"The Handmaid's Tale" A Woman's Place (TV Episode 2017) Poster

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10/10
Intense political and psychological drama....
ehaas-31 July 2017
Warning: Spoilers
...along with good extended world-building. For the first time, we're taken beyond Offred's perspective. This was a risky decision, since the novel largely works because it IS completely limited to her point of view and the first five episodes of the show did such a good job creating this claustrophobic personal reality.

But TV is a much more literal medium and for better or worse, most consumers of today's speculative fiction want a lot of answers to questions beyond the main character's story.

The most obvious questions raised by the Handmaid's Tale are "what's going on in the rest of the world and how do other countries see and interact with Gilead?" In the novel, there were hints of Japanese and Saudi or other Gulf monarchy connections given the descriptions of the only foreigners seen by Offred.

The show has up to this point revealed a functioning Canada and remnant of the US hostile to Gilead and an EU which would prefer not to trade with them but might need to as the Euro is in trouble.

There is also a UN embargo, but Fred scoffs at its effectiveness--and he probably has a point as orders from the UN are often disregarded even now and international law probably even less powerful due to the chaotic state of this future.

In this episode, it's revealed that one of the few things Gilead is doing right is producing abundant organic crops. Mexico is interested, as it is going through crop failure and environmental crisis. Fred Waterford deals directly with the Mexican delegation, proving that he is quite powerful in the regime.

Mexico, with modern ideas and a female ambassador, seems to want Gilead to prove that it isn't as repressive as they have been lead to believe. However, they are also eager to be convinced, as they need the deal.

I found this dynamic fascinating as it is often What nations do in the real world. Dictatorships put on a good face, sweeping serious problems under the rug while exaggerating their virtues. Democracies play along if they have something to gain and don't feel threatened.

It was hard to watch Offred or June, actually, tell the Ambassador that being a Handmaid is a choice and honor; then later being in tears over helping promote this lie.

The big twist about what the trade negotiations are about besides food is chilling, but becomes a little hard to buy after thinking about it. Sending Handmaids to Mexico in any significant numbers would seem to be dangerous to Gilead as it would decrease their already small population of fertile women.

It might have made more sense to simply have the big moral issue be the international normalization of Gilead by giving it a serious ally. Or (and I'm not the first to suggest this) have the deal go the other way around. Mexico has been hit by the infertility plague, but not as bad and will send some of its own women to become Handmaids. But it does work on an emotional level, and it would be interesting in future seasons in a character we know is actually sent to Mexico.

The other big revelation come in the flashbacks, which this time aren't June's but Serena's. The paradox of the strong woman attracted to a political movement that devalues women as a group is something we see in real life.

In fact, Serena was originally inspired by real life anti-feminist women in the 80s and the show updates her with some characteristics of prominent far-right wing women today. Her soul Is crushed as the movement she supported and had influence over shoves her aside upon attaining power. She's a published author, but now not even allowed to read.

She does get a little bit of present day satisfaction by using her duties as hostess of the diplomatic talks to insinuate herself into the actual negotiations and perhaps save the day for Gilead. But is this something to be proud of?

Probably not, but Fred thinks so and is sexually attracted to her for the first time since she was forced to don the teal robe. In the days of planning the revolution, he was wild about her. She even had to reassure him that a few million lives were worth it, so she's definitely in a cage of her own making. However, she even admits that she didn't think it would by quite THIS restrictive.

Blindness as to where their ideas could lead is a problem many people have, which is why dystopian fiction is so important.
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10/10
Very intense episode
matiasbockerman26 December 2018
I don't speak english very well so I'm so sorry for that, please forgive me, cause I have to say something on this episode but i don't find right words. Okay, lets try. First of all this was best episode so far, the most stunning thing was terryfying, intense atmosphere. I can not move a bit cause of that intensivity. Moss did it again. She have bodylanguage and she also have incredible skill to express feelings with eyes and a look on shes face. And when she speaks and talk to herself those beautifully writted inner thoughs...All that is Amazing. Moss is one of the greatest female actor Hands down. And that Handmaid who lost eye....She is absolutely heartbreaking in shes out comes. Liked the flashbacks in early days; if I recall correct those thinks between serena and hes husbend wasn't in book, but it's great and doesn't ruin the original storyline. Cried in the end. The possibilities... Second time when i watched this and now it was even better.
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10/10
Episode 6 'A Woman's Place' Review: A Chilling, Fantastic Spotlight On Serena Joy
ashboomstick-505406 September 2018
There are multiple ways to make a TV show sensational. The director can choose to include dazzling action sequences, or he/she can mix genres, or they could craft a storyline pivotal to the show as a whole. However, one of the most essential aspects to making a good TV show is creating a strong, superior backstory for it's main characters, or supporting characters.

