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Melancholia (2011)

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2:13 | Trailer
Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.

Director:

Lars von Trier

Writer:

Lars von Trier
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Popularity
1,914 ( 42)
35 wins & 90 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kirsten Dunst ... Justine
Charlotte Gainsbourg ... Claire
Alexander Skarsgård ... Michael
Brady Corbet ... Tim
Cameron Spurr Cameron Spurr ... Leo
Charlotte Rampling ... Gaby
Jesper Christensen ... Little Father
John Hurt ... Dexter
Stellan Skarsgård ... Jack
Udo Kier ... Wedding Planner
Kiefer Sutherland ... John
James Cagnard James Cagnard ... Michael's Father
Deborah Fronko Deborah Fronko ... Michael's Mother
Charlotta Miller Charlotta Miller ... Betty 1
Claire Miller Claire Miller ... Betty 2
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Storyline

On the night of her wedding, Justine (Kirsten Dunst) is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire (Charlotte Gainsbourg), Justine's sister, is struggling to maintain composure with fear of the impending disaster. Written by napierslogs

Plot Summary | Plot Synopsis

Taglines:

Enjoy it while it lasts See more »

Genres:

Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for some graphic nudity,sexual content and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

Denmark | Sweden | France | Germany

Language:

English

Release Date:

26 May 2011 (Denmark) See more »

Also Known As:

Melancholia See more »

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Box Office

Budget:

$7,400,000 (estimated)

Opening Weekend USA:

$257,174, 13 November 2011

Gross USA:

$3,030,848

Cumulative Worldwide Gross:

$15,946,321
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Stellan Skarsgård and Alexander Skarsgård are father and son. See more »

Goofs

The planet Melancholia disrupts all electricity in and around the house, including the electrical systems in the cars in the driveway. However, Claire is able to jump in an electric golf cart and drive away with no problem. See more »

Quotes

[first lines]
Michael: Sir. Eh...
[looking backward]
Michael: Yeah, you're good. You can back up a little more, if you want. I think you need the... I think you need that extra...
Justine: [laughing] I don't think he can hear you.
Michael: Sir. Sir, can you hear me up there?
[fiddling with controls]
Michael: Do you copy, sailor? He's in a different county, I think that's...
Justine: [laughing]
See more »

Connections

Featured in WatchMojo: Top 10 Space Danger Scenes! (2017) See more »

Soundtracks

It Never Rains in Southern California
(Albert Hammond (as Hammond)/Mike Hazlewood (as Hazlewood)
© SCANDINAVIA SONGS ApS
(P) ZENTROPA MUSIC ApS
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Frequently Asked Questions

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User Reviews

 
Regardless of strange flaws It totally worked for me!
31 May 2011 | by eskilmoehlSee all my reviews

First off, let there be no doubt Melancholia is an amazing movie, a one of a kind experience. But it's also a strange movie. Strange because some parts are just so much better than others. From divine touch of genius to actually really rather bad. There are parts that are so strikingly beautiful that you can not help being mesmerized, there's superb directing resulting in amazing, almost screen transcending acting (and this is from the girl from "Bring it on" mind you), and there are parts were sound and imagery merge with such impact that you get blown away. But then there are parts that feels just the opposite, some characters are portrayed surprisingly flat and their dialog and behavior seems contrived at best, almost like they never got beyond a crude first draft in the writing. The mother and the boss especially could have been watered down and integrated with more finesse IMO. It sounds like no biggie but it's such a stark contrast to the brilliance you find in other parts of the movie e.g. the subtle and tender portrayal of the groom and his love and affection for his troubled wife. Regardless and in spite of these rather prominent shortcomings I was sucked in from the mind blowing opening and my emotions were once again stripped bare and exposed at the signature killing blow finale. As before with Trier's films, I stumbled out of the theater, all numb and profoundly touched.


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