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Tales of Twisted Sex (2010)
Mediocre as kink
Better than usual from the prolific Cash Markman, here hiding behind his other pseudonym Penny Nichols, the problem with this Penthouse release from its Variations banner is that the so-called "twisted sex" is extremely mild. Not exactly delivering on the title.
Asa Akira stars as a magazine writer, introducing each vignette as being the result of interviewing folks about their sex life, which we see acted out in explicit sexual content. It ends with her concluding the article, and presenting it to her editor (French porn star Denis Marti on one of his Chatsworth jaunts) who has been sitting there in bondage all along, his mouth covered in duct tape.
Asa's presence enhances the show, with quality talent on the Penthouse payroll, including Ryan Keely cross-dressing in male clothing for her lesbian encounter with busty Briana Blair. Keely interestingly has long hair here even though cast in a butch role, contrasting with her latterday trademark butch buzz cut.
All-sex is its fault
Nica Noelle ordinarily conjures up interesting story lines and characters for her Adult videos, albeit keeping the explicit sex front and center. For this Sweet Sinner release she simply lays on some personalized (spoken by the players) voice-over narration, but the visual content is wall-to-wall sex.
Sapphic pairings include some big name talent, notably all-time great Stephanie Swift humped in the final vignette by Puma Swede (latter handling the voice-over). One couple is extremely obscure: Heather Carolyn and Diane Deluna, both beautiful but neither able to carve out a significant career as Adult Cinema performers.
Porn stars vist the Big Easy
This Luc Wylder series for Adam & Eve Productions seemed to me to be a platform for pro-am porn, with talent out there to be discovered nationally a la American Idol. But instead this second installment displays only Chatsworth porn players transferred to the Crescent City.
Chief among them is Alexandra Silk, who partners with Luc for this series and co-hosts. She is a free spirit and even gives Luc (behind the camera) a blow-job in the finale.
Otherwise the stars are big-breasted Alexis Amore and Alexis Fire, with a late in show assist from future superstars Jessica Drake and Sydnee Steele who the director just happens to bump into on the streets of New Orleans (yeah, right). They are joined for sex by Evan Stone, Drake's mentor and boyfriend at the time.
Principal non-pro is a guy with a handlebar moustache identified as The Cigar Man, who gives the troupe a tour of his shop named Dos Jefes Uptown Cigar Bar, still open two decades after this was shot (and post-Katrina). It adds to the local color.
Double Fist for Britney (2012)
Aimed at the limited market for extreme penetration porn, this one has blonde Britney fisted by both women and men, with several scenes of a porn lady sticking both hands in B's vagina at the same time. Squirting is thrown in for good measure.
Strictly gonzo, and repetitive, I doubt if there is residual interest in this Brit Porn DVD now that endless streaming websites offer similar taboo material by the truckload.
One Night Stands (2019)
Sampling of Icon Male's boy/boy action
Title is misleading, as even taken out of context these 10 sex scenes are not one night stands but just boy/boy porn vignettes shorn of their original story lines.
Nica Noelle directed the original material, with the exception of Chi Chi LaRue's "The Graduation" in which we see young students Zander Cole and Leo Luckett getting it on, plus a fleeting NonSex voyeuristic cameo by Sergeant Miles.
Much of the action consists of older/younger seductions from various Daddy titles, but little memorable is reprised here. It merely serves as a sampler, designed to encourage getting hooked on this label or signing up to its websie.
Lady Scarface (2007)
Amateur night at Adam & Eve
Sheer incompetence sinks this "big-deal" Adam & Eve porn-parody project for the label's premier star Carmen Luvana. Many scenes play like some no-budget backyard video shot by horror-obsessed teens in New Jersey, rather than a prestige picture from one of Adult Cinema's leading studios.
Blame falls on writer-director Daniel Dakota, provider of some of A & E's worst junkers. Story parallels the Al Pacino hit by DePalma, but script and staging of scenes is pitiful.
