
The Automat (2021)
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- TV-PG
- 1h 19min
- Documentary, History
- 22 Sep 2022 (Canada)
- Movie
- 10 wins & 9 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Mel Brooks | ... |
Self - Comedian
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John W. Romas | ... |
Self - VP of Engineering, H&H
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Carl Reiner | ... |
Self - Comedian
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Krystyna Romas | ... |
Self
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Alec Shuldiner | ... |
Self - Automat Historian
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Wilson Goode | ... |
Self - Philadelphia Mayor
(as W. Wilson Goode Sr.)
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Elliott Gould | ... |
Self - Actor
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Howard Schultz | ... |
Self - Executive Chairman, Starbucks
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Norris Horn | ... |
Self - Great Nephew of H&H Founder
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Steve Stollman | ... |
Self - Architectural Dealer
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Roy Rosenbaum | ... |
Self - Architect H&H
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Marianne Hardart | ... |
Self - Co-Author, 'The Automat'
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Lorraine Diehl | ... |
Self - Co-Author, 'The Automat'
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Lisa Keller | ... |
Self - New York City Historian
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Edwin K. Daly Jr. | ... |
Self - Son of President of H&H
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Bill Romas | ... |
Self - John's Son
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Ruth Bader Ginsburg | ... |
Self - U.S. Supreme Court Justice
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Colin Powell | ... |
Self - U.S. Secretary of State
(as Gen. Colin L. Powell USA Ret)
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Paul Hardart | ... |
Self - Great Grandson of H&H Founder
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Apache Ramos | ... |
Self - Busboy / Kitchen, H&H
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Ron Barrett | ... |
Self - Art Director, H&H
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Rest of cast listed alphabetically: | |||
Jack Benny | ... |
Self (archiveFootage)
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John Fritsche | ... |
Self - Chief Engineer, H&H (archiveFootage)
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Joseph Horn | ... |
Self - Co-Founder of H&H (archiveFootage)
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George Coe | ... |
Actor in H&H Commercial (uncredited) (archiveFootage)
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Lisa Hurwitz | ... |
Self (uncredited)
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Directed by
Lisa Hurwitz |
Written by
Michael Levine | ... | (written by) |
Produced by
Becki Chandler | ... | associate producer |
David J. Cornfield | ... | associate producer |
Russell Greene | ... | co-producer |
Lisa Hurwitz | ... | producer |
Peter Miller | ... | consulting producer |
Gary Rubin | ... | consulting producer |
David Russell | ... | associate producer |
Alec Shuldiner | ... | co-producer |
Music by
Hummie Mann | ... | (original score) |
Cinematography by
Adam Baron-Bloch | ... | (as Adam Gundersheimer) |
Sandra Chandler | ... | director of photography |
Stephen Cocklin | ... | director of photography |
Jonathan Deaver | ... | director of photography |
Riley Gibson | ... | director of photography |
Garrett Lennington | ... | director of photography |
Philip Lucas | ... | director of photography |
Paul Mailman | ... | director of photography |
Andre Mascarenhas | ... | director of photography |
Edwin Pendleton Stevens | ||
Daniel Vital | ... | director of photography |
Editing by
Russell Greene | ||
Michael Levine |
Editorial Department
Jason Crump | ... | colorist / on-line editor |
Austin Freese | ... | second assistant editor |
Michael Harris | ... | music video and end credits editor |
