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W. (I) (2008)

PG-13  |   |  Biography, Drama, History  |  17 October 2008 (USA)
6.4
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Ratings: 6.4/10 from 39,284 users   Metascore: 56/100
Reviews: 312 user | 240 critic | 36 from Metacritic.com

A chronicle of the life and presidency of George W. Bush.

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Title: W. (2008)

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Cast

Cast overview, first billed only:
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Speechwriter #1, Mike
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Fraternity Enforcer
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Fraternity President
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Fraternity Pledge #1
Ben Mayer ...
Fraternity Pledge #2
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Oil Worker
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Storyline

Oliver Stone's biographical take on the life of George W. Bush, one of the most controversial presidents in USA history, chronicling from his wild and carefree days in college, to his military service, to his governorship of Texas and role in the oil business, his 2000 candidacy for president, his first turbulent four years, and his 2004 re-election campaign. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

president | texas | oil | college | 2000s | See All (110) »

Taglines:

A life misunderestimated. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for language including sexual references, some alcohol abuse, smoking and brief disturbing war images | See all certifications »

Parents Guide:

 »
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Details

Language:

|

Release Date:

17 October 2008 (USA)  »

Also Known As:

Bush  »

Box Office

Budget:

$25,100,000 (estimated)

Opening Weekend:

$10,505,668 (USA) (17 October 2008)

Gross:

$25,517,500 (USA) (28 November 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Elizabeth Banks appeared in Catch Me If You Can (2002), which featured James Brolin and Tom Hanks, the respective fathers of Josh Brolin and Colin Hanks. See more »

Goofs

In the scene with the speech writers in June 2003, prior to going to war with Iraq, the PC in the background shows a Windows Vista desktop. Vista was released in January 2007. See more »

Quotes

George Tenet: What we have is a slam-dunk on the others.
George Tenet: Slam-dunk? What have you been drinking, Brother George?
See more »

Crazy Credits

At the very end of the credits, you see a Christian cross with a period. It morphs into the W-period logo of the movie. See more »

Connections

Referenced in Wall Street: Money Never Sleeps (2010) See more »

Soundtracks

The Yellow Rose of Texas
Performed by Rick Rhodes and Danny Pelfrey
Courtesy of Westar Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Toneless mess
16 February 2009 | by (Illinios,America) – See all my reviews

W.- *½/****

Oliver Stone's W. is an oddity. There's no other word for it. In attempting to provide psychological commentary on the presidency of George W. Bush, it forgets the simple cinematic basics of story, structure and character. The tone of the film is nearly non existent, leaving its admirable cast of actors on shaky ground without a leg to stand on.

Stone juxtaposes the rise of "Dubya" (played by Josh Brolin) with his decision to begin the current Iraq War. In displaying Bush's journey from frat boy to drunk to born again AA member to leader of the free world, Stone has enough material to create a wicked absurdist satire, or compelling political theater. However, Stone seems hell-bent on making a film that remains neutral toward the forty- third President, giving him the ability to say things like, "It will contain surprises for Bush supporters and his detractors."# Well, yes, I was surprised indeed. Surprised that the man who's made films as vibrant and lively as JFK and Natural Born Killers, as somber and emotional as Platoon or Born on the Fourth of July has rendered this film completely dull and lifeless.

Perhaps Stone isn't completely to blame. Stanley Weiser's script, bland and talky in the worst possible way, contains figures instead of characters, and when put into scenes these figure say exactly what should be shown in outlets other than dialog removing any hope for subtlety.

I do know this, the film's failure is certainly not the fault of the cast which includes actors as esteemed as Richard Dreyfuss and Ellen Burstyn. By and large (with the exception of Thandie Newton's dreadful aping of Condoleezza Rice) the cast excels at inhabiting the situation. This is especially true for Brolin who's performance is so complete and convincing that it overshadows the entire film and underlines the numerous flaws. Beyond physical inhabitation and imitation, Brolin's performance shows a deep understanding of Dubya as a man, I wish I could say the same about the film.


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