When you think reliable narrator, Oliver Stone doesn’t exactly come to mind. Since his start as a director in the 1970s, the lightning-rod filmmaker, now 74, has leaned into fiction narratives with political points of view, from “Salvador,” “Wall Street,” and “W.” to Best Director Oscar-winners “Platoon” and “Born on the Fourth of July.” His last Oscar nomination came in 1996, for “Nixon,” arguably his peak of high regard in Hollywood. It’s hard to recall that in 1992, controversial global smash “JFK” earned three Oscar nominations including Best Picture.
Times change, and Stone’s complex historic and global point of view is far more layered and nuanced than current American partisanship will accept. That’s why the Yale-grad-turned-Vietnam-vet has managed to alienate folks on every side of the political spectrum, including accusations of promulgating violence with “Natural Born Killers,” promoting a whistleblower in “Snowden,” and conducting friendly documentary interviews with dictators,...
Times change, and Stone’s complex historic and global point of view is far more layered and nuanced than current American partisanship will accept. That’s why the Yale-grad-turned-Vietnam-vet has managed to alienate folks on every side of the political spectrum, including accusations of promulgating violence with “Natural Born Killers,” promoting a whistleblower in “Snowden,” and conducting friendly documentary interviews with dictators,...
- 7/24/2021
- by Anne Thompson
- Indiewire
When you think reliable narrator, Oliver Stone doesn’t exactly come to mind. Since his start as a director in the 1970s, the lightning-rod filmmaker, now 74, has leaned into fiction narratives with political points of view, from “Salvador,” “Wall Street,” and “W.” to Best Director Oscar-winners “Platoon” and “Born on the Fourth of July.” His last Oscar nomination came in 1996, for “Nixon,” arguably his peak of high regard in Hollywood. It’s hard to recall that in 1992, controversial global smash “JFK” earned three Oscar nominations including Best Picture.
Times change, and Stone’s complex historic and global point of view is far more layered and nuanced than current American partisanship will accept. That’s why the Yale-grad-turned-Vietnam-vet has managed to alienate folks on every side of the political spectrum, including accusations of promulgating violence with “Natural Born Killers,” promoting a whistleblower in “Snowden,” and conducting friendly documentary interviews with dictators,...
Times change, and Stone’s complex historic and global point of view is far more layered and nuanced than current American partisanship will accept. That’s why the Yale-grad-turned-Vietnam-vet has managed to alienate folks on every side of the political spectrum, including accusations of promulgating violence with “Natural Born Killers,” promoting a whistleblower in “Snowden,” and conducting friendly documentary interviews with dictators,...
- 7/24/2021
- by Anne Thompson
- Thompson on Hollywood
“JFK Revisited: Through the Looking Glass” lives up to its title. Directed by Oliver Stone, it’s a kind of documentary companion-piece sequel to “JFK,” and yes, it takes you through the looking glass again. There are moments when it gives you that heady, tingling, oh-my-God-i-have-seen-the-truth-that-was-hidden! sensation of revelatory immersion, the kind that hits you when you’re confronted with an autopsy photo in which a wound is said to have mysteriously disappeared, or when you’re staring at a declassified page from the Warren Commission Report in which Gerald Ford, with a few penciled-in words, literally shifts by six inches the place where the first bullet entered JFK. At moments like that, you feel the frisson of the junkie-hit injections that conspiracy theory is built upon. They’re the moments you can feel yourself slipping through the looking glass, or down the rabbit hole, or wherever else it is...
- 7/12/2021
- by Owen Gleiberman
- Variety Film + TV
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