Michael Levine | ... | supervising editor |
Andre Mascarenhas | ... | assistant editor |
Jack Rizzo | ... | film scanner |
Makeup Department
Lisa Hurwitz | ... | make-up |
Danielle Noe | ... | make-up |
Art Department
Richard Bornstein | ... | poster art (as Rich Bornstein) |
Benjamin Donan | ... | graphic designer (as Benjamin Donnan) |
Melissa Irwin | ... | poster art |
Laurel Smith | ... | graphic designer |
Sound Department
Anne Cocklin | ... | sound recordist |
Giovanni Di Simone | ... | sound recordist |
Steve Heinke | ... | sound design & mix |
Josh Lalley | ... | sound recordist |
Enrique Larreal | ... | sound recordist |
Philip Lucas | ... | sound recordist |
Paul Mailman | ... | sound recordist |
Andre Mascarenhas | ... | sound recordist |
Camera and Electrical Department
Adam Baron-Bloch | ... | additional cinematography (as Adam Gundersheimer) |
Emma Beck | ... | still photographer |
Leon Benzakein | ... | additional cinematorgraphy / grip |
Karlee Cassel | ... | grip |
Edwin Pendleton Stevens | ... | additional cinematography |
Animation Department
Robin Cuevas | ... | animated sequences and production logo: Fiction Media Group |
Milan Erceg | ... | motion graphics |
Paul L'Heureux | ... | animated sequences and production logo: Fiction Media Group |
Music Department
Betty Agent | ... | musician: viola |
Dane Anderson | ... | musician: woodwinds |
Sammy Applegate | ... | music preparation/librarian |
Blayne Barnes | ... | musician: violin |
Dwight Beckmeyer | ... | musician: piano |
Bobby Brader | ... | additional orchestration |
Rodger Burnett | ... | musician: horn / orchestra contractor |
John Carrington | ... | musician: harp |
Andrew Ching | ... | assistant engineer / pro tools engineer |
Emilie Choi | ... | musician: violin |
Anthony DiLorenzo | ... | musician: trumpet |
Tom Dziekonski | ... | musician: violin |
Virginia Dziekonski | ... | musician: cello |
Jarryd Elias | ... | lead orchestrator |
Greg Fulton | ... | musician: guitar |
William Goodwin | ... | musician: viola |
Todd Gowers | ... | musician: bass |
Adrianna Hulscher | ... | musician: violin |
Yesol Im | ... | musician: violin |
Charles Jacot | ... | musician: cello |
Dewey Marler | ... | musician: woodwinds |
Richard Neff | ... | musician: viola |
Heewon Park | ... | musician: violin |
Richard Reed | ... | musician: horn |
Tony Reid | ... | music consultant |
Reed Ruddy | ... | engineer / mixer |
Samuel Schlosser | ... | musician: trombone |
Lori Shepherd | ... | musician: woodwinds |
Derek Smith | ... | musician: woodwinds |
Caleb Stein | ... | pyramix engineer |
Rob Tucker | ... | musician: drums |
Brooke Vlahos | ... | second engineer |
Dave West | ... | pro tools engineer |
Keith Winkle | ... | musician: trombone |
Jacob Winkler | ... | score conductor |
John Winters | ... | stage manager |
Kim Zabelle | ... | musician: violin |
Additional Crew
Mark Bergeson | ... | accountant |
Misty Berlin | ... | transcription |
Julia Bouvier | ... | transcription |
Sasha Erickson | ... | transcription |
Mitch Gak | ... | archival restoration and conversion |
Ranko Gak | ... | archival restoration and conversion |
Marlee Glatz | ... | transcription |
Lisa Hartjens | ... | additional research |
Jeff Hill | ... | publicist |
Lisa Hurwitz | ... | archival research and clearances |
Holland Johnson | ... | transcription |
Judith Karfiol | ... | production counsel |
Robert Kolodny | ... | additional motion graphics |
Philip Lucas | ... | transcription |
Josh Mallinger | ... | vhs transfers |
Lily Marra | ... | transcription |
Joanne Ort | ... | accountant |
Eleanor Pollo | ... | transcription |
Justin Potter | ... | digital deliverables |
Whitney Ray | ... | transcription |
Tony Reid | ... | production counsel |
Rosemary Rotondi | ... | additional archival research |
Elias Savada | ... | copyright research |
Steven Schechter | ... | legal services |
Alec Shuldiner | ... | historical advisor / researcher |
Ian Smith | ... | vhs transfers |
Chloe Stamper | ... | transcription |
Adrienne von Wolffersdorff | ... | transcription |
John Winters | ... | stage manager |
Thanks
John Albok | ... | archival sources |
Ron Barrett | ... | archival sources |
Judith Baumann | ... | thank you to: member of The Evergreen Community College Media Faculty |
