Three lighthouse keepers on the remote Flannan Isles obtain a mysterious trunk, leading to their mysterious disappearance.
Director:
Writers:
Stars:
Awards:
- 1 win & 5 nominations.
- See more »
Photos and Videos
Cast
| Peter Mullan | ... |
Thomas
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| Gerard Butler | ... |
James
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| Emma King | ... |
Mary
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| Gary Lewis | ... |
Kenny
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| Connor Swindells | ... |
Donald
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Ken Drury | ... |
Duncan
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Gary Kane | ... |
Gherd
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| Søren Malling | ... |
Locke
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| Ólafur Darri Ólafsson | ... |
Boor
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| Roderick Gilkison | ... |
Galley Hand
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| Rest of cast listed alphabetically: | |||
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Gary Mclellan | ... |
Bones (extra)
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John Taylor | ... |
Fisherman (uncredited)
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Directed by
| Kristoffer Nyholm | ... | (directed by) |
Written by
| Celyn Jones | ... | (written by) & |
| Joe Bone | ... | (written by) |
Produced by
| Matthew Antoun | ... | executive producer |
| Alex Ashworth | ... | co-producer |
| Gerard Butler | ... | producer (produced by) |
| Tim Dennison | ... | line producer |
| Andy Evans | ... | producer (produced by) |
| Maurice Fadida | ... | producer (produced by) |
| Mickey Gooch Jr. | ... | executive producer |
| D.G. Guyer | ... | executive producer |
| Phil Hunt | ... | executive producer |
| Celyn Jones | ... | executive producer |
| Daniel Kaslow | ... | associate producer |
| James Lejsek | ... | executive producer |
| Sean Marley | ... | producer (produced by) |
| Ross McKenzie | ... | production executive |
| Brian Oliver | ... | executive producer |
| Reg Poerscout-Edgerton | ... | co-producer |
| Danielle Robinson | ... | executive producer |
| Compton Ross | ... | executive producer |
| Jason Seagraves | ... | producer (produced by) |
| Ade Shannon | ... | producer (produced by) |
| Alan Siegel | ... | producer (produced by) |
| Mark Strome | ... | executive producer |
Music by
| Benjamin Wallfisch | ... | composer |
Cinematography by
| Jørgen Johansson | ... | director of photography |
Editing by
| Morten Højbjerg | ||
Editorial Department
| Karl Barnes-Dallas | ... | digital intermediate operator |
| Gemma Lyons | ... | digital intermediate operator |
| Otto Rodd | ... | digital intermediate operator |
| Asa Shoul | ... | colorist |
| Sam Slater | ... | trailer editor |
| Ella Soryl | ... | digital intermediate operator |
| Louise Stewart | ... | post-production coordinator |
| Grant Thistle | ... | assistant editor |
Casting By
| Reg Poerscout-Edgerton | ||
Production Design by
| Jacqueline Abrahams | ||
Art Direction by
| Matt Fraser | ||
Costume Design by
| Pam Downe | ||
Makeup Department
| Lynda Armstrong | ... | personnal make-up/hair designer to gerard butler |
| Lily Beckett | ... | make-up supervisor |
| Roz Gomersall | ... | makeup daily |
| Jemma Harwood | ... | hair designer / makeup designer |
| Jess Heath | ... | makeup artist |
| Kat Morgan | ... | makeup daily |
Production Management
| Emma Biggins | ... | production manager |
| Richard Brough | ... | unit manager |
| Uxue Iñurritegi | ... | Production Manager: additional photography |
| Carl Walters | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Ben Burt | ... | first assistant director |
| Jonathan Farmer | ... | first assistant director: additional photography |
| Jamie Hamer | ... | second assistant director |
| Abi Ross | ... | third assistant director |
Art Department
| Simon Bang | ... | storyboard artist |
| Lenka Dobranska | ... | assistant art director |
| Caroline Doney | ... | supervising painter |
| Daniel Fairhurst | ... | stand-by props |
| John Gorman | ... | props |
| Callum McCallum | ... | props |
| Jamie McCallum | ... | construction supervisor |
Sound Department
| Grace Averbuch | ... | foley editor |
| Nick Baldock | ... | adr mixer |
| Dillon Bennett | ... | supervising sound editor |
| Luc Cadiau | ... | French dubbing mixer |
| Craig Conybeare | ... | assistant sound |
| Simon Farmer | ... | sound mixer |
| Adrian Furdui | ... | adr mixer |
| Ken Galvin | ... | adr mixer |
| James Gregory | ... | adr mixer |
| Nino Jacobsen | ... | temp mix |
| Dan Johnson | ... | re-recording mixer |
| Micheal MacKinnon | ... | adr mixer |
| Símun Lindholm Mohr | ... | adr mixer |
| Carsten Richter | ... | foley artist |
