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Tomorrow (2015)
4/10
Banal and disappointing
14 February 2016
I rarely have the time to write reviews lately even though i would love to.

Avid movie goer and supporter of zero carbon economies, I felt i wasted my time watching Demain, so warning others motivated me to write this one.

The first three chapters (agriculture, energy, economy) are bearable because they are in the right direction, including some good interviews such as with Jeremy Rifkin, yet they are broadly banal because they mostly project well known, and often old, stories as something revelatory, new and the future.

The European Union has doubled from 8% to 16% in the last ten years the contribution of renewables to the energy mix, with many countries already by 2014 having achieved the 20% target which is supposed to be achieved by 2020. Did we really need pictures of wind farms in Denmark to find out that there is an alternative future?

In the first three chapters, my impression was the creators of the movie felt they had just discovered "America".

The last two chapters (democracy and education) were worse, trying to talk about hugely complex issues with amateuristic banality and simplifications, e.g the interviewer asks a teacher in Finland about what the projected as ground breaking new teaching techniques are to hear as a response that their objective is to promote tolerance.

Finally, i found the way the film was presented as a bit manipulative with all the pictures about the alternative futures being framed in idealistic settings, shot in sunny days, beautiful sunsets, or sitting by the sea on a warm summer day.

I guess in the real world it does rain too sometimes, and to be credible and avoid descending into propaganda one has also to address the challenges too. I feel a good documentary should encourage debate and present different views. Nothing of this here.

I agree with the direction of the movie: urban farming, low or zero carbon economies, local community economies to balance the excesses of global capitalism, my views too. In short, promoting more resilient societies in an increasingly globalised world.

My disappointment comes from my belief that misguided efforts to popularise alternative futures and misplaced enthusiasm could do more harm than good, creating cheap expectations that everything is possible and fast, generating simplistic readings of a complex world, and offering cheap optimism where they should encourage personal responsibility. As Jan Techau wrote recently: If you rely on the rage of the people more than on the merits of your own idea, then your case is weak.

Alternative futures to be sustainable require dialogue between competing social interests not competing activisms each glorifying its own alternative.
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Shame (2011)
9/10
Wonderful!
28 January 2012
Warning: Spoilers
What a wonderful movie! First, Shame reminds us that cinema is about acting. Michael Fassbender gave one of the best acting performances in movies for a long time.

Second, the movie was captivating. Steve McQueen from the very first moment of the movie plunged us into a virtual world of intense solitude with the sound and the music acting as a membrane separating Fassbender from the society and the rest of us.

Third, this was a fascinating story of social self-isolation, fear of engagement and human solitude at its extreme. His sister, the also wonderful Carey Mulligan, was the last bastion of resistance who also took it to extremes at the end in a desperate effort to fracture his bubble.

Finally, while the story is about sex obsession the movie is really about the role of any addiction/obsession (I guess gambling, electronic games, even being a workaholic) in leading humans to self-isolation and societies to perilous fragmentation and deconstruction.

Carey Mulligan's performance of New York New York was mesmerising. It also reminded us in our times of fast gratification that long scenes are wonderful.

Bravo!
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6/10
A missed opportunity
28 January 2012
Warning: Spoilers
Having over the years enjoyed watching Kronenberg and being interested in the subject of psychoanalysis I was looking forward to an atmospheric and engaging movie. It wasn't to be so I left disappointed. It lacked a plot and it was flat. Movies are not a book club. They need a story with twists and turns through which you discuss the underlying narratives of the subject. They need a story to engage you both emotionally and intellectually.

Dangerous method at times felt like a documentary on psychoanalysis particularly during the soulless moments of letters reading, at times it felt it was all about the costumes, the setting and the reconstruction of the turn of the century Zurich and Vienna and at times it felt like a mainstream movie with brief sex scenes to spice up the story. It failed to successfully engage on any of the themes it tackled, be it the issue of psychoanalysis, of sadomasochism, the transition to modernity and of women liberation.

There were good moments though which made the movie worth watching; the fabulous reconstruction of the turn of the century central European bourgeoisie, Michael Fassbender was wonderful as Young, the symbolism for women liberation with Keira Knightley arriving with a horse-driven stage coach at the beginning of the movie and departing with an early motorcar at the end.

But overall less of a dangerous method and more of a missed opportunity.
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8/10
An entertaining spot on political thriller
20 November 2011
Warning: Spoilers
A captivating movie. A realistic political thriller with great characters, fast pace, twists and all making it quite an absorbing Hollywood movie. Top performance by Ryan Gosling, less brilliant performance this time by the otherwise great George Clooney.

A damning verdict for Obama. A reflection of American liberals disillusionment with Obama and an 'Ides of March' warning for the next elections. The message is rather clear: You are not that different after all, you have disappointed us and you are loosing those who really believed in you and thought you could be different.

In short, an entertaining spot on political thriller.
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Viva Riva! (2010)
7/10
A good African pulp fiction movie
24 September 2011
Warning: Spoilers
A good African pulp fiction movie with lots of random sex and violence and a fair dose of millenarian despair. Kinshasa today: Corruption, urban decay, dirty money and instant sexual gratification reign supreme. And no battle between 'good' and 'bad' around here, everybody is 'bad' fighting each other in a downward spiral reminiscent of the "no country for old men". Manie Malone is fantastic in a complex role while Hoji Fortuna adds some style. The plot is a straightforward story of sex and violence but the real story is the characters and the society around them. Not an exceptional or must see movie but a very good one.
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Melancholia (2011)
9/10
A superb homage to life
30 August 2011
Warning: Spoilers
An homage to life as the end of the world approaches. Great story, masterful metaphors, excellent acting and superb cinematography. In line with Lars Von Triers' tradition of powerful movies such as Breaking the Waves and Dancer in the Dark, Melancholia is another beautiful dive into the abyss of our souls.

Archetypical human characters are turned upside down when confronted with the imminent apocalypse of the impending collision of a planet with the Earth. Justine, the superb Kirsten Dunst, and Claire, the less superb Charlotte Gainsbourg, are sisters and the central figures of the story. Justine speaks for those who try to understand the world almost entirely through feelings; she is inevitably depressed and not very impressed by humanity. Her sister tries to understand the world mainly through her eyes, hence she is compassionate and sensible (some may say balanced). And further along the spectrum is Claire's husband, the very good Kiefer Sutherland, who represents those who try to master the world exclusively through their minds. Or that is the way things look under normal circumstances... When the end of the world starts looming bigger and closer the tables are turned. The normally rational and self-confident Claire's husband is utterly incapable to deal with such an overwhelming prospect. Claire crumbles but still tries (and to some extent succeeds) to carry on while the otherwise weak and depressive Justine emerges triumphant, ready to face (and help others to deal) with the apocalypse.

The movie is superb, yet with some awkward aspects. First, it somehow failed to engage me emotionally (perhaps it was me, perhaps the rather sedated tone of the film, perhaps too much intellectual aloofness, perhaps something else). Second, the structure of the film was somehow disappointing. There was no need for the rather rigid division of the film into part 1 on Justine and part 2 on Claire. A single and more integrated narrative, while focusing on building the characters of the two sisters would have also perhaps managed to embrace more organically Claire's husband (but also their parents, the excellent Charlotte Rampling and John Hurt) whose roles in the film help substantially the story.
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