After a tragic miscarriage, Lola and her husband Adolfo adopt Tin and Tina, a lovely brother and sister with an ultra-catholic education that makes them interpret Holy Bible verbatim.
Director:
Writers:
Awards:
- 3 wins & 3 nominations.
- See more »
Photos and Videos
Cast
| Milena Smit | ... |
Lola
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| Jaime Lorente | ... |
Adolfo
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Carlos González Morollón | ... |
Tin
(as Carlos G. Morollón)
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Anastasia Russo | ... |
Tina
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| Teresa Rabal | ... |
Sor Asunción
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Sergio Ramos | ... |
Pedrito
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Joserra Leza | ... |
Cura Boda / Entierro
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Luis Perezagua | ... |
Don Julián
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Antonio Figueredo Manrique | ... |
Cura Comunión
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Chelo Vivares | ... |
Ginecóloga
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| Ruth Gabriel | ... |
Madre Pedrito
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Cristina Pérez Nollet | ... |
Enfermera
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Isabel Ramírez Vázquez | ... |
Enfermera
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Óscar Hidalgo González-Quevedo | ... |
Bebé
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Javier Galloso Rodríguez | ... |
Bebé
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Blanca Figueredo Aznar | ... |
Niña Comunión
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Daniel Santana Ríos | ... |
Niño Comunión
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Maribel de la Llera | ... |
Monja
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| Marichu Sanz | ... |
Monja
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Tino González | ... |
Arturo
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Enara Prieto | ... |
Invitada Boda
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Directed by
| Rubin Stein | ||
Written by
| Rubin Stein | ... | (written by) |
| Rubin Stein | ... | (based on the short film by) |
Produced by
| Diliana Alexander | ... | co-producer |
| Olmo Figueredo González-Quevedo | ... | producer |
| Manolo Limón | ... | line producer |
| José Ortuño | ... | associate producer |
| Paola Sáinz de Baranda | ... | executive producer |
Music by
| Jocelyn Pook | ||
Cinematography by
| Alejandro Espadero | ... | director of photography |
Editing by
| Nacho Ruiz Capillas | ||
Editorial Department
| Mario G. Deco | ... | Making of: editor |
| Camilo Gracia Zambrano | ... | assistant editor |
| Juanve | ... | colorist (as Juan Ventura) |
| José Manuel Rocha | ... | post-production coordinator |
| Natalia Rodal Romero | ... | digital lab operator |
| Juan Francisco G. Ropero | ... | digital lab operator |
Casting By
| Marichu Sanz | ||
Production Design by
| Vanesa de la Haza | ||
Costume Design by
| Lourdes Fuentes | ||
Makeup Department
| Anabel Beato | ... | makeup department head |
| Carmela Martín | ... | hair stylist |
| Ana Medina Sánchez | ... | assistant makeup artist |
| Alicia Prendes Sánchez | ... | assistant makeup artist |
Production Management
| Silvia López Beltrán | ... | Key Set Pa |
| Manolo Limón | ... | production manager |
| Ana Montoya | ... | production manager |
Second Unit Director or Assistant Director
| Laura Alvea | ... | first assistant director |
| Curro Bejarano | ... | trainee assistant director |
| Elena Martín | ... | second assistant director |
| Juan Vilches | ... | trainee assistant director |
Art Department
| Fabrice Bouchelet | ... | props |
| Pedro Cabañas | ... | poster designer |
| Víctor L. de Frutos | ... | set decoration |
| Miguel Ángel Figueredo | ... | art trainee |
| Mariví G. Olivera | ... | assistant property master |
| Carmen Gallego | ... | assistant painter |
| Miguel García González | ... | construction coordinator |
| Álvaro Gea | ... | assistant decoration |
| Fermin Gonzalez | ... | props assistant |
| Sebastian Iampietro | ... | property master |
| Joaquín Jiménez | ... | assistant set decorator |
| Tannia León | ... | painter |
| Manuela López | ... | property master |
| Alvaro Prol | ... | props assistant |
| Diego Pérez Villavicencio | ... | set dresser |
| David Rojas | ... | props |
| Gloria Rompo | ... | art trainee |
| Amanda Román | ... | assistant set dresser |
| Carlos Saponi | ... | drapes master |
| Sandra Sobrino | ... | assistant property master |
| Alejandro Sola | ... | props assistant |
Sound Department
| José Luis Alcaine Bartolomé | ... | sound editor |
| Álvaro de Iscar | ... | adr recordist |
| Javier Delgado | ... | foley editor and recordist |
| Juan Egoscozábal | ... | foley artist |
| Abraham F. Apresa | ... | re-recording mixer for cinema (as Abraham Fernández) |
| Sara Marín Santaella | ... | additional sound recordist |
| Rafael Pachón | ... | adr recordist |
| Carlos Pérez Valero | ... | sound effects editor |
| Amaya Soler Coca | ... | foley artist |
| José Tomé | ... | re-recording mixer/Atmos mixer/streaming mixer / sound designer / sound editor / supervising sound editor |