Luvana as Toni Luvana (chuckle, chuckle) plays it tough throughout, but the continuity of her rise as a gangster and violent end is awful, and individual scenes are botched. Worst is a bit of violence in a diner featuring Rod Fontana and Dirty Harry opposite Ice LaFox, Carmen and her BFF Ava Rose (also an A & E contract star). The violent chain-saw murder of Harry occurs off-screen (as we see the crew messing up the "no retakes" staging in the BTS on a worthless second DVD disk of the "deluxe" package), and the acting especially by Rod in this awkward scene is miserable.
Tommy Gunn overacts as the gangster kingpin who Carmen supplants, and sex scenes with various blondes are all extraneous filler. This mess would be campy had Dakota done a merely competent job, rather than turning in unusable scene after scene.
Beautiful Lies (2005)
Brittney Skye may not have been the ideal casting in this unusual romantic drama from Sin City, but she does a decent job within her acting limitations under director/cameraman Francois Clousot's care.
There are many intimations of impending suicide as Brittney's story unfolds, adding to the suspense. She's a cheesecake still photographer who yearns to get her novel writing done, but is held back by some mysterious problem. Main fly in her ointment is husband Eric Masterson, playing such a cad that I wanted to hiss at him several times, though that would be mighty silly ensconced as I was at home watching a DVD. Oh for the bygone days of theatrical porn!
Wendy/Maya Divine makes a good impression in the second lead, as Eric's lover, and a surprise Chatsworth appearance by Brit Porn icon Michelle B. livens things up as serial lover Eric's next conquest.
Low point here is Randy Spears popping up cast as a model brother to beautiful model Shay Sweet (another Sin City regular), who turns out to be even more of a cad than Eric.
En toute intimité (2004)
Something different from Dorcel
I've seen both features directed for Marc Dorcel by actress Angela Tiger, and they are well-done enough to have merited further assignments, that, alas, were not forthcoming.
This dramatic romance hardly resembles the usual Dorcel format, instead concentrating on the sex life and infidelities of a pair of couples, using a tiny cast of only four principal players.
Heroine Tiffany Hopkins doesn't look like a porn actress, adding to her credibility as a forlorn housewife to Phil Holliday who gets caught up in lots of sex, through no fault or action of her own.
She meets HPG in an art gallery, and they have what seems like a one-nighter of an affair, but subsequently develops in a suspenseful entangled relationship. Other key protagonist is Katsumi as HPG's wife and to explain what happens next would spoil the carefully contrived picture's story.
A couple of studs hump Tiffany in an erotic-fantasy sequence set in a public park, but otherwise the only other character on screen (and just briefly) is the uncredited actor playing Tiff's magazine editor.
Hopkins dominates the movie in a most engaging performance, while of course Katsumi's erotic abilities contribute a great deal. One is tempted to call the resulting feature "hermetic", but it is a welcome departure from the Dorcel formula of women in sexy lingerie being abused by men.
Messing with the format
The title of this Girlfriends Films series severely limits its content, as both the premise of "daughter-swapping" and other stock scenes (every edition seems to contain a grouping of ladies shooting the breeze in the kitchen, and then sampling hors' d'ouevres and wine in the living room) is as repetitious as you can get.
In this Volume 17 those scenes are retained, but the vignettes stray a bit from the mother-daughter premise. Just a bit.
We have the label's favorite cougar Nicole Moore starring in two sex scenes, with no daughter to swap at all. An awkward opening has six rather than the usual four ladies on screen, as guest stars (uncredited, due to abstinence from sex this time around) Brenda James and Elexis Monroe are authentic club members but they wander off never to be heard from again leaving Nicole to hump Chastity Lynn, who is Brenda's daughter.
Nicole returns later with Kylie Ryder, who turns out to be not her kid but her step-daughter according to April O'Neil, who encourages her to have crypto incest with Kylie. April previously humped Janet Mason in a meeting of the big boobs.
It was nice to see veteran Rebecca Bardoux in action, paired off with youngster Aubrey Belle, who alone in the cast is cryptically afforded a character name (other than the porn trope of re-using one's stage name), called Erin by one of the other gals.
