A folk tale set in the hills of Wales during the industrial revolution.
Director:
Writer:
Awards:
- 3 wins & 16 nominations.
- See more »
Photos and Videos
Cast
| Eleanor Worthington-Cox | ... |
Gwen
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Jodie Innes | ... |
Mari
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| Kobna Holdbrook-Smith | ... |
Dr Wren
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| Mark Lewis Jones | ... |
Mr Wynne
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| Maxine Peake | ... |
Elen
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| Richard Elfyn | ... |
Minister Bowen
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| Richard Harrington | ... |
Edward Morris
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| Gwion Glyn | ... |
Harri Morris
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Dyfrig Evans | ... |
Father
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| Rest of cast listed alphabetically: | |||
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Naser Azad | ... |
Moises
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Directed by
| William McGregor | ||
Written by
| William McGregor | ... | () |
Produced by
| Hilary Bevan Jones | ... | producer |
| Angharad Elen | ... | associate producer |
| Lizzie Francke | ... | executive producer |
| Paul Grindey | ... | executive producer |
| Fergus Haycock | ... | executive producer |
| Laura Macara | ... | Production Executive: Great Point Media |
| Charles Moore | ... | executive producer |
| Tom Nash | ... | producer |
| Adam Partridge | ... | executive producer |
| Joanna Thapa | ... | line producer |
Music by
| James Edward Barker | ||
Cinematography by
| Adam Etherington | ||
Editing by
| Mark Towns | ||
Editorial Department
| Gareth Bishop | ... | on-line editor |
| Annalisa Boyd | ... | first assistant editor |
| Lauren De Rigny | ... | on-line editor |
| Adam Inglis | ... | colorist |
Casting By
| Andy Pryor | ||
Production Design by
| Laura Ellis Cricks | ||
Art Direction by
| Tom Coates | ||
Set Decoration by
| Candice Marchlewski | ||
| Ellie Pash | ||
Costume Design by
| Dinah Collin | ||
Makeup Department
| Mary Cooke | ... | hair stylist: dailies / makeup artist: dailies |
| Maxine Crew | ... | make up/hair trainee |
| Jennifer Drew | ... | hair stylist: dailies / makeup artist: dailies |
| Annie McConnell | ... | hair and makeup daily |
| Niamh Morrison | ... | hair designer / makeup designer |
| Elen Thomas | ... | regular crowd daily |
| Karleigh Williams | ... | assistant makeup artist |
| Rowena Dean | ... | daily makeup (uncredited) |
Production Management
| Charlotte Dean | ... | post-production supervisor |
| Jessica Hodges | ... | production manager |
| Emma Kayee | ... | production manager: BFI |
| Richard Ruck | ... | unit manager |
Second Unit Director or Assistant Director
| George Every | ... | first assistant director |
| James R. Kipping | ... | third assistant director |
| Elliott Tugwell | ... | crowd third assistant director |
Art Department
| Sarah Bradley | ... | graphic designer |
| Monica Casey | ... | art department assistant |
| Frantisek Copf | ... | standby props |
| Neil Hornshaw | ... | set dresser |
| Mair Jones | ... | standby art director |
| Frankie Leeming | ... | set dresser |
| Adam McCreight | ... | property master |
| Laura McDonald | ... | standby props |
| Roxanne Rousseaux | ... | petty cash buyer (as Roxanne Farnham) |
| Alexandra Slade | ... | production buyer |
Sound Department
| Anna Bertmark | ... | sound designer / supervising sound editor |
| Henry Dyer | ... | boom operator |
| Luisa Hadley | ... | foley editor: foley artist (as Luisa Bifulco) |
| Dan Johnston | ... | foley artist |
| Duncan McAllister | ... | foley recordist |
| Tom Rowbotham | ... | ADR mixer |
| Carl Rowse | ... | sound assistant and boom operator |
| Jonathan Seale | ... | sound mixer |
| Blair Slater | ... | foley supervision |
| Jules Woods | ... | re-recording mixer |
| Michele Woods | ... | adr editor / dialogue editor |
Special Effects by
| Emily Fisher | ... | special effects technician |
