A film about depression. A good one because it represents gentle exploration of deep loneliness, easy salvation of apparences, the circumstantial smile to each situation, good small talk and decent mask. Two virtues - the last scenes, at first sigh easy solution , and the beautiful job of Rhys Hamlyn using the festures as fair manner for tell the story of his character. The atmosphere of family dinner , so familiar, is, in same measure, a real good point.
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