A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Chris Taylor is a young, naive American who gives up college and volunteers for combat in Vietnam. Upon arrival, he quickly discovers that his presence is quite nonessential, and is considered insignificant to the other soldiers, as he has not fought for as long as the rest of them and felt the effects of combat. Chris has two non-commissioned officers, the ill-tempered and indestructible Staff Sergeant Robert Barnes and the more pleasant and cooperative Sergeant Elias Grodin. A line is drawn between the two NCOs and a number of men in the platoon when an illegal killing occurs during a village raid. As the war continues, Chris himself draws towards psychological meltdown. And as he struggles for survival, he soon realizes he is fighting two battles, the conflict with the enemy and the conflict between the men within his platoon. Written by
All of the actors had to endure a harsh 14-day boot camp in the Philippines before the shooting of the film commenced. The actors were given military haircuts, were required to stay in character throughout the camp, ate only military rations, were not allowed to shower, slept in the jungle, and even had rotations for night watch. See more »
When the soldiers are celebrating in the tent early in the film, they are drinking Budweiser from two-piece stay-tab cans with UPC symbols. Container companies introduced the two-piece can in 1974, the stay-tab in 1975 and the UPC symbol in 1978. Budweiser introduced the can style used in the movie in 1981. See more »
[seeing body bags]
Oh, man. Is that what I think it is?
All right, you cheese-dicks, welcome to the Nam. Follow me!
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Platoon left me absolutely numb after watching it. Oliver Stone,(Who in fact did serve in Vietnam) did a fantastic job telling this story of the horrors and the insanity of the Vietnam war. What's to be admired about this film, is that Stone doesn't sweet-talk the story, with the good old American boys fighting for their country and facing brutality, instead he brings up a strong morality and humanity issue. It's wasn't all black and white, it wasn't one person was wrong, one was right, there was all shades of gray in between. He uses the characters of Sergeant Barnes and Sergeant Elias (both played brilliantly) as symbols of good and evil clashing into one another. Charlie Sheen (Chris, the narrator of the story) is in a sense torn between both, they are both a part of him as he tries to deal with things falling apart all around him. Vietnam was a senseless war, and Platoon tries to understand why we went through it and how we ever got through it.
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