| Mathew Horton | ... | senior special effect technician |
| Alister Reynolds | ... | special effects technician |
| Chris Reynolds | ... | special effects supervisor |
| John Schoonraad | ... | special effects: prop guts |
Visual Effects by
| Ivelina Dobreva | ... | compositing supervisor: Axis Studios |
| Howard Jones | ... | visual effects supervisor |
| Jessica Phillips | ... | visual effects coordinator |
| Paul Schleicher | ... | visual effects producer |
| Siubhan Smith | ... | visual effects producer |
Camera and Electrical Department
| Doug Walshe Aco | ... | steadicam operator (as Doug Walshe) |
| Sam Alberg | ... | gaffer |
| Gareth Brough | ... | electrician |
| Lauren Byrne | ... | camera trainee: main unit |
| Karl Clarke | ... | director of photography: 2nd Unit |
| Alec Garner | ... | digital imaging technician |
| Cameron Howatson | ... | first assistant camera |
| Chris Hughes | ... | key grip |
| Sebastian Lamb | ... | electrician |
| Daniel Mccormick | ... | electrician |
| Oliver Poole | ... | best boy |
| Marina Selega | ... | second assistant camera: B Unit |
| Alice Stevens | ... | electrician (as Alice Wooldridge Stevens) |
| Mick Teer | ... | electrician |
| Josefine Thieme | ... | second assistant camera |
| Abi Timmins | ... | camera trainee: dailies |
| Louis Vella | ... | camera trainee: B Cam |
| Des Willie | ... | still photographer |
Casting Department
| Ri McDaid-Wren | ... | casting associate |
| Helen Pritchard | ... | extras casting |
Costume and Wardrobe Department
| Pearl Haslam | ... | Textile artist: United Kingdom |
| Rosie Lorenz | ... | costume standby |
| Poppy Moorcroft | ... | costume trainee |
| Dulcie Scott | ... | costume supervisor |
Location Management
| Ben Davenport | ... | location assistant |
| Lowri Thomas | ... | location manager |
| Henry Woolley | ... | location scout |
Script and Continuity Department
| Eleri Wyn Jones | ... | script supervisor |
Transportation Department
| Wayne Green | ... | facilities account manager |
Additional Crew
| Mary Brehony | ... | legal services: Ffilm Cymru Wales |
| Pauline Burt | ... | financier |
| Natalie Grady | ... | dialect coach |
| Paul Hillier | ... | insurance |
| Lauren Mills | ... | floor runner |
| Cindy Morris | ... | animal master |
| Charlie Niel | ... | production assistant |
| Emma Parsons | ... | production secretary |
| Phil Pease | ... | healthy & safety: recce |
| Laura Pettitt | ... | unit publicist |
| Helen Pritchard | ... | fixer |
| Kevin Smith | ... | animal wrangler |
| Dean Wares | ... | main and end titles designer |
| Samantha White | ... | production coordinator |
| Kok-yee Yau | ... | production executive: Great Point Media |
Production Companies
Distributors
- Bulldog Film Distribution (2019) (United Kingdom) (theatrical)
- RLJ Entertainment (2019) (United States) (theatrical)
- Front Row Filmed Entertainment (2019) (United Arab Emirates) (Middle East, North Africa & Iran)
- Shudder (2019) (United States) (video) (VOD)
- Spirit Entertainment (2019) (United Kingdom) (DVD)
Special Effects
Other Companies
- Ffilm Cymru Wales (funding)
- Freeway CAM B.V. (collection account management)
- Katrina Wan PR (film publicist)
- The Morrison Studio (titles)
- Varèse Sarabande (soundtrack)
Storyline
| Plot Summary |
In the stark beauty of 19th Century Snowdonia a young girl tries desperately to hold her home together. Struggling with her mother's mysterious illness, her father's absence and a ruthless mining company encroaching on their land. A growing darkness begins to take grip of her home, and the suspicious local community turns on Gwen and her family. |
| Plot Keywords | |
| Taglines | The Dark Outside is Calling for Her See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
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Box Office
| Budget | GBP2,000,000 (estimated) |
Did You Know?
| Trivia | The screenplay for Gwen was requested by the Academy of Motion Picture Arts & Sciences for archival in The Academy's research collection devoted to the history and development of the motion picture as an art form and an industry. See more » |