Dan Bennett | ... | thank you to: of Thurston Community Media |
Todd Berkun | ... | thank you |
David M. Bernstein | ... | archival sources |
Mimi Bowling | ... | thank you to: of the New York Public Library |
Jordan Brewster | ... | thank you |
Mel Brooks | ... | archival sources |
Andrew Byrnes | ... | archival sources |
Andrea K M Capere | ... | thank you to: of Thurston Community Media |
Lori Ceyhun | ... | thank you to: of the Stroum Jewish Community Center of Greater Seattle |
Charlie | ... | in memory of |
Julie Cohen | ... | thank you |
Rose Comitta | ... | archival sources |
Steve Cooperman | ... | thank you |
Lily Coyle | ... | thank you to: of the Telluride Film Festival |
Steve Davis | ... | thank you to: member of The Evergreen Community College Media Faculty |
Joaquin de la Puente | ... | thank you to: of The Olympia Film Society |
Frederick Dobler | ... | thank you to: of Thurston Community Media |
Ben Dobyns | ... | thank you |
Warren Etheridge | ... | thank you to: of the Stroum Jewish Community Center of Greater Seattle |
Rebecca Federman | ... | thank you to: of the New York Public Library |
Andrea Felder | ... | thank you to: of the New York Public Library |
David Freeland | ... | thank you |
Marilyn Freeman | ... | thank you to: member of The Evergreen Community College Media Faculty |
Talia Friedman | ... | thank you |
Ira Gallen | ... | archival sources |
Thom Gambino | ... | thank you |
Tom Gambino | ... | archival sources |
Amy Geduldig | ... | thank you to: of the New York Public Library |
Helen Giamanco | ... | archival sources |
Edmund V. Gillon | ... | archival sources |
Max Ginsburg | ... | archival sources |
Ruth Bader Ginsburg | ... | the producers would like to remember and thank the teams of (as Justice Ginsburg) |
Paul Goldberg | ... | thank you |
Carl Gottlieb | ... | special thanks |
Amy Greene | ... | thank you to: member of The Evergreen Community College Media Faculty |
Heather Greene | ... | special thanks |
Russell Greene | ... | thank you |
Job Hall | ... | thank you |
John Hansbury | ... | archival sources |
Madeline Hardart Seville | ... | archival sources |
Marianne Hardart | ... | archival sources |
Nancy Hardart | ... | archival sources |
Paul Hardart | ... | archival sources |
Michael Harris | ... | thank you |
Dave Harvey | ... | thank you to: of The Olympia Film Society |
Ruth Hayes | ... | thank you to: member of The Evergreen Community College Media Faculty |
Audrey Henley | ... | thank you to: of The Olympia Film Society |
Yechiel Hoffman | ... | thank you |
Diana Holtzberg | ... | thank you |
Brian Hsu | ... | archival sources |
Julie Huntsinger | ... | thank you to: of the Telluride Film Festival |
Mitchell Kaften | ... | archival sources |
Jeffrey Kahn | ... | archival sources |
Robert Kam | ... | thank you to: of Thurston Community Media |
Nancy Kent | ... | thank you |
Jennifer Kilchenmann | ... | thank you |
Shirley King | ... | thank you |
William Klein | ... | archival sources |
Thomas Lannon | ... | thank you to: of the New York Public Library |
Pamela Lavitt | ... | thank you to: of the Stroum Jewish Community Center of Greater Seattle |
Kathy Levin | ... | thank you |
Jennifer Lorenzo | ... | archival sources |
Alan Lucas | ... | thank you (as Alan & Jane Lucas) |
Jane Lucas | ... | thank you (as Alan & Jane Lucas) |
Philip Lucas | ... | special thanks |
Al Mazzone | ... | thank you (as Dawn & Al Mazzone) |
Dawn Mazzone | ... | thank you (as Dawn & Al Mazzone) |
Laurie Meeker | ... | thank you to: member of The Evergreen Community College Media Faculty |
Ben Model | ... | thank you |
Peter Mueller | ... | thank you |
Christopher Muller | ... | thank you |
Tal Nadan | ... | thank you to: of the New York Public Library |
Lucy Nemaric | ... | archival sources |
Judy Neuman | ... | thank you to: of the Stroum Jewish Community Center of Greater Seattle |
Michael Perlman | ... | archival sources |
Michael Perlman | ... | thank you |
John Petit | ... | thank you to: of Temple University Paley Library |
Susan Phillips | ... | archival sources |
Nicole Pita | ... | special thanks |
