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4/10
Remember The Matrix everyone?
27 December 2021
Watching this, I tried to remind myself of when Hollywood last made something new that blew people away visually and stylistically. Iron man? Avatar? Maybe Inception? These last 10 years feels like a constant barrage of remakes and sequels of already popular titles, mostly made by people who seem to not really understand or care why the original worked.

Enter The Matrix 4, a sequel to a trilogy where even the second and third installments failed to live up to the first one. I went in with pretty low expectations, having already seen some of the reviews, but it somehow struggled to live up even to them. I had seen some rants about how it was yet another victim of woke culture, possibly because one of the main characters is a young blue-haired woman, just like the memes, but I didn't think it leaned too much in that direction. It was just boring.

The problem is the same as in many new remakes, reimaginings and sequels. They get most of the surface-level stuff correct, as in it looks kind of like a Matrix movie, but they fail to give us characters that we actually care about and feel invested in. And without that nothing that happens have any impact. The only ones that we have some interest in are Neo and Trinity, but that is because we already know them from the previous movies, very little is made in this one to develop them further, and I hate to say it but Keanu's wooden acting doesn't exactly draw you in. Some other characters show up that we know but with new faces and acting so differently that they might just as well be new characters. And then there is a bunch of totally new ones that have so little personality and character development that they might as well have been made out of cardboard.

The original Matrix had a very clear hero's journey as a stable backbone of a very strange new world, filled with new ideas and concepts for the audience to grapple with. It also hade two, for the time, unique ingredients. The first was the very obvious visual style with the slow-mo bullet time that had never been done before that spawned numerous imitations. The other was taking normal actors, not the usual well defined Hollywood action heroes, and have them do very demanding kung-fu. I remember seeing the behind the scenes clips describing how hard they had to train for months just to be able to do the action scenes, and how they had help from veterans from the asian movie industry to get the choreography right.

Both Keanu and Carrie-Anne are now 20 years older, and it shows. They might look good for people of their age, but it is very obvious that they no longer can do the stunts. I don't blame them for that, but it means that the fight scenes are very slow and full och cuts to try and speed them up. It also means that the movie is mostly talking, and when it is time for the big action packed ending it's just Neo holding up his hands to project a shield to stop bullets with a bunch of explosions all around to make it exciting.

As a result, there is nothing new here. Everything feels like a lesser imitation of the previous movies. In fact, the first third tries so hard to bank on the nostalgia that it straight up shows clips from the original trilogy or just re-creates famous scenes. It actually feelt like a parody at first, with poor attempts at humor, self-reference and 4th-wall breaking. At one point you have a bunch of "creatives" brainstorming ideas for a fourth installment, and all I could think of was that this must have been almost word for word how the actual makers of the movie came up with their ideas.

Also, I have to mention one of the ridiculous things said by the main villain. In his big speach explaining the plot to the viewer he describes how he has taken one of Neo's powers and uses it against him, and that that power is bullet time. Sure, Neo could stop bullets, but bullet time in itself was never his power, manipulating the Matrix was. It was just a cool visual effect used by the film makers that got the name bullet time in the real world. Having it referenced here as an actual power just illustrated how little the makers of this movie cared to understand the original.
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Hawkeye (2021)
6/10
Last episode brings it down a bit
22 December 2021
Warning: Spoilers
I was leaning towards a 7/10 for this one, but the last episode was kind of ridiculous.

It started out all right, I like Hailee Steinfeld and Jeremy Renner and I tought they worked great together. I had no problem with this being a smaller story, not every story featuring an avanger has to be about saving the universe. I could even tolerate the wokeness that was very obvioulsy shoe-horned in (it's apparently not enough any longer to have a female villain, she has to be an immigrant, deaf, mute AND an amputee as well, even the dog had to be disabled), but beside some awkward scenes with sign language they thankfully didn't make a big thing out of it.

But then came the sixth and final episode, and I was a bit surprised because it felt like there should have been at least two more. So, suddenly mom's villainous boyfriend is a joke and Kingpin is inserted as the main villain, and we get maybe two scenes with him before he is defeated. It all felt very rushed. Also there was just so many ridiculous things in almost every scene, such as:

  • Clint finding himself in a christmas tree and not being able to get down on his own, and talking to an owl.


  • The gang suddenly spawning at least a hundred members, easily defeated with one hit each by just about everyone that tried.


  • The new larping friends somehow taking the place of every employee at a fancy party.


  • The idea that in an emergency, guests at a party are more villing to listen to people dressed in medieval larping-gear than people dressed as the staff.


  • Natasha's sister having to act like a comedian in almost every scene. I get that her humor was one of the more likable things from the Black Widow movie, but that is now her entire personality it seems, even when she should be serious and focused.