'A Woman's Place' the sixth episode of The Handmaid's Tale presents a remarkably melancholy backstory for Serena Joy and Commander Waterford, while at the same time continuing June's/Offred's storyline to great effect. Even though these two characters can be ruthless at times, you also can't help but feel bad for them after this momentous, phenomenal episode.

Sometimes the thing that can make a standalone episode mediocre is when the director chooses to focus on one or two characters too much. While 'A Woman's Place' definitely tends to focus more on the Waterford's, we also get some great moments between Nick and June/Offred following the immensely important finale of the last episode, 'Faithful'.

Overall, 'A Woman's Place' succeeds in every area, more so than 'Faithful'. It gives us incredible backstories, a much faster paced episode, and a fantastic monlogue delivered by Elisabeth Moss at the end of the episode. Continue the magnificent work everybody!

Episode 6: 'A Woman's Place' =98% -2 points taken off for being slow moving (much less though)
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9/10
The Show Takes a Risk, It Definitely Pays Off(Minor Spoilers)
Oktay_Tuna9 January 2021
Warning: Spoilers
The Handmaid's Tale has mostly been consistent with Margaret Atwood's book so far. There are of course a few little changes but overall it is almost an exact copy, which I loved so far. The way they put the book on the screen has been brilliant with great acting and production design. In this episode the show takes its first big risk: We get a deeper look at Serena Joy. Throughout the book, we never get to learn who Serena Joy. We know her from only Offred's perspective. This worked well in the book because it always followed Offred's perspective. I knew something like this was coming because we had already witnessed a different perspective, Ofglen's(or Ofsteven's now). That wasn't particularly a risk because in the book she was known to be a rebel, and here she is a rebel as well. Seeing Serena Joy as a relatable character is a whole different story though. We see what she was and what she is. Why is she the person she is now, and does she like it? All these questions are answered, but not directly which I appreciated. The look at feminism in Gilead, from the perspective of Serena Joy is a risky and bold choice, which paid off by the help of Yvonne's great performance. The thing with other countries' relations with Gilead didn't perfectly fit the story, it was missing something. Offred being this rebellious throughout the episodes so far contradicts the book but if they pull that storyline off in a satisfying way, then there is nothing to complain.
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9/10
Unrevealed Histories and Unsettling Exchanges
badeclerck14 October 2023
Warning: Spoilers
The sixth episode of The Handmaid's Tale takes us on a compelling journey into the past, shedding light on the complex relationship between Serena and Fred, as well as the foundations of Gilead itself. This episode offers a fascinating revelation: Serena was a renowned woman of letters, authoring works on women's roles in society and coining the concept of the "domestic woman" - a notion that propagates the idea of women serving their homes and families instead of participating in the workforce. As the emergence of Gilead looms on the horizon, we witness Serena's early efforts to champion her vision, only to be met with rejection and silence from the very society she wishes to shape. Fred, on the other hand, is portrayed as a vocal advocate for her cause, setting the stage for the formation of the Gilead we know.

In the present, a delegation from Mexico arrives in Gilead for trade negotiations, providing a window into the stark and nightmarish world of the Republic of Gilead. The Mexican ambassador's curiosity leads her to question Offred, who, in the presence of the Commanders, has no choice but to proclaim her happiness. During a banquet with the delegation, a revealing moment occurs as Gilead's young children captivate the Mexican visitors, a powerful symbol given Mexico's critical low birth rates. It is in this setting that Offred learns about Gilead's intention to trade Handmaids with Mexico, a deeply unsettling development.

