Mousse and Louis are young, beautiful, rich and in love. But drugs have invaded their lives. One day, they overdose and Louis dies. Mousse survives, but soon learns she's pregnant. Feeling ... See full summary »
After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.
In 1919 Quedlinburg, Germany, a young woman named Anna is still mourning the death of her fiance, Frantz Hoffmeister, in the Great War while living with his equally devastated parents. One day, a mysterious Frenchman, Adrien Rivoire, comes to town both to pay his respects to Frantz's grave and to contact that soldier's parents. Although it is difficult for both sides with the bitterness of Germany's defeat, Adrian explains that he knew Frantz and gradually he wins Anna and the Hoffmeisters' hearts as he tries to connect with them. Unfortunately, Adrien and Anna discover the truth of his motives and things seem shattered for all. However, when Adrien leaves, Anna has her own struggles with the truth and her feelings until she sets out to find Adrien in France. With that, Anna has her own journey to make in more than one sense, even as they both realize that neither have easy answers to their complex personal conflicts with each other and the dead man linking them.Written by
Kenneth Chisholm (firstname.lastname@example.org)
In German, the titular name is usually spelled "Franz". The film's title, "Frantz", is a frequent misspelling by French speakers, so the title serves as a nod to the fact that the titular character is supposed to be a francophile and therefore he might have preferred that spelling, not to mention it sounds similar to "France". See more »
I go to the cinema to see often - two or three times each month - 'the better movies and no so commercial movies' and in 2016 Frantz was the best movie I have seen so far this year, by far! The brilliant narrative structure of this movie in black and white and the use of colour just at the right moments is something you should see for yourself. I like also the fact that the German people really talk German and that the French people really speak French. And with the black and with images you can feel yourself dropped back in 1919. François Ozon is such a diversified director. I have seen already his movies Sous le sable, Swimming Pool, 8 femmes, 5x2, Le temps qui reste and Jeune & Jolie. These are all very different movies. And as in all movies from Ozon he always tries to surprise us - viewers - with a twist in the plot. So the story line is never predictable, and in Frantz you never know what will happen next. All the actors we're splendid, and you really could feel yourself back in 1919. And the melodrama is the genre of movie I like so much.
This is my TOP 20 of (new) movies that I saw at the cinema in 2016: 1. Frantz; 2. Magallanes; 3. La Pazza Gioia; 4. An; 5. Juliana; 6. Tanna; 7. Hell Or High Water; 8. Les Innocentes; 9. L'Économie Du Couple; 10. El Olivo; 11. 45 Years; 12. Truman; 13. Carol; 14. Spotlight; 15. The Idol; 16. Slow West; 17. Eye In The Sky; 18. The Handmaiden; 19. The Hateful Eight; 20. The Revenant.
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