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The Invisible (2007)
A Not So Invisible Blunder
28 April 2007
Warning: Spoilers
Considering the high concept premise, I was surprised at how poorly the story was executed. The idea is reminiscent of Just Like Heaven with a thriller twist. Proudly acknowledging its Sixth Sense heritage (same producers) The Invisible is hardly worthy of comparison.

The story pace lagged, overemphasized Nick's inability to interact with the physical environment, and failed miserably to secure a solid conclusion. On a positive note, I compliment the writers on developing empathy between Nick Powell and the girl who nearly killed him, Annie Newton. To go from hating each other to a mutual understanding despite the violent encounter was a much needed supplement to the lack of overall mystery.

Apparently high concept ideas don't compensate for poor execution. This is especially evident in the finale of the film where Annie's definition of redemption is finally telling the police where the body was stashed. Before that we're supposed to buy into the idea that she was shot trying to save Nick's life. A noble effort had it been properly handled. After coercing Nick's location out of her boyfriend at gunpoint, he pulls out his concealed gun and shoots Annie. Obviously she didn't know her life was at risk in exchange for this information.

In a confusing attempt to "do one thing good" Annie ignores several opportunities to receive medical care, evades cops, and sneaks into Nick's hospital room to "save him". We're supposed to believe that her apologetic presence and bedside demise were necessary for Nick's reawakening. The final image of Annie passing away whilst Nick returns to life could've been powerful, were it not so contrived. Knowingly and willingly consenting to sacrifice herself in order to locate Nick's dying body is unconditionally redeemable and would've provided a more convincing conclusion.
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Whisper (I) (2007)
Premise
25 April 2007
In the dead of winter, the kidnapping of a young boy results in fatal consequences in the supernatural thriller Whisper.

All Max Truemont (Josh Holloway, star of TV's smash hit Lost) wants is a chance to make a fresh start with his fiancée Roxanne...but a bank loan is not easy to get when you're a felon who's previously been convicted of manslaughter.

Max's last resort--and only remaining choice--is to team up with two shady associates hired by an absent mastermind to kidnap the son of one of the richest women in the state. After Max abducts the eight-year-old, he joins Roxanne and the fellow conspirators on an eerie, unsettling drive to their secluded winter hideout, an abandoned summer camp.

As they await ransom instructions, the group begins to turn on each other as past suspicions, betrayals and secrets inexplicably come into play. When the escalating events take a horrific turn, it soon becomes apparent to Max that the child may not be the innocent he first appeared to be.
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Surface (2005–2006)
Spielberg Would Fall Asleep
22 April 2007
The show never broke through the surface of network television because it was too slow to reveal it's underlying mystery. By the time episode 12 came around (wherein we learn of the creature's origins) people stopped watching the show. The first 11 episodes montaged various encounters with a new species, none of which were particularly scary or wondrous.

For lack of better writing, characters often make ridiculously stupid decisions to heighten the drama ('our home-made submarine is taking on water, but lets keep sinking so it'll be really tense when we inevitably get stuck at the bottom of the ocean'). Most of the characters were unrealistic and unbearable. Furthermore, the subplot of "Nimrod the mysterious pet" served only to postpone any enlightening information Daughtery might discover about the creature whilst trying to prove its existence. Had episode 12 actually been episode 2, Surface might've had a chance.

Bottom Line: Glaciers move faster than this plot and are probably more interesting to watch.
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