As to whatever happened to Alexis and Brenda, knowing Girlfriends' assembly-line practice of shooting lots of scenes, for assembly later into DVD releases, I suspect they did hook up for the camera, and it's either waiting in the label's vaults or popped up iandolmly in some "Women Seeking Women" or other series.
Pretty Woman: A XXX Parody (2012)
Porn finger-painting by the numbers
Usually reliable Adult Cinema director Stuart Canterbury joins the ranks of underachievers with this thin imitation of the Julia Roberts/Richard Gere hit, delivering copies of several scenes, adding up to next to nothing.
Casting quirky porn star Dana DeArmond in the title role was a fine idea, but keeping her usual ebullience and unpredictability in check was a dumb notion. When not reminding the viewer of the original, the show lurches into a series of totally extraneous sex scenes, rendering it a non-starter.
Of course the porn-parody craze, which hopefully is dying some seven years after this baby was released, is based on nostalgia, of the type "I wonder what it would look like if Lt. Uhura humped Capt. Kirk". So we get familiar porn stars imitating familiar Hollywood mainstream stars, while the director delivers CliffsNotes scenes of plagiarism.
Notably lacking is the comedy content of Garry Marshall's original, starting with the unwise excising of Larry Miller's character. What we're left with is a smug, unappealing performance by Otto Bauer in the Gere role, and such dumb ideas as pairing Mark Wood and Madison Ivy as hotel manager and desk clerk, having sex to kill off a reel or so. Beauties Melanie Jacobs and Jayden Cole have a lesbian scene as sales associates, while director Canterbury leaves out (after setting up) both Dana's shopping spree scenes on Rodeo Drive and a gala party Otto is taking her to.
Stealing much of Dana's sexual thunder is big-butt queen Jada Stevens, providing anal sex in what would be called a "show-stopper" had this been a porn-parody of the Broadway musical adaptation rather than the original.
Fuck That Ass! (2014)
Looking backward into the vaults
Typical of Britain's Harmony Films in the waning days of its DVD schedule, this 3 and a half hour-long compilation of anal sex material is standard stuff, filler for diehard fans.
Excerpted from "A Day in the Life of Danny D" we have the big-dicked young fella humping away with the Euro beauty Angel Rivas, with close-up photography that magnifies the size of his mighty member.
Cover girl Carla Cox is lovely if mechanical in her anal sex opposite George Uhl, while Liza Del Sierra talks to the viewer directly, introducing her scene while trendily vaping, before giving herself over to the not very tender ministrations of Marco Banderas.
Other vignettes present generic sex, aimed at fans who just can't get enough of Euro babes sticking out their behinds.
Fuck Me Silly 4 (2018)
Highly variable in quality
These 5 vignettes from Digital Playground's Brazzers-style web vignette wing blow hot and cold, slapped together with a sloppiness that has become the trademark of the label in recent years.
Two segments feature botched color processing/correction, leaving the footage color-drained, approaching monochrome like some color-faded old movie (the kind Scorsese fought to preserve decades back). So cover girl Abigail Danger's segment "Bouldering Booty" in which she shows off her ass doing that indoor rock-climbing thing looks horrible, not saved by her hot sex with instructor Johnny SIns. Also quite poor visually is Valentina Nappi's anal excursion titled "With All My Heart and Hole" opposite Jessy Jones.
"Hole of Glory" is a Brit Porn vignette about glory holes, not located in a bathroom but instead underneath a bar counter, as Danny D and Xander Corvus have group sex with Ella Hughes and bar girls Antonia Sainz and Cayla Lyons, all clad in fishnet-stockings styled pantyhose.
Romi Rain is "The Flasher", a female exhibitionist who flashes several extras before cop Keiran Lee humps her rather than arresting her.
Another authority figure is played by Adriana Chechik, a TSA inspector at the airport who gives Markus Dupree far more than a pat down, leading ton gonzo anal-sex and her trademark squirting gimmick.
Stacked 8: All Natural (2017)
Big Breasts: Si!; production: No!
Director Mason muffs another Mile High release, the eighth in this popular big-bust series, with her boring single-camera technique, dreary grey & white backgrounds for sex and utterly repetitive format.