Special Effects by
| Carlos Blanco | ... | special effects technician |
| Patxi Crespo | ... | special effects technician |
| Oier Hernández | ... | special effects technician |
| Gentza Renteria | ... | special effects technician |
Visual Effects by
| Juanve | ... | visual effects supervisor (as Juan Ventura) / visual effects (as Juan Ventura) |
| Oleksii Kudyma | ... | digital compositor |
| Amparo Martínez | ... | digital compositor |
| Oleksii Moskalenko | ... | visual effects supervisor |
| Manu Nieto | ... | visual effects artist |
| Francisco Javier Parrado Pecellín | ... | visual effects artist |
Stunts
| David Andrey | ... | stunts |
| Álex Antúnez | ... | stunts |
| Manuel Cascales | ... | stunt double: Adolfo |
| María Haba | ... | stunt double: Lola |
| Manuel Horus | ... | stunts |
| Ana Victoria Lagares | ... | stunt double: Carlos González |
| Juan Carlos Magüesín | ... | assistant stunt coordinator |
| Mauri Martín | ... | stunts |
| Joaquín Ortega | ... | stunt coordinator / stunt double: Adolfo |
| Miguel Angel Santos | ... | stunt double: Adolfo |
| Andrés Torrado | ... | stunts |
Camera and Electrical Department
| Humberto Besa | ... | lighting technician |
| Emilio Cabello | ... | grip |
| Esther Cruz López | ... | additional second assistant camera (as Esther Cruz) |
| Antonio García Domínguez | ... | steadicam operator |
| Carmen Hinojosa | ... | video assist |
| Manel Losada | ... | key grip |
| Pablo Mellado | ... | second assistant camera |
| Juan Molina Fernández | ... | first assistant camera (as Juan Molina) |
| Paco Pascual | ... | gaffer |
| José Manuel Rocha | ... | d.i.t digital image technician |
| Adrián Soler Guillén | ... | electrician |
| Manu Trillo | ... | still photographer |
| Ángel Velasco Sanz | ... | lighting technician |
Costume and Wardrobe Department
| Rebeca Bermúdez | ... | assistant costume designer |
Location Management
| Sara Sánchez | ... | location scout |
Music Department
| Malou B. van Holst | ... | music clearance |
| Mat Bartram | ... | score engineer |
| Rolf Gustavson | ... | additional orchestrator |
| Lourdes Hernández | ... | music supervisor |
| Elif Karlidag | ... | Additional orchestrator / additional orchestrations/music copyist/music preparation |
| Tristan Noon | ... | additional orchestrations / music copyist / music preparation |
| Steve Parr | ... | score mixer |
| Jocelyn Pook | ... | Music by |
Additional Crew
| Christian Delarge | ... | production assistant |
| Sara Gómez | ... | Executive producer |
| Adelaida Ortega | ... | controller assistant |
| Paco Ortega | ... | controller |
| Sonia D. Roncero | ... | production coordinator |
| Carlos Rosado Sibon | ... | Finance director / Legal |
| Alejandro Ávila | ... | Communication and Social Media |
Thanks
| Asier Guerricaechebarría | ... | thanks |
| José Carlos Leal Domínguez | ... | VFX Plates Recorder |
| Francisco Javier Parrado Pecellín | ... | VFX Plates Recorder |
| Daniel Romero | ... | thanks |
Production Companies
- Tin y Tina La Pelicula AEIE (produced by)
Distributors
- Filmax (2020) (Spain)
- Netflix (2023) (Greece) (video) (VOD)
- Netflix (2023) (Singapore) (video) (VOD)
- Netflix (2023) (United States) (video) (VOD)
Special Effects
Other Companies
- Ovide (camera equipment provided by)
Storyline
| Plot Summary |
Spain, 1981. In her wedding day, Lola suffers an internal bleeding and she loses the baby she was expecting. Still worse, she is reported in the hospital that she lost too the capacity to be pregnant. Some months later and while Lola she stills depressed by the tragedy Adolfo, her husband, convinces her to adopt a baby in a convent close to the town. But instead to adopt a baby, Lola decides adopt Tin and Tina, two lovely twins with a talent for music. However, Lola discovers because their rise in the convent that Tin and Tina are frantic religious who interpret Holy Bible verbatim, no considering the consequences. Obssessed with Christ, God and the salvation, their attitude and behavior turns their peaceful family life in a hell full of fear. While an absent-father Adolfo rejects Lola accusations simply as kid stuff, Lola suffers a faint in the New Year's Eve just to realize something impossible: she's pregnant again. Taking it as a miracle, the news make her and Adolfo happy, but Lola becomes obsessive thinking that Tin and Tina would put in danger she and the baby looking for obtain the celestial redemption. Written by Chockys |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | The albino siblings are named Tin and Tina after St. Augustine (San Agustín in Spanish; 354-430 AD). He was a writer, theologian and philosopher who after he was turned into Christianity worked as Bishop of Hipona, Argel (North Africa). He is considered as father of the Western Church and in 1295 Pope Bonifacius VIII named him Doctor of the Church by their extensive work in life and writings about faith and religion. See more » |
| Movie Connections | Features Nosferatu (1922). See more » |
| Soundtracks | La Alegre Calabaza See more » |
| Quotes |
Adolfo:
I'm willing to do anything for you. Anything! Lola: Why don't we go back to our town? Adolfo: No, that's out of the question. See more » |