Now out of prison but still disgraced by his peers, Gordon Gekko works his future son-in-law, an idealistic stock broker, when he sees an opportunity to take down a Wall Street enemy and rebuild his empire.
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Oliver Stone's biographical take on the life of George W. Bush, one of the most controversial presidents in USA history, chronicling from his wild and carefree days in college, to his military service, to his governorship of Texas and role in the oil business, his 2000 candidacy for president, his first turbulent four years, and his 2004 re-election campaign. Written by
Due to his past history of alcohol abuse, President Bush quit drinking in 1986. Bush is seen drinking beer during his presidency, specifically during the "pretzel choking" scene and while watching baseball at the end of the film. He is actually drinking O'Doul's a non-alcoholic beer. However, when Bush Sr. is elected President in 1988, a perturbed W. is drinking "Near Beer." See more »
George Herbert Walker Bush:
If I remember correctly, you didn't like the sporting goods job or the oil rig job. Working in the investment firm wasn't for you either. That ranchette thing in Arizona, that sure didn't last long. Didn't exactly finish up with flying colors in the Air National Guard, Junior. We're still not out of that one. Now this gal Susie shooting her mouth off about you knocking her up.
George W. Bush:
Wait a sec, how'd you know about that?
George Herbert Walker Bush:
Word gets around, boy-o.
George W. Bush:
That's a dang lie, Poppy. I use a condom, I'm not... ...
[...] See more »
At the very end of the credits, you see a Christian cross with a period. It morphs into the W-period logo of the movie. See more »
I hesitated to leave a review at first, because it might make certain people curious to watch that show, which is not what I would like you to do. Oliver Stone doesn't deserve making any more money by you renting his movie. I am not an American and I also never was a fan of Bush, jr. or senior. But I rented that movie because of some of the misleading comments on IMDb, which shows how gullible I can be, I know. I lived for 30 years in Europe and now reside in Canada, and you can take my word for it when I state the fact that most people outside of the U.S. think the Americans as an arrogant and ignorant bunch of bible wielding Joe six-packs. And many of the comments on this forum only prove it. George W. is not a moron, that's just how he came across. He graduated from Yale and passed the exam to get into Harvard Business, so how stupid can he possibly be. But Mr. Stone portrays him as such, because he is riding the anti-Bush wave. He is cashing in on the fact, that many people have a low opinion about their former president and he is using Michael- Moore- tactics by aiming low. And be it as it may, my main criticism with this movie is: would Oliver also make a movie about Mr. Clinton and portray him as a lying, cheating, warmongering, cunning, unethical and greedy non-individual? Of course not, so where is the artistic integrity? Because Clinton belongs to a group of politicians Oliver Stone obviously relates to. And if this political colouring leaks through a movie, the director is bad. I don't care what Stone votes when the elections come, so why does he need to tell me. Mr. Stone should concentrate on making documentaries, but he is not of the caliber of a Werner Herzog; Hell, they are not even in the same league. Stone is like Moore, with maybe a tad more talent. But the talent is waning. And I follow up with an apology to anybody who feels offended by certain comments I made, I am not anti-American. To conclude my opinion about Oliver Stone: he is a very biased film maker that lacks the skill of a Tom Tykwer, Martin Scorcese, Coppola or even Sam Peckingpah. And when it comes to bias, I have similar issues with Lars von Trier, who started out as a promising talent and now only demonstrates what a racist he really is. And "emotions" like that are better kept in and not transmitted onto the screen. Whatever happened with the director that made a movie like U-Turn?
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