Vignettes typically have the lady clad in a sexy one-piece bathing suit, posing outdoors by the pool, with extreme close-ups magnifying her breasts which fill the frame. Then the action takes place indoors, with one of the same old Chatsworth studs humping her to a fare-thee-well. Adding insult the director can't resist injecting herself into the proceedings, voice only, by interviewing Hadley Viscara at the outset of the final segment. Seventeen minutes of a BTS bonus has interviews of the cast post-sex, pure b.s.
Saving grace here, not surprisingly, is the mammoth natural tits of all the women, with a "take your pick" approach for the viewer. Mason favors the mams of Kylie Page, while I favor the wonderful Ella Knox, but at least all four segments score high in this department. As far as the XXX content is concerned, it is standard and boring, with Natasha Nice up against fellow French-born Manuel Ferrara delivering anal sex.
Bi the Way We're Related (2019)
Humorous approach to the "bi bi love" genre
Jim Powers characteristically adds humor to the familiar porn subset of bisexual threesomes, here exclusively focusing in three lengthy vignettes on BBG action.
So the six male players are drawn from the roster of Gay Porn studs, and the 3 female beauties are definitely pros, willing to extend their range. Ringers are Ruckus and Wolf Hudson, two poster boys for the modern omniverous sex performer, who is comfortable in all configurations.
It is interesting that Powers' script (uncredited but certainly his writing) gives Wolf's segment some in-joke self-reflexive moments. Wolf's brother (step-brother of course, since as the video's title telegraphs this is a crypto-incest DVD) is played by Mason Lear, latter a gay porn star who on the advice of his agent is launching a new mainstream porn career doing boy/girl shows, changing his screen name to Dirk Stallion. Wolf famously has gone back and forth in his own career between boy/girl, boy/boy and latterly boy/trans-female match-ups, and his reaction to bro's plans is priceless.
Making Mason and Wolf's scene memorable is casting opposite them in the role of Wolf's wife the formidable Brandi Bae. She is of the ultra-fake school: botox lips, industrial-strength false-eyelashes, huge fake breasts and an augmented rear end. She plays the scene, humping both brothers while they hump each other with convincing relish, and her orange fake suntan next to their pale skin adds to the strangeness of it all.
Beautiful redhead Maya Kendrick is striking in her scene with siblings Lance Hart and bear-like Colby Jansen, while the weakest segment here is brought down by the extremely poor line readings of lovely blonde Kinsley Anne, taking on the big dicks of Pierce Paris, playing her gay blade brother, and the overly tattooed Ruckus. In true porn tradition dealing with goofball stage names, Ruckus earns a character name other than his own (unlike the rest of the cast), called Charley.
My Brother's TS Girlfriend (2019)
Respectful, well-done family romance
Ricky Greenwood, aka Quebecer Eric Boisvert, takes over this series from the ladies (previous directors were Nica Noelle and Dana Vespoli) with an excellent entry, notable for paying great respect to transsexuals as performers and screen characters. And the acting is good enough to support the story.
It concerns reunited bros Pierce Paris and Wolf Hudson. Pierce arrives to stay over at his brother's house and finds him making love to his beautiful transsexual girlfriend Korra Del Rio. Of course the viewer of this Transsensual series release knows that Pierce will hook up with her anon, but the characterizations and story development are interesting nonetheless.
What is interesting is that director Boisvert/Greenwood varies the sexual objectification carefully here, so that stud Paris (often seen in Gay boy/boy roles, notably for the label's sister company Icon Male) is the sex object seen taking a shower, while maintaining overall a visual study of the beauty of the femme players, who just happen to have cock and balls. Supporting Korra is the very lovely Khloe Kay and stunning Natalie Mars.
Mommy Got Boobs (2008)
Quality early scenes from the series
This first Brazzers DVD compilation of web content from this big-bust series has some fine femmes on display, doing what comes naturally.
Ava Lauren displays perhaps breast in show, seducing her gardener, played by Johnny Sins. The wonderful Sienna West is perhaps the video's star, leading off the show by having sex with neighbor Mikey Butders.