The episode concludes with a private exchange between the Mexican ambassador and Offred. Offred admits to having lied, but the ambassador, with a sense of powerlessness, confesses her inability to help. However, her assistant later contacts Offred, revealing that her husband is alive and offering her a message.

As with previous episodes, the music, cinematography, and Offred's profound monologues continue to stand out, drawing viewers even deeper into the narrative. The actress's facial expressions bring her character to life, allowing us to empathize with her plight. This episode successfully delivers both a glimpse into the origins of Gilead and a disquieting portrayal of international dealings in a dystopian world, leaving audiences on the edge of their seats and eager for more.
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6/10
Kind of weak
samyueldanyo29 October 2021
Warning: Spoilers
There are good things about the show which have already been discussed. Nevertheless, for someone who has a small understanding of macroeconomics- this show does nit make sense. Also the way they have portrayed the most intensifying radicalism over such a short time-horizon AFTER they took power - does not make logical sense IMO.

Also the ambassador is portrayed so dumb.

Why would other countries trade for handmaidens? There is no reason for Gilead to have higher percentage of fertile women than any other country - hence if they wanted to close their eyes to the crimes against humanity - they could just make their own handmaidens from the fertile portion if their own populations.
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7/10
Broadening the horizons
Leofwine_draca26 November 2020
Warning: Spoilers
I think this show's been developing quite well over the first season, only let down by a slightly padded out storyline and lots and lots of unnecessary close-ups of Elizabeth Moss's face; if they cut these out the episodes would be half their length. There's more back story and character development here, which works well, alongside some much-needed political material which really serves to broaden the show's horizons. Good stuff.
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6/10
A Woman's Place
bobcobb30120 May 2017
Warning: Spoilers
Elisabeth Moss gave a great performance in this episode, but there wasn't much going on until the final 10 minutes. Those final 10 minutes did significantly shift the direction of the season, but you can't have an episode where the majority of it is boring.

This show overall is good, but they need to find a way to make the episodes entertaining from start to finish, not a few select moments.
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7/10
Why haven't the women in Mexico been able to have children for the last six years?
mskarmawillgetyou6 October 2018
Warning: Spoilers
Is the water in Mexico poisoned? Did something make the women barren or the mens' sperms useless? What is Nick's purpose? Are women really that desperate to have children that they'll go to any lengths to get them? So many unanswered questions and we're already episode six of 10 in the first season. Sigh. I'm glad to hear that Luke is alive. What about Moira and Emily?
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Mexican Visitors
vivianla30 September 2022
Warning: Spoilers
June states that they both had orgasms 2-3 times.

We see a flashback of Commander Fred and Serena. Serena was an author and wrote a book called A Woman's Place. They went to go watch a movie at the theatre together and Fred tells his wife the plans are underway. They basically were key to setting up this horrible world. We see a time when they were in love and had sex passionately.

June is instructed to give good answers to the Mexican visitors. Nick is wearing a headset and looks like a body guard. They share a moment by touching each other's hands. She mistakes a man as a woman's boss when it is the other way around. She is questioned if she is happy and June replies she has found happiness, yes.

Nick comes to her room where she is sitting by the window. Nick states that the Commander wants to see her. In the hallway Nick kisses her.

Inside the room the Commander can see that June has some resentment towards him after telling her his opinions. He tells her to leave and she requests to stay. He tells her to come here and he begins to use his hand to run across her pelvic area to her breasts to her face. He instructs her to kiss him like she means it.

At the party the next day the handmaids are lined up like cattle and told to be on their best behaviour. Serena requests that the damaged ones be removed. Aunt Lydia agrees with Janine it isn't fair.

June goes to Nick's place to speak her thoughts. She gets raped monthly and she angrily replies to Nick he doesn't have to have a cock up his butt monthly.

The Mexican woman comes by the house to give June a gift of chocolates. June confesses it is torture. The woman replies she cannot help. June asks what they are trading them for. Chocolate? The woman says she is from Xipica, a city about the size of Boston. There hasn't been a child born in six years. Her country is dying.

When the man that is under the Mexican woman sees the coast is clear, he tells June he can help her. He mentions her husband's full name, date of birth and place of birth. He is alive he informs and gives June a pad and pen to write a message. The man is so kind.
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