
1898: Our Last Men in the Philippines (2016)
1898. Los últimos de Filipinas (original title)Reference View | Change View
- R
- 1h 45min
- Drama, History
- 03 Mar 2017 (USA)
- Movie
- 1 win & 16 nominations.
- See more »
Photos and Videos
Cast
Luis Tosar | ... |
Teniente Martín Cerezo
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Javier Gutiérrez | ... |
Sargento Jimeno
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Álvaro Cervantes | ... |
Soldado Carlos
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Karra Elejalde | ... |
Fray Carmelo
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Carlos Hipólito | ... |
Doctor Vigil
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Ricardo Gómez | ... |
Soldado José
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Patrick Criado | ... |
Soldado Juan
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Eduard Fernández | ... |
Capitán Enrique de las Morenas
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Miguel Herrán | ... |
Soldado Carvajal
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Emilio Palacios | ... |
Moisés
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Alexandra Masangkay | ... |
Teresa
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Pedro Casablanc | ... |
Teniente Coronel Cristóbal Aguilar
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Raymond Bagatsing | ... |
Comandante Luna
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Ciro Miró | ... |
Jinete
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Frank Spano | ... |
Emisario Tagalo
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Wenjun | ... |
Tagalo 1
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Marcos Zan | ... |
Tagalo 2
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Andoni Hernández | ... |
Teniente Mota
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Maykol Hernández | ... |
Cocinero
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Rest of cast listed alphabetically: | |||
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Dana Abed | ... |
Nesma
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Luis Fernández de Eribe |
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Wenjun Gao | ... |
Tagalo 1
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Dani Del Rosario | ... |
Spanish Soldier (uncredited)
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Directed by
Salvador Calvo |
Written by
Alejandro Hernández | ... | () |
Produced by
Enrique Cerezo | ... | executive producer / producer |
Pedro Costa | ... | executive producer |
Miguel Angel Gómez | ... | post producion producer |
Tony Soto | ... | assistant producer |
Music by
Roque Baños |
Cinematography by
Alex Catalán |
Editing by
Jaime Colis |
Editorial Department
Elena Araco | ... | dcp mastering |
Omar Bermúdez | ... | trailer editor: international sales |
Eva Martos Hinojosa | ... | first assistant editor |
Ximo Michavila | ... | colorist |
Ester Pericas | ... | digital cinema mastering |
Pablo Polo | ... | mastering |
Ricardo Real | ... | colorist dailies |
Casting By
Elena Arnao |
Production Design by
Carlos Bodelón |
Art Direction by
Carlos Bodelón |
Costume Design by
Paola Torres |
Makeup Department
Milu Cabrer | ... | makeup and hair (as Mary Luz Cabrer) |
Sonia de la Fuente | ... | assistant makeup artist |
Erika García | ... | assistant makeup artist |
Alicia López | ... | makeup and hair |
Haridian Nóbrega | ... | additional makeup artist |
Pedro Rodríguez | ... | special makeup effects artist |
Mariló Serrano | ... | assistant makeup artist |
Sara Sánchez | ... | additional makeup artist |
Daniel Vidal | ... | special makeup effects artist |
Production Management
Carlos Bernases | ... | production manager |
Pedro José de la Fuente García | ... | production supervisor |
Verónica Franco | ... | production manager: Tenerife |
Second Unit Director or Assistant Director
José Baños | ... | third assistant director |
Paula Bilbao Aragon | ... | third assistant director |
Borja Grandío | ... | first assistant director |
Jorge Vega | ... | second assistant director |
Art Department
Asís G. Ayerbe | ... | assistant art director |
Carlota Casado | ... | assistant art director |
Jesús Chaparro | ... | pintor |
Alejandro Fernández | ... | assistant art director |
Alberto Lobo | ... | property master |
José Luis Moya | ... | construction manager |
Antonio Sánchez Cáceres | ... | carpenter (as Antonio Sanchez Caceres) |
