| Cast overview, first billed only: | |||
| Justin Chatwin | ... | Nick Powell | |
| Margarita Levieva | ... | Annie Newton | |
| Marcia Gay Harden | ... | Diane Powell | |
| Chris Marquette | ... | Pete Egan | |
| Alex O'Loughlin | ... | Marcus Bohem | |
| Callum Keith Rennie | ... | Detective Brian Larson | |
| Michelle Harrison | ... | Detective Kate Tunney | |
| Ryan Kennedy | ... | Matty | |
| Andrew Francis | ... | Dean | |
| P. Lynn Johnson | ... | Sharon Egan | |
| Serge Houde | ... | Martin Egan | |
| Desiree Zurowski | ... | Lindy Newton | |
| Mark Houghton | ... | Jack Newton | |
| Alex Ferris | ... | Victor Newton | |
| Tania Saulnier | ... | Suzie | |
Nick Powell is an excellent high-school student who raises money by selling homework and results of quizzes to his schoolmates. He aims to travel to London for a writer's course - telling his best friend, Pete Egan, that he has already bought the airplane ticket but he has not told his mother yet. Annie Newton has a problem with Pete, who owes her money. As events unfold, due to a case of mistaken identity, Nick takes a severe beating from Annie and her gang, his body dumped in a sewer. The next morning, he discovers he cannot be seen - he is now a spirit in a state of limbo and can only observe as the events of that day unfold. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Definitely NOT a copycat of "The Sixth Sense" this film instead is highly original, sets its own mark, goes its own way.
Although I haven't been a teen in decades, I know them well enough to say the portrayals of the central characters are as on-the-level as I've seen lately. This never-dull and unusual story kept us involved more than we expected, and I recommend it for anyone who enjoys either teen movies or supernatural thrillers.
If you rent it from Netflix, please beware of a similar titled film, a dreadful movie about two young American stone-heads pretty much comatose in a cheap flat in Paris. Dull and stupid.
The soundtrack of INVISIBLE is truly good and proves that good music is still being done in 2007 even if they don't ever play it on the air.
One way films have improved: When I was a teen there were never any teen movies with characters you could either believe or relate to. Now they make such movies frequently. After all, the most complex problems in a lifetime are during the teen years. Everything after that is easy once you've survived the basic training of that age. Once you know that you've got an over-sized field of ideas for good movies like this.