Colin Powell | ... | archival sources (as Gen. Colin L. Powell USA Ret) / the producers would like to remember and thank the teams of (as General Powell) |
Dana Pruchno | ... | thank you to: of the Stroum Jewish Community Center of Greater Seattle |
Apache Ramos | ... | archival sources |
Carl Reiner | ... | archival sources / the producers would like to remember and thank the teams of (as Mr. Reiner) |
Dave Rodgers | ... | special thanks |
John W. Romas | ... | in memory of |
Jay Rosen | ... | thank you |
Roy Rosenbaum | ... | archival sources |
Regina Ruede | ... | archival sources |
Laura Sant | ... | thank you |
Bess Scher | ... | thank you |
Andrea Sciolari | ... | archival sources |
Alec Shuldiner | ... | archival sources |
Deborah Stang | ... | archival sources |
Steve Stollman | ... | archival sources |
Laura Stroffolino | ... | thank you to: of The Free Library of Philadelphia |
Joe Thomas | ... | archival sources |
Helen Thornton | ... | thank you to: of The Olympia Film Society |
Luke Scott Turner | ... | thank you to: of Thurston Community Media |
Shelby Van Vliet | ... | special thanks |
Kenrick Ward | ... | thank you to: of Thurston Community Media |
Mark Warnick | ... | thank you |
John Whitaker | ... | thank you |
Robert F.W. Whitlock | ... | thank you to: of Thurston Community Media |
Christopher Yee-Mon | ... | thank you |
Julia Zay | ... | thank you to: member of The Evergreen Community College Media Faculty |
Stephanie Zorn | ... | thank you to: member of The Evergreen Community College Media Faculty |
Production Companies
Distributors
- Slice of Pie (2022) (United States) (theatrical)
- Turner Network Television (TNT) (2021) (United States) (tv)
Special Effects
Other Companies
- 4Culture (with support from)
- ABC News Video Source (archival sources)
- AP Archive (archival sources)
- Alamy (archival sources)
- Bison Archives (archival sources)
- Bunker Vietnamese (thank you)
- Candid Camera Inc. (archival sources)
- CaptionMax (closed captions)
- Carl Burton Photography (archival sources)
- Columbia University (archival sources)
- Critical Past (archival sources)
- E. K. Daly Family Archive (archival sources)
- Efootage (archival sources)
- Evergreen State College (thank you to)
- Fiction Media Group (animated sequences and production logo)
- Film Emporium Insurance Services (insurance)
- Footage Farm (archival sources)
- Footage File (archival sources)
- Free Library of Philadelphia (archival sources)
- Free Library of Philadelphia (thank you to)
- GRS Systems (archival restoration and conversion)
- Getty (archival sources)
- Hackelbury Fine Art (archival sources)
- Hagley Museum and Library (archival sources)
- HollywoodHistoricPhotos (archival sources)
- International House of Publicity (publicist)
- Jigsaw Rennaissance (thank you)
- John W. Romas Collection (archival sources)
- KYW-TV (archival sources)
- Kinolibrary (archival sources)
- LaGuardia and Wagner Archives - CUNY (archival sources)
- Lawrence Fried Photography (archival sources)
- Library of Congress (archival sources)
- Magnum Photos (archival sources)
- Marcia Bricker Halperin (archival sources)
- Metropolis Post (post-production facilities)
- Mom, Dad and Godfather (for my)
- Mountains of Sound (sound design and mix)
- MovieScore Media (soundtrack)
- Museum of History and Industry, Seattle, WA (archival sources)
- Museum of the City of New York (archival sources)
- NBC Universal Archives (archival sources)
- National Archives (archival sources)
- National Archives (film scans)
- New York City Department of Records (archival sources)
- New York City Landmarks Preservation Comm. (archival sources)
- New York Public Library (thank you to)
- Nineveh Assyrican Food Truck (thank you)
- Oddball Film Video (archival sources)
- Our Donors (thank you to)
- Paley Center for Media (with support from)
- Pennsylvania State Archives (archival sources)
- Philadelphia Department of Records (archival sources)
- Philadelphia Historical Society (archival sources)
- Picture Shop (digital deliverables)
- Prelinger Archives (archival sources)
- Retro Video (archival sources)
- Robert F. Byrnes Collection of Automat (archival sources)
- Robert F. Wagner Labor Archives (archival sources)
- Science Source (archival sources)
- SeattleMusic Scoring Stage at Bastyr (score recorded at)
