The team does not agree with the shape the film directed by Vicente is taking. Isabel tells everyone Vicente is planning an assassination. Dora tells Aurélio that his son, Santos, is dead and asks him to help The Magníficos.
By suggestion of a therapist, the Magníficos decide to recreate Vincente's past by means of a movie. Between his fantasies, inventions and hallucinations mixing past and present, the filmmaker sees his life in the film.
Vicente is perplexed to discover he has been a supporter of the dictatorship for some time. Manolo forces Vicente to maintain the totalitarian tone of the film, but they find a way of avoiding disaster in the editing.
Year 1975. The government is divided between the group of Geisel, who admits a slow and gradual opening, and the far-right headed by the Minister of Defense, Sílvio Frota, who is not willing to return the country to the civilians.
Year 1975. The government is divided between the group of Geisel, who admits a slow and gradual opening, and the far-right headed by the Minister of Defense, Sílvio Frota, who is not willing to return the country to the civilians.