I've viewed only the Post War segment and have no interest in seeing any more.
Pompous,droning, few clips, substitutes too many shots of current actual locales of vintage neo-realistic film works. Jos. Cotton is misidentified with Everett Sloan in ...KANE clip. Even jumps to the 1960's -far afield from "post war" era in a Stanley Donen interview.
Concentrates on Elia Kazan for being a communist accuser and the criticism of his special Oscar award.Whether you blame the director for his testimony or not the fact remains he won as Best Director for ON THE WATERFRONT only 2 years AFTER he named names and decades before the honorary honor.
Pompous,droning, few clips, substitutes too many shots of current actual locales of vintage neo-realistic film works. Jos. Cotton is misidentified with Everett Sloan in ...KANE clip. Even jumps to the 1960's -far afield from "post war" era in a Stanley Donen interview.
Concentrates on Elia Kazan for being a communist accuser and the criticism of his special Oscar award.Whether you blame the director for his testimony or not the fact remains he won as Best Director for ON THE WATERFRONT only 2 years AFTER he named names and decades before the honorary honor.
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