Early in her career, Holly Halston humps her real-life partner Troy Halston, playing the cliche of the cable guy. Scene is notable for Holly's acting chops, berating the guy mercilessly (for being late) before humping him.
Super-size breasts are on display from Sara Jay and Kristal Summers, taking on respectively TJ Cummings and Criss Strokes. Bonus scene presents Austin Kincaid vs. C.J. Ryder with wide-angle lens camerawork enhancing the size of their body parts.
Lust Weekend (1988)
Okay hedonism porn
Shot back to back with another obscure feature "Skin Dive" featuring the same stars, "Lust Weekend" shows men and women frolicking at a man-made lake. Its film look (though made for video release back in the VHS era) and sequences of waterskiing and other outdoor activities gives it a "real movie" aspect, but the emphasis is strictly on escapist, casual sex.
Credited to Steve Michaels as producer-director, that moniker is likely a pseudonym for star Steve Drake, who is featured in all 4 of "Michaels"'s movies. He leads a cast of four guys and five gals, with "Miss" Sharon Mitchell leader of the distaff set. They have two houseboats on the lake, and hook up for sex. Steve gets to hump and float off into the sunset with sexy redhead Dina Deville, who IMDb informs us was his real-life spouse at the time.
Dialog set-up scenes are static, shot with a remote camera in pure master-shot, unedited fashion, while the sex scenes feature close-ups and normal porn editing. Nothing much happens except chatting about the opposite sex when not humping, with lesbian sex and threesomes thrown in.
Home Wrecker (2012)
Digital Playground issued this series at a time when DVD sales were already dwindling, and this initial episode is dreary.
Selena Rose, who in retrospect is the near-lookalike prototype for current porn jail-bait star Gina Valentina, stars in the title role, a new roommate for layabouts Nacho Vidal and Erik Everhard, who are having trouble scrounging up the rent for their house. Many Digital Playground features shot by Robby D. around this time feature Erik and a few studs like Manuel Ferrara and Mick Blue in this loose roommates (or neighbors) structure.
The complications occur because both Erik and Nacho have beautiful and jealous girlfriends, played by Vicki Chase and Asa Akira. It is worth noting that with the exception of Erik, this release is heavy on ethnic casting, and has fewer players in total (just 3 gals and 2 studs) than is standard for Digital Playground.
Scenes are perfunctory and the show goes nowhere, just an excuse for four sex scenes. Attempts at humor are embarrassing.
Sex Collections (2003)
Fine cast in mediocre Fashion Industry porn
Prolific actor David Perry is best-known as a director of gonzo, all-sex videos, but this typical Italo-Hungarian opus has him adopting the Old School story line approach. Quality casting overcomes the ho-hum story.
A remarkable number of talented and extremely well-known players support the two unknown leads, overshadowing them. Jennifer Morante plays a stunning blonde modely who joins Karl Ben's upcoming fashion show and is the principal fly in the ointment of the plot.
Lead model Maria Bellucci resents her and plots with Morante's husband Leslie Taylor to have her drop out of the big show, which should star Maria anyway. Rest of the cast is carrying on sexually with each other, notably Ben's partner Mick Blue (looking good at the beginning of his still-boffo career) bedding down cute and non-porn looking Lara Stevens; Ben's key assistant Mandy Bright humping the boss; etc. Even the security guard Alberto Rey gets into the XXX action.
A contrived happy ending falls miserably flat in Steve Morelli's screenplay. Eros Veneziani, a still-active lingerie brand, is featured prominently in the production, at times giving it an aspect of infomercial. Same firm was plugged similarly in an earlier Italian porn video, Luca Damiano's "Lingerie".
L'orgie de l'apocalypse (2012)
Poorly executed, disappointing Dorcel "blockbuster"
Entrusting the project to puffed-up pornographer Max Candy (who was also directing another Anna Polina film at the time "L'innocente") was a bad move by Marc Dorcel, as this horrible attempt to cash in on the "end of the world" fears based upon the Mayan Calendar ending in 2012 is an embarrassment.
