The final movie in Oliver Stone's Vietnam trilogy follows the true story of a Vietnamese village girl who survives a life of suffering and hardship during and after the Vietnam war. As a ... See full summary »
Hiep Thi Le,
Tommy Lee Jones,
Haing S. Ngor
Jon Lansdale is a comic book artist who loses his right hand in a car accident. The hand was not found at the scene of the accident, but it soon returns by itself to follow Jon around, and ... See full summary »
Jonathan Frid portrays a horror novelist who has a recurring nightmare about three figures out of his book who terrorize him and his family and friends during a weekend of fun. Then the ... See full summary »
A journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 military dictatorship, including the assasination of Archbishop Oscar Romero. He forms an uneasy alliance with both guerillas in the countryside who want him to get pictures out to the US press, and the right-wing military, who want him to bring them photographs of the rebels. Meanwhile he has to find a way of protecting his Salvadorean girlfriend and getting her out of the country. Written by
Tony Bowden <email@example.com>
In the middle of the film, during Christmas, Cathy Moore says to Richard Boyle "you're 42 years-old." At the end of the film the border officer reports his birth date as being "2-26-43". As the story takes place during 1980-1981, Boyle would be 37 or 38 years-old during that time period. See more »
Salvador is Oliver's Stone's best movie. This was a low budget movie and the last one Stone made before Platoon. This is a guerilla movie in the true sense of the work. A movie made about a guerilla revolt in El Salvador and one American journalist's story during that revolution; and made on in a guerilla style with a lot of hand-helded shots and local Mexican atmosphere and actors. James Wood and Jim Belushi are excellent. Except for the politics and an acid trip scene, this film is very gritty and real. Now it does have a frat boy road trip aspect, but that only adds a comic touch that is almost endearing at times. Set against the brutality of the civil war of El Salvador, the comedy helps keep the movie from being overly harsh and pedantic, which Mr. Stone tends to want to lean towards in portraying the politics of the time and place. Thankfully Mr. Stone is more interesting in entertaining then preaching in this movie, and with the excellent acting accomplishes this goal.
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