  • The constant escalation of Kingpin's power level every time he appears in a show. I remember how he barely could match Daredevil in a fist fight in their first showdown, but now he can shrug off an arrow straight to the chest, being hit by a car (how did the mom get the car to such a high speed anyway, Kingpin had just walked a couple of steps away from it) and even a small explosion.


  • Finishing the episode, and the season, with the entire cringeworthy musical act about the Avangers and the invasion of New York that was played as a joke at the start of the season.


Tl;dr: An enjoyable show with a couple of good main characters but with a rushed ending.
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Arcane (2021–2024)
9/10
I've never played League of legends
21 November 2021
This has no right being as good as it is. I mean, it's based on a video game, since when did that ever result in anything better than passable? But despite that this is one of the best shows I've watched in a long time.

I just saw the first episode of the new adaptation of the Wheel of time, and disappointed with that one I looked for something else and just happened to se that this was getting good reviews. It quickly grew on me and I binged the entire season in one sitting.

Arcane does everything right that so many shows and movies get wrong these days. They respect all of their characters, making sure that you understand why they do what they do and makes you sympathize with them. They take just the right amount of time to draw you in to the story and world before having major plotpoints happen, so that you really feel the impact of them. They set up things well in advance and makes sure to give you a proper payoff, so nothing feels rushed or cheap.

And something that is oh so rare these days; they are not afraid to give all of their characters flaws and allowing them to fail, no matter their gender or how powerful they are supposed to be. This is a show with two female main characters that both can overpower anyone, and none of them feel like they haven't earned it. And not once do they feel the need to belittle men to show how cool they are. Pay attention, creators of other shows, this is how you write powerful characters, regardless of gender, that your audience can feel invested in.

A special mention has to be given to the animators. Kudos to you for being able to make characters that can communicate both strong and subtle feelings clearer than most real actors are capable of. And also kudos to the choice of voice actors and music, both are top notch.

All in all a very enjoyable show that gives me a glimmer of hope for future entertainment, looking forward to season 2.
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The Wheel of Time (2021– )
6/10
After one episode: It's ok, nothing more
19 November 2021
Warning: Spoilers
I'm one of the people that loves the books, I started reading them when they first came out in my teens, and they are still some of my favorites.

As usual, you can safely ignore everyone that are giving this series a 1/10 or a 10/10, it's neither. It's just alright. I do, however, struggle to see who it's for. I think they have changed too much for die-hard fans like me, and at the same time they seem to expect you to already have a basic knowledge of the story to be able to follow along. The fast pace and the sometimes hard do hear dialog makes it really hard, I think, for people who are new to get what is happening in the first episode beyond the obvious "bad monsters are attacking".

And as a long time fan I just have to point out some of the changes that irks me:

They fail to establish how different Rand and Tam are supposed to be compared to the rest of the villagers. Rand especially are supposed to stand out with his unusual tall body, red hair and grey eyes. One out of three is what we are given here, and no indication that anyone find him a bit odd.

Mat is now a thief instead of just a prankster, and he lives in a truly broken family that doesn't feel like it fits the small, everyone-looks-out-for -eachother kind of village they are supposed to live in.

Perrin is married! And his wife seem to be more bad-ass than even Tam, as she more or less manages to kill two Trollocks with one blow each while Tam, a former trained soldier with a mythical sword, needs several cuts and help from Rand to kill just one.

Remember the long tormenting journey Rand has to make, dragging an unconscious Tam by himself all the way from their farm back to the village while hiding from Trollocks and getting important hints of his true origin from a delirious Tam? That is not in the first episode. In fact, there is very little focus on Rand at all.

Instead we get an overly dramatic coming-of-age initiation of Egwene, a scene of the capturing of Logain(?) that I don't know why it had to be in the first episode, and multiple scenes establishing the relationship between Perrin and his wife only to have her killed.

We get no scene of the latest dragon reborn 3000 years ago to get an idea of how powerful ha was and how mad he got in the end, but maybe they are saving that one for later.

Oh, and also, Nynaeve are lacking any kind of temperament that she is supposed to be known for, she just seems very sure of her self here. No tugging of her braid as far as I could see.
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WandaVision (2021)
5/10
Too slow so far after the first two episodes
17 January 2021
Yeah, I don't know about this one. Maybe it will get more interesting in later episodes, but so far after the first two I already feel like they have stretched the concept too thin.

It feels like when other shows sometimes does a scene for laughs in black an white, with outdated jokes and an over the top laugh track, except instead of just one 2 min scene, it's been two whole episodes so far. As a result I struggled to stay interested halfway through the first one, constantly waiting for something other than just stale jokes to happen.