Candy expounds at length in the "Making of" featurette prepared for Dorcel TV (heavily censored to hide any explicit XXX visuals) on how great he is, notably his recent work with the influential Michael Ninn. He reveals that Ninn collaborated on this project, but lucky for MN his name is not listed in the credits.
One point Candy drives home is how his approach to Adult Cinema differs from most of his peers, in that his crew is made up of professionals who are drawn from the mainstream, e.g., his d.p. working in commercials and documentaries. Yet an early sex scene here is shot in what I like to call Blurrovision: soft and nearly out of focus throughout. So much for that boasting.
Cast heavily overlaps with "L'innocente", probably filmed back to back with this one. Final edit released by Dorcel is a mess, with key points and plot/character elements "explained" by Candy in the "Making of" but absent from the actual feature itself. Basically, Tarra White (star of the film but demoted to second banana status in Dorcel's marketing which emphasizes Polina instead) and her husband Mike Angelo are attempting to escape the fate befalling the rest of mankind on December 21, 2012, when TV broadcasts and newspaper headlines proclaim the apocalypse is at hand.
Candy tells us her name is Zoe (not mentioned in the actual movie) and tells what each sex scene is about, nowhere implied by the actual footage. There is a ridiculous four-girl lesbian scene in which Samantha Jolie is dressed in a wedding gown as Tarra's alter ego, and a final, lengthy (and poorly staged/shot by the maestro) orgy set in the bunker that Tarra & Mike escape to.
Featuring prominently but confusingly are Anna Polina as Mike's assistant, who tries to steal the key that will admit Mike and Tarra to the bunker, and the great Anissa Kate as the mystery lady who delivers said key to Mike in a fancy box, with director Candy taking a customary cameo as chauffeur. Both Anissa and Anna appear in the final orgy even though that doesn't fit the story line at all -just a result of "sex is all" porno mentality. And Anissa is striking but misused briefly by the auteur as a Mayan goddess or priestess or princess -take your pick, as even in the "Making of" Max can't decide.
He promises plenty of special effects, but what appears in the final print is lousy. Most revealing is his admission that he has always loved orgies on screen and in fantasy and likes to pack as many beautiful girls as he can into his sex scenes - evidence of which is clear with the lengthy (and wasted) cast list.
Note to IMDb users: Candy's movies for Dorcel and as part of the Moire Candy team (with partner Louis Moire) at Private Media are all ridiculously and unreliably highly rated in the website's listings, obviously a gaming of the system.
Joss is the man
Joss Lescaf, a Black Euro Porn actor who I first saw in supporting roles in several Dorcel releases, comes into his own starring in this simple and effective Private Media release about a chauffeur working for some Uber or Lyft company.
He dominates the picture, having sex with several European lovelies, of whom Victoria Pure in the first vignette is magnificent -both in beauty and sexual prowess. He is spelled in one scene, where he merely is a voyeur in the front seat while Lutro humps Ornella Morgan in the backseat.
Final vignette has him in a threesome with the quite open couple George Uhl and Daphne Klyde.
Through it all, Joss is personable and mighty effective wielding his big dick, latter quite familiar with fans of late thanks to his regular appearances, often on exotic international locations, for Greg Lansky's Blacked label.
Fine plot twists by Stormy
This suspense drama from Stormy Daniels comes near the end of her contract career at Wicked Pictures, and is a worthwhile feature that definitely held my interest.
Main plot revolves around Stormy's troubled marriage to Kyle Stone, who is confined to a wheelchair as a result of a traffic accident. He suspects Stormy is cheating on him, which we see is true as she has a lesbian threesome with her best friend Asa Akira and pick-up Kleio Valentien, and later dallies in a stable with her real-life husband Brendon Miller.
Kyle and Stormy live in the "Immoral Proposal" mansion, which is well-featured here, both as to its striking exterior and interior elements. Kyle hires a private investigator (Marcus London) to get the goods on Stormy, and Akira successfully diverts his attention (with some outdoor sex in the parking lot) to help Stormy get away later in the film.
