This one is shaped like a cannonball, story-wise. It's difficult to convey how much actually goes on by how many people across how many sets in 119 minutes, it's amazing. Not only that, but more amazing is the cohesiveness of the cast- nobody sticks out or tries to take over the scene. There seems to be just as much going on without dialogue as there is with speaking parts. That just doesn't happen in every movie and the balance of so much is enough imo to recommend the show.
Won Bin is CHA Tae-sik, aka Pawnshop, who doesn't stand out initially as anyone special. He's slim, dressed in black, has shaggy hair- looks like a loner. Because of his past, which we don't know yet, his heart has inadvertently attached itself to a young girl who is also a loner living in the same building. He fights getting attached while she's regular at his pawnshop window, swapping her MP3 for cash to save up for nail art supplies. The little girl has a derelict but not absentee mother, there is a little shop on the corner with a chubby bespectacled owner and there are street cops patrolling the neighborhood even in the daytime. We get to know all these little players as well as we know the big ones.
There are two brothers as the main bad guys who work for a drug czar and create a side business selling body parts. Soon they decide they are big enough to take over the czar's drug trade before he can opt himself into the body parts business. SONG Young-chang is perfection as the smarmy mid-level high-strung drug spank for the Chinese mafia and he's magnified by the Chinese major in his employ. He has his eyes on the prize for sure, but the more serious he gets, the more comical he appears. Great fun!
The girl's mom is the idiot who gets this cannonball of a movie rolling by stealing drugs from a mule, hiding the stuff in a camera case, then pawning it, apparently thinking her boyfriend who knew about the deal will take the blame. Yeah, no.
The counterweight to Won Bin's CHA Tae-sik is Thailand's Thanayong Wongtrakul (nickname Kradum) playing Ramrowan. This guy stuck out. He looked edgy, dangerous, deadly and bored. People saw him as a hired gun- the now kidnapped little girl saw him as maybe a good friend like Pawnshop- they were about the same age and build. His heart inadvertently attached to her also, but he had a tiny little hard heart. In my estimation, Ramrowan wanted to belong to a better life and I think he knew "the stranger", Pawnshop, would get him there. He wanted the battle of a warrior, not an eventual bullet in the back from his current employers.
One of the things I enjoyed about the movie were the various things being chased by others: cops after the bad brothers, the bad brothers after control, our hero after the little girl, the little girl after her mother, her mother after escapism and Ramrowan after our hero so he could fight him and die well. The things everyone was after were things nobody could easily turn loose from. You couldn't say to the character: "What an idiot, just let go!"
Such a smart, violent movie with plenty of blood and a splash of requisite nudity. A corpse doesn't have erect nipples but of course it does in Man From Nowhere.
This movie kicks butt. It's violent- the warnings aren't for nothing- but it's great.
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