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Ratings: 8.2/10 from 50,195 users  
Reviews: 282 user | 89 critic

A poor Midwest family is forced off of their land. They travel to California, suffering the misfortunes of the homeless in the Great Depression.

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(screen play), (based on the novel by)
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Top 250 #189 | Won 2 Oscars. Another 7 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Grandpa
Dorris Bowdon ...
Rosasharn
Russell Simpson ...
O.Z. Whitehead ...
Al
...
Eddie Quillan ...
Zeffie Tilbury ...
Grandma
Frank Sully ...
Frank Darien ...
...
Winfield
Shirley Mills ...
Ruth Joad
Roger Imhof ...
Thomas
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Storyline

Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncles farm, and joins them the next day as they head for California and a new life... Hopefully. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

The Joads step right out of the pages of the novel that has shocked millions ! See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 March 1940 (USA)  »

Also Known As:

Highway 66  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Banks and the large farming corporations that controlled most California farms were not keen on the original novel (it was banned in some states and in several counties in California, and the book was not carried in the municipal library of author John Steinbeck's home town of Salinas, California, until the 1990s) and were even less thrilled that a film was being made of it. The Associated Farmers of California called for a boycott of all 20th Century-Fox films, and Steinbeck himself received death threats. See more »

Goofs

In the beginning of the movie Grandma Joad is sitting at the table eating with a full set of teeth in her mouth. Later when they stop to buy the bread Pa Joad explains to the waitress that they need to soften the bread for Grandma to eat because she has no teeth. See more »

Quotes

Casy: I wouldn't pray just for a old man that's dead, 'cause he's all right. If I was to pray, I'd pray for folks that's alive and don't know which way to turn.
See more »

Connections

Referenced in Hitchcock: Shadow of a Genius (1999) See more »

Soundtracks

Red River Valley
(uncredited)
Traditional
Played during the opening credits and often in the score
Sung by Henry Fonda at the dance
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Not the Book, But Beautiful in Its Own Right
10 February 2006 | by (United States) – See all my reviews

It's difficult on a first viewing of "The Grapes of Wrath" not to be somewhat disappointed with it. So much of Steinbeck's beautiful novel is left out of the film, and it's hard to see his story and characters wedged into the "gee whizz" style of film-making so prevalent at the time. But once you get beyond a comparison of the movie to the book, you begin to realize that John Ford created a beautiful piece of work of his own, and the film inspires a great deal of admiration, and deserves credit for its gutsiness at tackling a story that wouldn't have gone down smoothly with film executives at the time.

Of course the most controversial parts of the book are left out (like its final image, for example), but Ford still managed to work around the constraints forced upon him to fashion a hard-biting film. Henry Fonda is perfect casting for Tom Joad--never have his otherworldly eyes been used to greater effect. And Jane Darwell is pitch-perfect as Ma Joad--she captures the tough-as-nails dignity that the character has in the novel. The whole movie is lit by expert cinematographer Gregg Toland, who uses shadow and reflection to cast a ghostly pall over everything. Indeed, much of what Ford wasn't able to include in the film as words he communicates instead through images, and isn't that what a good book-to-film adaptation should do? One of those films that feels ahead of its time.

Grade: A


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