A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage, but nature takes its course and things go from bad to worse.
Director:
Lars von Trier
Stars:
Willem Dafoe,
Charlotte Gainsbourg,
Storm Acheche Sahlstrøm
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
The continuation of Joe's sexually dictated life delves into the darker aspects of her adulthood, obsessions and what led to her being in Seligman's care.
Director:
Lars von Trier
Stars:
Charlotte Gainsbourg,
Stellan Skarsgård,
Willem Dafoe
The story follows Jack, a highly intelligent serial killer, over the course of twelve years, and depicts the murders that really develop his inner madman.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Director:
Yorgos Lanthimos
Stars:
Colin Farrell,
Rachel Weisz,
Jessica Barden
Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass.
Director:
Gaspar Noé
Stars:
Monica Bellucci,
Vincent Cassel,
Albert Dupontel
Three teenagers live isolated, without leaving their house, because their over-protective parents say they can only leave when their dogtooth falls out.
Director:
Yorgos Lanthimos
Stars:
Christos Stergioglou,
Michele Valley,
Angeliki Papoulia
On the night of her wedding, Justine (Kirsten Dunst) is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire (Charlotte Gainsbourg), Justine's sister, is struggling to maintain composure with fear of the impending disaster.Written by
napierslogs
Stellan Skarsgård and Alexander Skarsgård are father and son. See more »
Goofs
The planet Melancholia disrupts all electricity in and around the house, including the electrical systems in the cars in the driveway. However, Claire is able to jump in an electric golf cart and drive away with no problem. See more »
Quotes
[first lines]
Michael:
Sir. Eh...
[looking backward]
Michael:
Yeah, you're good. You can back up a little more, if you want. I think you need the... I think you need that extra...
Justine:
[laughing]
I don't think he can hear you.
Michael:
Sir. Sir, can you hear me up there?
[fiddling with controls]
Michael:
Do you copy, sailor? He's in a different county, I think that's...
Justine:
[laughing]
See more »
First off, let there be no doubt Melancholia is an amazing movie, a one of a kind experience. But it's also a strange movie. Strange because some parts are just so much better than others. From divine touch of genius to actually really rather bad. There are parts that are so strikingly beautiful that you can not help being mesmerized, there's superb directing resulting in amazing, almost screen transcending acting (and this is from the girl from "Bring it on" mind you), and there are parts were sound and imagery merge with such impact that you get blown away. But then there are parts that feels just the opposite, some characters are portrayed surprisingly flat and their dialog and behavior seems contrived at best, almost like they never got beyond a crude first draft in the writing. The mother and the boss especially could have been watered down and integrated with more finesse IMO. It sounds like no biggie but it's such a stark contrast to the brilliance you find in other parts of the movie e.g. the subtle and tender portrayal of the groom and his love and affection for his troubled wife. Regardless and in spite of these rather prominent shortcomings I was sucked in from the mind blowing opening and my emotions were once again stripped bare and exposed at the signature killing blow finale. As before with Trier's films, I stumbled out of the theater, all numb and profoundly touched.
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First off, let there be no doubt Melancholia is an amazing movie, a one of a kind experience. But it's also a strange movie. Strange because some parts are just so much better than others. From divine touch of genius to actually really rather bad. There are parts that are so strikingly beautiful that you can not help being mesmerized, there's superb directing resulting in amazing, almost screen transcending acting (and this is from the girl from "Bring it on" mind you), and there are parts were sound and imagery merge with such impact that you get blown away. But then there are parts that feels just the opposite, some characters are portrayed surprisingly flat and their dialog and behavior seems contrived at best, almost like they never got beyond a crude first draft in the writing. The mother and the boss especially could have been watered down and integrated with more finesse IMO. It sounds like no biggie but it's such a stark contrast to the brilliance you find in other parts of the movie e.g. the subtle and tender portrayal of the groom and his love and affection for his troubled wife. Regardless and in spite of these rather prominent shortcomings I was sucked in from the mind blowing opening and my emotions were once again stripped bare and exposed at the signature killing blow finale. As before with Trier's films, I stumbled out of the theater, all numb and profoundly touched.