Sally Forth and her collaborators are into vintage Adult Cinema, but this fake white-coater feature and another throwback titled "Sexual Harassment" both fall flat. Nostalgia needs a little creativity, something Sally has yet to demonstrate.
Styled as a documentary that is obviously phony to its core, we have Sally directing and as in the other film Donnie Rock cast in a NonSex Role as an editor, interviewing various male sex addicts and taping them having sex for some sort of documentary. Feature is bookended by scenes of Sally & Donnie in the editing room.
Timeless porn actress Erica Lauren makes an uncredited appearance as a sexual psychologist, literally wearing a white coat to rub in the nostalgia factor for those 1960s and 1970s porn documentaries in that genre, explaining the condition of sex addiction, with its name updated to hypersexuality here.
We watch three case studies, covering four lengthy sex scenes, and are frequently reminded (back of her head in the frame watching) that Sally is observing these "freaks" having sex. That basically is the entire feature, hardly interesting to watch and definitely unenlightening. It merely reminds one of how boring those decades-old white-coater films were, but without their quaintness as genuine artifacts.
Casting is extremely poor, deficient in both male and female talent. The males are quite familiar to a porn buff: Eric John (his big dick gets two scenes and two girls to hump), a journeyman stud busy for the past decade but never in a major role; Jake Jacobs aka Jay Crew, top-notch cameraman who often takes a sex role fit for an older gentleman (he identifies himself as age 60 here), and Chad Diamond, the crew member for Dana Vespoli who is very, very busy these days starring in TS features, often switch-hitting as top or bottom with the trans-female stars.
The four female leads are quite obscure current youngsters on the Adult scene, only one of which (Ziggy Star) I have seen in several videos. They are cast as hookers or porn actresses, and so the obscurity does contribute to the supposed documentary nature of the content. But the unappealing studs, whose characters supposedly need to ejaculate almost constantly as hypersexuals, are too familiar looking.
Ultimately the film comes off as pretentious and insincere, and hardly qualifies as entertainment. That description fits the original white-coaters, including such hits as "Man & Wife" and "Sexual Freedom in Denmark".
Styled as a documentary that is obviously phony to its core, we have Sally directing and as in the other film Donnie Rock cast in a NonSex Role as an editor, interviewing various male sex addicts and taping them having sex for some sort of documentary. Feature is bookended by scenes of Sally & Donnie in the editing room.
Timeless porn actress Erica Lauren makes an uncredited appearance as a sexual psychologist, literally wearing a white coat to rub in the nostalgia factor for those 1960s and 1970s porn documentaries in that genre, explaining the condition of sex addiction, with its name updated to hypersexuality here.
We watch three case studies, covering four lengthy sex scenes, and are frequently reminded (back of her head in the frame watching) that Sally is observing these "freaks" having sex. That basically is the entire feature, hardly interesting to watch and definitely unenlightening. It merely reminds one of how boring those decades-old white-coater films were, but without their quaintness as genuine artifacts.
Casting is extremely poor, deficient in both male and female talent. The males are quite familiar to a porn buff: Eric John (his big dick gets two scenes and two girls to hump), a journeyman stud busy for the past decade but never in a major role; Jake Jacobs aka Jay Crew, top-notch cameraman who often takes a sex role fit for an older gentleman (he identifies himself as age 60 here), and Chad Diamond, the crew member for Dana Vespoli who is very, very busy these days starring in TS features, often switch-hitting as top or bottom with the trans-female stars.
The four female leads are quite obscure current youngsters on the Adult scene, only one of which (Ziggy Star) I have seen in several videos. They are cast as hookers or porn actresses, and so the obscurity does contribute to the supposed documentary nature of the content. But the unappealing studs, whose characters supposedly need to ejaculate almost constantly as hypersexuals, are too familiar looking.
Ultimately the film comes off as pretentious and insincere, and hardly qualifies as entertainment. That description fits the original white-coaters, including such hits as "Man & Wife" and "Sexual Freedom in Denmark".