The school's academic application of the classic frame is irreproachable, hence many frames seen from below with the human figure cut out in the blue sky - as in a Vidor or Ford, and are good. But there is no perspective, in structural and personalized terms, on the people and spaces that are filmed - it's just filming what's up, it's a kind of withdrawal.The sound bridges are so banal that they emphasize annoyance.
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