Judging by the trailers they will keep this very slow roll-out of a reveal of what is actually going on, but in different eras, and I am afraid that it will be too slow. Even though every episode is barely 25 min, I feel like it would have benefitted a lot from only have one episode per era, and have the characters realize that something is wrong much faster and then move on to something more interesting.
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4/10
Movie's own logic breaks at the smallest amount of thought
12 January 2021
Warning: Spoilers
Movies with a supernatural element (superhero, fantasy, sci-fi etc.) all have to work extra hard to convince the audience of their own worlds logic, otherwise you lose the audience's willingness to suspend their disbelief enough to enjoy the story. WW84 have many small things to nitpick that in an otherwise fine movie would be ok for most people, but unfortunately it also has a couple of big things that don't make sense or are off-putting that you are reminded of through the entire story.

1. The logic of the Dream stone. The idea of a magical thing that grants wishes at the cost of something important to you has been done several times before, so much so that it's cliché and has it's own name (the Monkey's paw, something the movie actually references outright which I found surreal). Usually the characters in that kind of story doesn't realize the cost until it's to late, and the only way to undo all the harm is to use one last wish (or destroy the source of the wishes) to reset everything in some way so that all the craziness never happened, undoing all the wishes and everyone's memories of them. In WW84 they kind of do this but instead of magically undo everything people just renounce their wishes, meaning that everyone still remembers every crazy thing that happened, and we are shown that the world is still thrashed from all the riots. That means that the world is now a place where everyone one time in the 80's got their wish granted and two nations launched hundreds of nukes at each other. Also this implies that this Dream stone's logic means that you can wish for whatever you want and later decide if the cost is wort it and still retain some or all of the benefits from the wish. So, if you wished for your dying mother's illness to disappear but at the cost of all your money, maybe that is a price you accept. Or you can wish for a luxury trip around the world and renounce it when you get home again and still have all the memories from the trip. It's just such a strange implementation of the concept that even the smallest amount of thought of how it actually works breaks the core logic of the movie. And the idea that everyone in the whole world that made a wish willingly renounces it at the end, even the ones that made selfless wishes, is just ridicules. Most of them didn't even have time to realize their negative consequence but were instead motivated solely from Diana's speech. How about the guy who wished for a billion dollars and then turned of the TV and went to bed? You know that there had to be at least one that did some version of that.

2. Steve possessing another man's body. Why? Every other wish made are shown to materialize from nothing, but for some reason bringing Steve back requires him to use another man's body. The movie makes sure to explain that it is in fact still the other guy's body that are walking around, even if we are shown Chris Pine because "that is who Diana see when she looks at him". That means that she sleeps with another mans body without his consent, takes his body to life threatening situations where it's nearly shot, and makes sure that this man is forever remembered by security at the White House as the guy who once fought there. And Diana is never shown to have any moral doubts about it, and in the end the only reason for her giving this poor man his body back is because she needs to get her powers back. What a great role model.

3. The main villain's motivation. Why did he go to the crazy length's that he did? His main motive in the beginning seemed to be that he didn't want to be seen as a looser by his son, that he wanted to have a successful company. For some reason that escalated to wanting to be the richest man in the world and causing a nuclear world war. Sure, you could say that becoming the stone and gaining it's powers corrupted him, but if so the movie did a poor job showing us that that was an internal change that caused him to do what he did. He just seemed to reach his initial goal with the first couple of wishes, and then just kept going for no reason. What was his end goal? In the end he gives up his power because he realize that he has put his son in danger, not because he manages to overcome the stone's potential influence on him. Also, after everyone has renounced their wish he will still be remembered as that crazy guy that everyone all over the world saw on their TVs that one time, ranting about wishes, at the same time as everyone's wishes came true. He is also the guy that walked in on the president and used a top secret military project. He, and his son, will never go back to a normal life.

4. One small nitpick, but how did Wonder woman defeat Cheetah in the end? Barbara first gained all of Wonder woman's powers with her first wish, and then on top of that she got a second wish where she wished not only for even more power, but to be the "apex predator" which I interpreted as being the most physically strong being in the world. But for some reason her and Wonder woman are shown to be about equally strong when they fight, and then Cheetah is for some reason vulnerable to electricity while WW is not. But Barbara had all of Diana's powers witch should include her invulnerability to electricity, no?

There is a lot more smaller things that are just weird, like how a modern fighter jet are ready and fueled at a museum in DC, and can make it to Egypt AND BACK without refueling, but the ones above are the main ones that constantly kept me from allowing myself to enjoy the movie and instead say "What!?" out loud.
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