Jerome Tanner's fantasy series revolving around paintings gets high marks this time, thanks to casting the divine Brit import Hannah Harper and a talented supporting cast.
It's mainly a period piece about witchcraft, with Harper as the witch who becomes muse for Lord of the Manor/artist Joel Lawrence, and then the witch's descendant Anna centuries later. Fantasy elements, of getting trapped in a painting and its period milieu, are handled well, and the sex scenes are quite imaginative.
Some fine actresses of the period are in evidence: Cameron Cain teaming up with Malory Marx as subs for Dillon Day in a threesome set in a hayloft; Melanie Jagger taking on Ben English's huge cock in a scene about transformations (NonSex player Frank Bukkwyd changes into both Lawrence and then English); and bosomy Calli Cox taking on Lee Stone. Stone and Harper reunited for the classic Adult horror movie "Hannah Goes to Hell" several years later, after HH had breast enlargement, but she looks mighty fine in more natural form here.
It's mainly a period piece about witchcraft, with Harper as the witch who becomes muse for Lord of the Manor/artist Joel Lawrence, and then the witch's descendant Anna centuries later. Fantasy elements, of getting trapped in a painting and its period milieu, are handled well, and the sex scenes are quite imaginative.
Some fine actresses of the period are in evidence: Cameron Cain teaming up with Malory Marx as subs for Dillon Day in a threesome set in a hayloft; Melanie Jagger taking on Ben English's huge cock in a scene about transformations (NonSex player Frank Bukkwyd changes into both Lawrence and then English); and bosomy Calli Cox taking on Lee Stone. Stone and Harper reunited for the classic Adult horror movie "Hannah Goes to Hell" several years later, after HH had breast enlargement, but she looks mighty fine in more natural form here.