In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. He then embarks on a downward spiral of revolution and bloody crime. This path brings him face-to-face with his alter-ego: the Joker.
After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos' actions and restore balance to the universe.
Robert Downey Jr.,
April 6th, 1917. As a regiment assembles to wage war deep in enemy territory, two soldiers are assigned to race against time and deliver a message that will stop 1,600 men from walking straight into a deadly trap.
Arthur Fleck works as a clown and is an aspiring stand-up comic. He has mental health issues, part of which involves uncontrollable laughter. Times are tough and, due to his issues and occupation, Arthur has an even worse time than most. Over time these issues bear down on him, shaping his actions, making him ultimately take on the persona he is more known as...Joker.Written by
In one scene a BMW 3-series (E30 model) is shown parked along the street. The E30 was first introduced in the U.S. in 1984, three years after the film's 1981 setting. See more »
The news never ends. This is 1080 GCR. You get all the news you need, all day long. Good morning. It's 42 degrees at 10:30 on this Thursday, October 15th. I'm Stan L. Brooks, and here's what's happening.
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The DC Comics logo appears at the end of this film, marking it as a standalone tale. See more »
A psychological study, rather than a superhero flick
I have seen Joker yesterday at Venice an early ill-fated screening. We had some trouble with audio that lead to a near-hour delay, but it definitely was worth it.
Joker deserved to be presented at Venice Film Festival, an event that regards cinema as a form of art, because this film is far from a blockbuster or a mere entertainer movie, as most films in the genre are.
It focuses on the psyche of the main character, as it slowly crumbles under the pressure of society. And thus, Joaquin Phoenix does a wonderful performance, earning almost surely a nomination at the oscars at least.
It's a take on the Joker that differs from Ledger's, but I'd say that both are equally as good. The main difference might be that Ledger's joker is a rational that acts insane, while Phoenix's is insane to the root.
Despite being a movie about a superhero villain, Joker is much superior to most of the movies of the genre (I'd exclude the Dark Knight Trilogy only, but Joker is easily as good as Nolan's movies, or at least very close). It is a small-scaled film, with a distinct style and cinematography (that cannot but be appreciated) and a set of very cinephile references that however do not feel too forced or overly opressive. (most notable are the similarities to Scorsese's 'Taxi Driver' and his 'The King of Comedy', but also Chaplin's 'Modern Times' is somewhat referenced).
I am eager to see more non-comedic efforts by Todd Phillips. This movie was so far probably the best of 2019 (at worst contested so far only by Dolor Y Gloria or Once Upon a Time in Hollywood), and that should be very convincing.
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