Martín Sánchez Fernández | ... | head painter |
David Temprano | ... | assistant art director |
Sound Department
Vladislav Boyadjiev | ... | protools |
José E. Caldararo | ... | foley supervisor (as José Caldararo) |
David de la Cruz | ... | sound assistant |
Nicolas de Poulpiquet | ... | re-recording mixer |
Eduardo Esquide | ... | sound |
Juan Ferro | ... | supervising sound editor |
Alejandro López | ... | sound effects editor |
Steve Miller | ... | foley premix |
Andrea Paralta | ... | dialogue editor |
Sebastián Sonzogni | ... | foley artist |
Ricardo Viñas | ... | dolby sound consultant |
Special Effects by
Mariano Alvarado | ... | special effects technician |
Rayco Benítez | ... | special effects assistant |
Pau Costa | ... | special effects supervisor |
Teresa Costa | ... | special effects coordinator |
Javier Jal | ... | special effects technician |
Carmen Martín | ... | special effects technician |
Ignacio Miguel Montila | ... | animatronics (as Ignacio Miguel) |
Pedro Rodríguez | ... | special effects makeup |
Daniel Vidal | ... | special effects makeup |
Visual Effects by
Fernando Adem | ... | digital compositor (as Fernando Álvarez) |
Juan Daniel Amorós | ... | rotoscope artist |
Francisco Arias | ... | digital compositor |
Laura Barge | ... | visual effects producer |
Pedro Cabrera Campoy | ... | visual effects artist |
Meritxell Cardona | ... | digital compositor |
Jaime Cebrián | ... | visual effects supervisor |
Carlos Claramunt | ... | digital compositor |
Jordi Costa Xicota | ... | visual effects supervisor (as Jordi Costa) |
Ramón Daza | ... | digital compositor |
Héctor Esteban | ... | visual effects artist |
Francisco Javier García | ... | digital compositor |
Fernando González | ... | visual effects artist |
Luisa Gómez-Morán | ... | digital compositor |
Ángela Juárez | ... | visual effects artist |
Fumiaki Kobayashi Márquez | ... | visual effects artist |
Ignacio Lacosta | ... | visual effects supervisor |
Carlos Lozano | ... | visual effects artist / visual effects supervisor: Artvector |
Pablo Morán | ... | digital compositor |
Curro Muñoz | ... | visual effects supervisor: deluxe |
Javier Ortega | ... | Digital compositor: Entropy Studio |
Víctor Palacios López | ... | digital compositor |
Cristina Pobo | ... | visual effects artist |
Antonio Ramos | ... | compositing supervisor |
Blanca Rodríguez Gómez | ... | visual effects artist (as Blanca Rodríguez) |
Carlos Rubio | ... | visual effects artist |
José Ángel Soto | ... | digital compositor |
Carlos Zaera | ... | digital compositor |
Stunts
Ignacio Carreño | ... | stunt coordinator |
Diego Herberg | ... | stunts |
Daniel Medina Ramos | ... | stunt performer (as Dany Ramos) |
Iván Pérez Rodríguez | ... | stunt double: Teniente Martín Cerezo / stunt performer |
José Juan Ramos Ramos | ... | stunt performer (as Jota Jota Ramos) |
Iván Rodríguez Batista | ... | stunt performer |
Efraín Esteban Suárez | ... | stunt performer |
Camera and Electrical Department
Javier Alomar | ... | Camera Operator: Camera "B" |
Kiko Boyero | ... | electrician (as Francisco Boyero) |
Jara Bustos | ... | second assistant camera |
Miguel Ángel Cárdenas | ... | gaffer |
Jau Fornés | ... | still photographer |
Aitor Higuera | ... | second assistant camera |
Pablo Montesinos | ... | digital imaging technician |
Carlos Nieto | ... | key grip |
Saúl Oliveira | ... | first assistant camera |
Ramiro Sabell hijo | ... | first assistant camera |
Juanjo Sánchez | ... | camera operator: "a" camera / steadicam operator |
Casting Department
Ángela Cazorla | ... | crowd casting director assistant |
Paula Cámara | ... | casting assistant |
Nerea Herrero | ... | crowd casting director assistant |
Pilar Moya | ... | crowd casting director |
Costume and Wardrobe Department
Carlos Díez | ... | assistant costume designer |
Vivi Fernández | ... | costumer |
Natalia López Quesada | ... | costume assistant |
Raúl Vargas | ... | breakdown artist |
Music Department
Vladimir Angelove | ... | orchestra manager |
Ginés Carrión | ... | orchestrator |
Tessy Díez | ... | music copyist / music preparation / music producer |
Manuel Gunther Salinger Ehrenfried | ... | music arrangement |
Vanessa Garde | ... | programming |
Sava Lavsov | ... | music recording engineer (as Sava Lafsov) |
Anele Onyekwere | ... | score mixer |
Carmen París | ... | vocalist |
Iordan Stoichkov | ... | translator (as Iordan R. Stoitchkov) |
Irina Stoyanova | ... | concertino |
