The Death Kiss

"The Death Kiss" has been played up in recent years as a suggested horror film starring Bela Lugosi. In fact it is an interesting little murder mystery with Lugosi playing only a supporting role. Directed by first time director Edwin L. Marin, it contains many little plot twists to keep the viewer's interest.

In the opening scene for example, a man is shot down as he leaves a posh night club following an unsolicited "death kiss' from an attractive woman. It turns out that we were in fact watching the shooting of a movie. It also turns out that the actor who was "shot", Myles Brent (Edmund Burns) was really killed. So we are introduced to another of those Hollywood "behind the scenes" stories.

Detectives Sheehan (John Wray) and Sgt. Hilliker (wade Boheler) arrive on the scene. Turns out that Brent had been shot with a .38 caliber pistol while the props used in the scene were .45 caliber containing blanks. And, the actress who administered the "death kiss", Marcia Lane (Adrienne Ames) had been married to Brent.

Studio mystery writer Franklyn Drew (David Manners) takes it upon himself to investigate the case. He discovers where the shot came from and reports it to the cops. With the help of bumbling stdio guard "Gully" Gulliver (Vince Barnett) he continues his investigation.

Several suspects including Studio Boss Leon A. Goldsmith (Alexander Carr), Studio Manager Joseph Steiner (Lugosi), Director Tom Avery (Edward Van Sloan) as well as, Marcia Lane are investigated. Circumstances point to the guilt of Marcia and Drew, who has a romantic interest in her, works to find the real killer.

Needless to say, director Marin throws in several red herrings along the way. In the process he gives us an entertaining little (though low budget) mystery thriller.

As I mentioned earlier, Bela Lugosi is restricted to but a few scenes, most of which have him glaring at the other characters with those piercing stares. Manners and Ames make an attractive hero and heroine respectively. Its hard to believe but Lugosi, Manners and Van Sloan had appeared together a year earlier in Lugosi's signature film, "Dracula". Lugosi you would have thought, would have gone on to bigger and better things, however, he chose to appear in several low budget poverty row quickies in the years following his success in "Dracula".

Not bad for a poverty row thriller.