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Nixon (1995)

R  |   |  Biography, Drama, History  |  5 January 1996 (USA)
7.1
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Ratings: 7.1/10 from 22,604 users   Metascore: 66/100
Reviews: 158 user | 81 critic | 22 from Metacritic.com

A biographical story of former U.S. president Richard Milhous Nixon, from his days as a young boy to his eventual presidency which ended in shame.

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Title: Nixon (1995)

Nixon (1995) on IMDb 7.1/10

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Nominated for 4 Oscars. Another 13 wins & 8 nominations. See more awards »
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Cast

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Storyline

Director Oliver Stone's exploration of former president Richard Nixon's strict Quaker upbringing, his nascent political strivings in law school, and his strangely self-effacing courtship of his wife, Pat. The contradictions in his character are revealed early, in the vicious campaign against Helen Gahagan Douglas and the oddly masochistic Checkers speech. His defeat at the hands of the hated and envied John F. Kennedy in the 1960 presidential election, followed by the loss of the 1962 California gubernatorial race, seem to signal the end of his career. Yet, although wholly lacking in charisma, Nixon remains a brilliant political operator, seizing the opportunity provided by the backlash against the antiwar movement to take the presidency in 1968. It is only when safely in office, running far ahead in the polls for the 1972 presidential election, that his growing paranoia comes to full flower, triggering the Watergate scandal. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Triumphant in Victory, Bitter in Defeat. He Changed the World, But Lost a Nation. See more »


Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

5 January 1996 (USA)  »

Also Known As:

Gli intrighi del potere - Nixon  »

Box Office

Budget:

$50,000,000 (estimated)

Gross:

$13,560,960 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

| (Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In an interview with "Premiere" magazine, Oliver Stone outlined many elements of Richard Nixon's life and political decisions that informed his film. Amongst other things, Richard Nixon's reserved personality was largely a function of the death of his beloved older brother Harold; Nixon grieved over the deaths of John F. Kennedy and Robert F. Kennedy while also being aware he would have lost the 1964 Presidential election to JFK (if it had taken place) and the 1968 race to RFK; he recognized that the U.S. was going to enter an era of less prosperity and tried to end the Cold War for that reason; he was "lonely, isolated, kind of mad"; and ultimately he was both victim and villain. See more »

Goofs

The reunion between Nixon and Hoover is situated at Santa Anita Racetrack. In fact, as Clint Eastwood's "J. Edgar" rightly spots (though some goofs of its own), J. Edgar Hoover used to go to Del Mar Turf Club, a few miles from Scripps Clinic in La Jolla, where he made a medical checkup every year. See more »

Quotes

[first lines]
Earl in Training Film: I just don't understand it.
See more »

Connections

Referenced in Woodward and Bernstein: Lighting the Fire (2006) See more »

Soundtracks

GLORIA (la parte)
Written by Antonio Vivaldi; Arranged by Leszek Zawadka
Performed by Ninos Cantores del Valle de Chalco
Courtesy of Spartacus Discos S.A. de C.V.
See more »

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User Reviews

 
A Sympathetic View of a Hated Man
17 April 2004 | by (Boston, Mass) – See all my reviews

Everyone accuses Oliver Stone of being a conspiracy theorist, a revisionist historian, a muckraker, and a falsifier of history. Whether these things are true or not, he is a great director and his portrait of president Richard Nixon is sensitive, fair, and human. Stone may be opposed to Nixon, but he does not depict him as a monster. Stone and Hopkins give us Nixon, the man undone by fear. He is not condemned, nor is he forgiven. In spite of some scenes suggesting a connection with conspirators involved in the assassination of JFK, the president is given a fair shake.

Hopkins gives a wonderful performance as Nixon. He's not a carbon copy, but he gets the voice and mannerisms down so well that it doesn't matter. At his side he has Joan Allen as Pat and Paul Sorvino as a picture perfect Henry Kissinger. The supporting cast features James Woods, Bob Hoskins, Ed Harris, and E.G. Marshall and, for their part, they shine as well. Call Stone over the top all you want, but he gets real performances.

The biopic structure of "Nixon" starts us off with his political career in the late 50s. The audience gets a taste of the man's relationship with his wife and (mostly through flashbacks) his relationship with his mother. The flashback structure and editing scheme aren't as impressive as those used by Stone in "JFK", but they serve the movie well and make the 3 hours run by smoothly. As the story rolls on you get a real sense of sympathy for Nixon. I was pretty surprised how much pathos Stone could build for a character history labels a monster. Throughout the Watergate scandal we are not outraged at Nixon, we fear for him, his paranoia is ours. Nixon is a human being just like us and we can understand his mistakes and his flaws and his fears. By the end it's hard to think of him as the monster you thought of before.

Robert Richardson's stunning photography helps to perfectly render this drama. "Nixon" is a sensational looking movie. Just like Stone did with "JFK" and "Natural Born Killers", the photography and editing work to heighten the drama and never distract from it. The approach as human rather than historical drama makes "Nixon" believable and touching. Who'd have thought I'd ever shed tears over Richard Nixon! Anthony Hopkins does the trick.

I would recommend this movie to anyone who enjoys good drama. Fans of the cast and of Oliver Stone won't be disappointed.


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