Bulgarian Symphony Orchestra-Sif 309 | ... | orchestra |
Script and Continuity Department
Virginia Lacorzana | ... | script supervisor |
Additional Crew
Idoia Aragón | ... | production assistant (uncredited) |
Annie Ardura | ... | animals |
Carles Berot | ... | marketing and creative services |
Jorge Caballero | ... | production staff |
Enrique Cerezo | ... | presenter |
Miguel Leiva Ramírez | ... | historical advisor |
Miguel Ángel López de la Asunción | ... | historical advisor |
María José Martínez Ruiz | ... | historical consultant |
Sacha Perales | ... | teaser: tráiler: tv campaign: web promos: writer/producer/editor |
Ruben Jimenez | ... | animal assistant (uncredited) |
Thanks
Pedro Casablanc | ... | the director wishes to thank |
Enrique Cerezo | ... | the director wishes to thank |
Pedro Costa | ... | dedicatee / the director wishes to thank |
Carlos del Amor | ... | the director wishes to thank |
Pedro Garay | ... | the director wishes to thank |
Antonio Hernández Centeno | ... | the director wishes to thank |
Alejandro Hernández | ... | the director wishes to thank |
Norberto López Amado | ... | the director wishes to thank |
Belén Macías | ... | the director wishes to thank |
Alberto Ruiz Rojo | ... | the director wishes to thank |
Julián Valcárcel | ... | thanks (as Julián Valcárcel-Carbonell) |
Guillem Vidal-Folch | ... | the director wishes to thank |
Production Companies
- 13 TV
- CIPI Cinematografica S.A.
- Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)
- Televisión Española (TVE)
Distributors
- Netflix (2018) (Australia) (video) (VOD)
- Sony Pictures Releasing (2017) (United States)
Special Effects
- Artvector (visual effects)
- Deluxe Spain (visual effects)
Other Companies
- Best Digital (sound post-production)
- Deluxe Spain (post-production)
- Gomeralia (catering)
- Why On Set (DIT Equipment Provided By)
Storyline
Plot Summary |
In 1898, Spain sends a military squad to the town of Baler, the Philippines, to protect one of the last colonies of the Spanish Empire, to prevent rebellious natives from recovering their ancient territories. Lead by Captain Enrique de las Morenas and Lieutenant Cerezo, proud military men, the soldiers are stalked at night by the rebels, and are forced to seek refuge in the church run by Fray Carmelo, Baler's priest. Turning the church into a military fort, the unrelenting heat and malaria starts to sweep across the men. After the Captain's death by a disease called beriberi, Cerezo steps in as the new leader of the squad, faced with a constant power struggle with Jimeno, a soldier from the previous squad annihilated by the rebels. Becoming more and more paranoid and obsessive with the victory and the glory of the Spanish Empire, the rebels close to Cerezo explain that Spain has already sold the Philippine Islands to the United States, ceding all the colonies of the Spanish Empire, and that the war is over. But Cerezo does not believe in the newspapers given by the rebels and is still obsessed to win at all cost. He makes a last stand in the church with his men, prolonging the battle for several months where one of the soldiers, Carlos, falling victim to opium use, searches a way to end the conflict, suspecting that all is lost, and wanting to prevent the death of his comrades. Written by Chockys |
Plot Keywords | |
Taglines | Hay hombres que quieren medallas y hombres que quieren volver [There are men they want medals and men they want come back] See more » |
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Parents Guide | View content advisory » |
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Additional Details
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Box Office
Budget | EUR6,000,000 (estimated) |
Cumulative Worldwide Gross | $1,995,045 |
Did You Know?
Trivia | The island of Gran Canaria, Spain, where most locations were filmed, is often referred to as a 'miniature continent' because of the diverse nature of its landscapes and habitats. In fact, the entire western half of the island is a UNESCO Biosphere Reserve. See more » |
Goofs | Baler is shown as a small village with a few huts and homes. But in reality almost 3,000 people lived there before the incident. It would otherwise make no sense to have a military garrison in such an insignificant location. See more » |
Soundtracks | Yo Te Diré See more » |
Quotes |
Fray Carmelo:
Where god is in charge, no captain is. See more » |