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The Punisher (2017)
Bloody and Abundant Action
Fantastic series. Anyone who read the comic book will love this series. Season one was spectacular. Season 2 was even better with the notable exception of the Season 2 Finale. The Last episode of season 2 was a serious let down, otherwise, every other episode was pretty spectacular.
The Protector (2018)
Çagatay Ulusoy and The Last Guard
Çagatay and Netflix harmony are great. I love Netflix original series. It's one of them in this show. I would definitely recommend you to watch. Fluent and immersive. Let's run for the second season.
Shahsiyet (2018)
Amazing !!!
I have not watched a Turkish serial in this quality for a long time. I watched while I stick to computer screen. Agah Beyoglu's attitude of "not even hurting the ant" learns that his life is going to change, on the contrary it is just a summary of human being's evolution. Nevertheless, she never gave up on her characteristic of valuing women because the people she killed were from people who had been violent to women. Is it really a single diagnosis of Alzheimer's causing murder? Why do we like Agah even though he is a serial killer?
Prison Break (2005)
It was again an amazing comeback!
It was again an amazing comeback!!!! It was perfect like prison break was. And as a prison break fan I really loved it! Stop the negative comments just because it's a revival series because the beginning of season 5 was in my eyes a big success.
I'm impressed the talent has done so well at jumping back in their roles... I like it, and I decided to give it a chance despite some of the so-so reviews and I'm glad I did. Prison Break continues to be quite engaging and somehow humorous as well.
prison break in the best world the best in the world actor Wentwort Miller Dominic Purcell the best brother i love you prison break number 1 TV serial
The Fate of the Furious (2017)
'The Fate of The Furious,' or Stop Worrying and Love the 'Fast and Furious' Films
There are a lot of questions posed throughout The Fate of The Furious. Sometimes they are a single word ("Toretto?"), sometimes they are more of an imperative ("What's it gonna be, rook?"), and sometimes they are philosophical ("Why are they shooting at me?")
Then there is the question that ultimately confronts anyone for whom this movie is an introduction to Hollywood's most absurd and unlikely franchise: What the hell is wrong with you, you idiot? For those of us who foolishly slotted the Fast and Furious and its brethren to the NASCAR/ Saw movies file as the rare pop culture phenomenon you allowed yourself to avoid, this movie is the one where you wave the white flag and finally, happily, give in to the turbo-charged ridiculousness spearheaded by that soulful lunk Vin Diesel and his band of super buff gearheads.
The narrative thrust of this film—and the movie is pretty much all velocity and thrust—comes from the betrayal by Diesel's Dom Toretto of his beloved crew at the behest of Charlize Theron's Cipher, who seems to possess the ultimate leverage over him on her cell phone. "You are going to work for me, betray your code, and shatter your family," she says to Toretto, which is pretty much the same pitch Travis Kalanick uses to lure talent from Google over to Uber. Theron is terrific in the part, confident enough to let her cheekbones and crazy yarn hair do most of the acting. Of all the unexplainable and logic-defying feats portrayed in the film, Theron's hair—and how she maintains it onboard the satellite and prison equipped airplane in which she spends most of the movie—may take top prize. Indeed, when they flash a dossier for her mysterious character on one of the various informational screens that bleep and bloop throughout the movie, it is revealed that her hair color is, "Unknown." Yes, and like her steely intentions, perhaps unknowable.
Most of the rest of the assembled are returnees, the glittering jewel of which is Jason Statham's Deckard Shaw, who gets to antagonize Dwayne Johnson while simultaneously saving the Earth as a conscripted member of the crew. The British actor has more charisma than he knows what to do with. His balletic airborne martial arts dance while holding a baby is not only one of cinema's cleverest John Woo tributes, but a joyfully absurd way to kick off the summer movie season. We all are that baby, cooing as we are flung about with seeming abandon but also with the utmost care.
La Vénus à la fourrure (2013)
Venus in Fur...
It's wonderful to see a film that knows exactly what it wants to be with no pretensions towards greatness. VENUS IN FUR is pure adult entertainment that takes total pleasure in the magnificence of acting. Emmanuelle Seigner is so delicious, loopy, sexy, funny, mean that it hurts (pun intended). Although created for the New York stage, director Roman Polanski totally inserts himself into the action via actor Mathieu Amalric who once again delivers a wonderful screen performance to match Seigner's. The play attempts to take on more than it can chew at the end as the explanations fly but actually the film is much better than that. The point is clear. No explanation needed. It is all overt enough. There is no real depth to VENUS IN FUR, it's about the magic of acting and the world we create around ourselves.