- Shorpy (archival sources)
- Skyscrape Foundation (with support from)
- Tamiment Library (archival sources)
- Telluride Film Festival (thank you to)
- Temple University Film and Media Department (archival sources)
- Temple University (thank you to)
- The Athenaeum of Philadelphia (archival sources)
- The Daly Family (special thanks)
- The Gotham Film and Media Institute (with support from)
- The Hardart Family (special thanks)
- The Horn Family (special thanks)
- The Olympia Film Society (thank you to)
- The Queen Mary (archival sources)
- The Romas Family (special thanks)
- The Sholund Family (thank you)
- The Stroum Jewish Community Center (thank you to)
- The Supreme Court of the United Sates (archival sources)
- Thurston Community Television (thank you to)
- United States Patent Office (archival sources)
- University of California, Bancroft Library (archival sources)
- University of Pennsylvania Archives (archival sources)
- Vanderbilt Television News Archive (archival sources)
- Victory Studios (vhs transfers)
- Vintagraph (archival sources)
- WPVI Philadelphia (special thanks)
Storyline
Plot Summary |
A profile of one of the most iconic of American restaurant chains for the bulk of the twentieth century (1902 - 1991), despite it only have existed in Philadelphia and New York City, is presented, it known primarily by the company name Horn + Hardart in Philadelphia, and by the type of restaurant they were in New York City, namely automats, the concept derived from different but somewhat similar restaurants in Europe. The iconic nature includes the visuals of the single serving portions of food sold at nickel increments, each item, shown behind glass doors, purchased by inserting the required number of nickels (in the early days usually either one or two) which allowed the customer to open said door to retrieve the food item. Interviewees, including celebrities, historians, and people directly or indirectly associated with Horn + Hardart, speak fondly about the automat, their memories arguably widespread, the reason for its success in lasting as long as it did. The creation of the restaurant chain by its two founders, Joseph Horn and Frank Hardart, the reasons for its success in the first half of the century, the probable combination of reasons for the decline of the restaurants' popularity including of the concept of the automat from the 1960s onward, and the demise of the chain and what happened to the company itself are discussed. Written by Huggo |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | Three of the film's most famous participants died either before or shortly after the documentary's festival premiere in September 2021. Comedy legend Carl Reiner and U.S. Supreme Court Justice Ruth Bader Ginsburg both passed away in 2020, and former U.S. Secretary of State Colin Powell passed away in October 2021. A message added to the dedications after the end credits reads, "The producers would like to remember Mr. Reiner, Justice Ginsburg and General Powell and thank their teams." See more » |
Goofs | When Horn and Hardart doubled the price of coffee from a nickel to 10 cents, it is stated that the number of cups of coffee sold "immediately" dropped from 70 million a year to 45 million. A year-long tally does not convey immediacy; stating it to be an immediate drop of 35% would have been clearer. See more » |
Movie Connections | Features The Early Bird (1925). See more » |
Soundtracks | At the Automat See more » |
Crazy Credits | Video of Mel Brooks singing his song dedication of the automat, the orchestra recording the music along with photo stills and video clips from the documentary accompany the ending credits. See more » |
Quotes |
Self - Comedian:
Of course, when you say "Automat" or "Horn & Hardart", very few people know what you're talking about. But, one of the greatest inventions in sane centers of paradise, where these places that had little glass windows, framed in brass, with knobs. And if you put two nickels into the slot next to the windows, the windows would open up, and you could take out a piece of lemon meringue pie for ten cents. And you could eat it. And that was called the Automat. See more » |