At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards ... See full summary »
Joseph L. Mankiewicz
A quartet of international crooks (Peterson, O'Hara, Ross and Ravello) are stranded in Italy whilst their steamer is being repaired. With them are the an English couple, the Dannreuthers. The 6 are headed for Africa, presumably to sell vacuum cleaners but all is not as it seems. They are joined by others who apparently have similar designs.Written by
Ed Stephan <firstname.lastname@example.org>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
In Harry and Gwendolyn's first dialog scene on the street, the shadow of a boom microphone can be seen on the wall behind them. See more »
Do you know that your associates are all in hoosegow? Oh, not that I'm a bit surprised. I put them down as thoroughly bad characters, right off the bat. But then there are so many bad characters nowadays. Take mine, for instance.
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The original American release version was truncated and had scenes moved around, making a mess of the story line. The uncut version--released overseas by Romulus--was finally restored in the U.S. by Sony in 2016. See more »
I've tried, and tried, and tried, and have now given up trying to figure out the appeal "Beat the Devil" has to a certain clique of film fans. There's no denying its surface appeal. Bogie, Huston, Capote, Lorre, Jones, et al, but I'd have to agree with Bogart who called it a "dog." It's not exciting, it's not funny, and it's not appealing to the eye. The shoddy production values (at least for a film with a cast, director, and writer of such high calibre) were apparent to many critics of the time, so the video and DVD releases probably look no worse than the film did in 1953. The fact that the copyright holders (Bogart's company co-produced) let this fall into the public domain may be a clue to what they thought of it.
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