With the inevitable emphasis on extended XXX sex scenes, in which Stormy personally is uninhibited in a way one that is surprising late in her actin career, she wisely saves the key plot twists and revelations for late in the show, and they are quite surprising and satisfying. All-time great Veronica Hart has a brief but effective cameo as Stormy's mom, and in one of the invevitable "extraneous sex scenes" Kimber Woods provides hot jail-bait action -Stormy would later cast her as the lead in "Highway Home" when she went to work as director for Digital Playground.
Lesbian Masseuse 4 (2013)
Good performances, but repetititous
Nica Noelle has utilized the massage porn format way too many times, as evidenced by this last edition for her since-defunct Frisco-based label Girl Candy Films.
Two of the four vignettes are related, but very sloppily presented, as Gracie Glam gets the character names wrong, an error preserved in the DVD's release version.
She introduces herself as a masseuse named Rachel, who in the show's regimented concept gets referrals from a psychotherapist of clients who are closeted lesbians, sent to her to be coaxed out of the closet by a laying on of hands (and more). Oddly enough this identical premise and even some of the visual rituals (lighting candles and setting up towels etc.) were preserved by Nica years later for her boy/boy adaptation series titled "Gay Massage House".
Glam successfully services (and converts to Sapphic bliss) a girl named Laura, and then in the next scene her client was referred to her satisfied friend named Rachel, when in fact the character was Laura, quite confusing since Glam is Rachel herself.
Best scene features voluptuous Alex Chance who gives it her all as a horny client coaxing masseuse Veronica Snow to give her a happy ending. Snow is of course the most iconic of modern video lesbians, and her sensitive acting makes her vignette opposite Alex a keeper.
Lesbian Sex 7 (2012)
A waste of time
Girlfriends Films has recently dropped the tedious interview segments from this series in favor of an all-sex format, but nostalgia fans can tune in to this 2012 edition to hear Adult actresses reminisce about their careers and personal involvements with each other.
Whether true or just b.s. filler, this verbiage is definite fast-forward material, as it simply isn't very interesting. MILFs Brandi Love and Janet Mason compare notes, before humping each other in rather distracted fashion, but clearly both stars are better suited to story lines and match-ups with younger femmes for contrast.
Two young imports are trotted out for our perusal, with England's Katie K a personable blonde, while Australia's Sally Charles is quite pretty but a cold fish. She frankly looks bored, staring into space during the q&a session opposite KK and interrogators Dana DeArmond and Zoey Holloway. Dana in particular treats the show with customary contempt, and her sex scene, assigned to KK, is strictly dullsville.
Interracial Anal Volume 4 (2017)
Okay for what it is
Certainly an improvement over earlier volumes in this Mile High series with the shift of director from Mason to veteran James Avalon, the four vignettes play well enough, adding a bit of romance to what is after all a wall-to-wall sex concept.
Two scenes stood out for me: notably the finale in which tiny Angel Smalls more than consumes the huge, unwieldy (never fully erect, in a porn tradition dating back to Johnny Wadd) cock of Jovan Jordan. He seems to be two feet taller than the little girl, but her sexuality is hard to beat.
Also doing yeoman work here is Alex Harper, her pale skin contrasting (that's the whole idea) with that of beau Ricky Johnson. Her acting is fine, even making the required "so tight" fakery seem convincing as she takes his big dick in every hole. She also has to work overtime to help him maintain his erection, perhaps a sign of overwork for the popular young stud.
Lea Lexis tries (in vain) for poignancy in her Jovan Jordan scene titled "I Remember", a case where she gets to hump the big fella after bumping into him while jogging, but he doesn't remember at all an earlier encounter (no doubt like Ricky way too busy in today's "IR sex is hot!" porn marketplace. For her part, Giselle Palmer wins the video's deep throat award for taking in Isiah Maxwell's cock with deceptive ease in her scene, in which Angel has a NonSex set-up role, that appears to be shot in my favorite porn locale, the "Immoral Proposal" mansion (its overuse of late masked by Avalon who doesn't show on camera any of its telltale elements like the spiral staircase).