| Gavin Rose | ... | dialogue editor |
| Matt Waites | ... | sound effects editor |
| Hanse Warns | ... | foley mixer |
| Adam Clayton Williams | ... | boom operator |
Special Effects by
| Perry Costello | ... | armourer |
| Mike Kelt | ... | special effects |
| Russell McGovern | ... | special effects technician |
Visual Effects by
| Michael Boden | ... | digital compositor |
| Chiara Finello | ... | visual effects coordinator |
| Safiya Gili | ... | digital compositor |
| Connor Guyler | ... | digital compositor |
| Eloi G. Martorell | ... | digital compositor |
| Karol Mazur | ... | digital compositor |
| Dolores McGinley | ... | visual effects |
| Daniel Mark Miller | ... | digital compositor |
| Ivan Sorgente | ... | digital compositor |
| Marios Theodosi | ... | flame artist |
| Oscar Tornincasa | ... | digital compositor |
Stunts
| Marc Cass | ... | stunt coordinator |
| Bogdan Kumshatsky | ... | stunt double: Connor Swindells |
| Donovan Louie | ... | stunt performer |
Camera and Electrical Department
| Sarah Broadbent | ... | epk |
| Bruce Carmichael | ... | second assistant camera: "b" camera |
| Will Clements | ... | digital imaging technician |
| Niels Dose | ... | gaffer |
| Kristy Garland | ... | still photographer: additional photography |
| Graeme Hunter | ... | still photographer |
| Gabriel Hyman | ... | first assistant a camera: additional photography |
| Alan Maxwell | ... | camera operator: "b" camera |
| Andrew McKelvie | ... | second assistant camera |
| Rasmus Rani | ... | camera trainee |
| Marcos Shephard | ... | epk camera operator |
| Archie Short | ... | aerial cinematographer |
| Jon Towler | ... | console operator |
| Mihail Ursu | ... | camera trainee |
| David Wilson | ... | electrician |
Casting Department
| Lillie Jeffrey | ... | casting associate |
| Benedict Minghella | ... | casting assistant |
Costume and Wardrobe Department
| Michael Bevis | ... | costume stand-by |
| Sarah Elizabeth Harrison | ... | principal costume standby |
| Ros Marshall | ... | costume supervisor |
| Rebecca McLeod | ... | costume breakdown artist |
| Amy Wallace | ... | principal costume standby: dailies |
Location Management
| Mike Panikkou | ... | location manager |
| Lyndsay Tannahill | ... | location assistant |
Music Department
| Kristen Azevedo | ... | music business & legal executive |
| Atanas Babaleski | ... | scoring pro tools engineer |
| F.A.M.E.'S. Project | ... | orchestra and studio contractor |
| Tim Hegarty | ... | executive music producer |
| Georgi Hristovski | ... | score recording engineer |
| David J. Krystal | ... | orchestrator |
| Max Sandler | ... | composer: additional music |
Script and Continuity Department
| Beverly Winston | ... | script supervisor |
Transportation Department
| Lewis Alexander | ... | driver: cast |
Additional Crew
| Qasim Baig | ... | production runner |
| Jennine Baker | ... | production accountant |
| Olly Bowman | ... | mountain and water safety expert |
| Gary Burkhard | ... | G-BASE Coordinator |
| Natalie Coleman | ... | For Head Gear Films |
| Peter Dornan | ... | unit paramedic |
| Graeme Douglas | ... | cliff & water safety |
| Donna Fitzsymons | ... | assistant accountant |
| Glynn Henderson | ... | safety consultant |
| Paul Hillier | ... | insurance |
| Liam Irving | ... | cliff & water safety |
| Uxue Iñurritegi | ... | production assistant |
| Kevan Kearney | ... | unit paramedic |
| Kirsty Langsdale | ... | unit publicist |
| Cristin Mackenzie | ... | assistant to the director |
| Raymond J. Markovich | ... | finance legal |
| Olivia J. Middleton | ... | floor runner (as Olivia Middleton) |
| Peter Owen | ... | runner |
| Jonathan Saba | ... | studio executive |
| Usman Shaikh | ... | finance legal |
| Sudie Smyth | ... | completion guarantor |
| Wilf Varvill | ... | business executive: EFB |
| Daniel Watkins | ... | production coordinator |
Production Companies
- Mad As Birds
- Cross Creek Pictures
- G-BASE
- Head Gear Films (in association with)
- Kodiak Pictures (presents)
- Metrol Technology (In association with)
Distributors
- Cinetopia (2018) (Chile) (theatrical)
- Front Row Filmed Entertainment (2018) (United Arab Emirates) (Middle East, North Africa & Iran)
- Saban Films (2019) (United States)
- Lionsgate (2019) (United Kingdom) (theatrical)
- KinoVista (2018) (France)
- Vertigo Média Kft. (2019) (Hungary) (theatrical)
- Albatros Film (2020) (Japan) (theatrical)
- Cinema Prestige (2019) (Russia) (theatrical)
- Shaw Organisation (2019) (Singapore) (theatrical)
- Tanweer Alliances (2019) (Greece) (theatrical)
- The Klockworx (2020) (Japan) (theatrical)
- Viva International Pictures (2019) (Philippines) (theatrical)
- Defiant Screen Entertainment (2019) (Australia) (As "The Vanishing")
- NOS Audiovisuais (2019) (Portugal)
- Sandrews (2019) (Sweden)
- Universum Film (UFA) (2019) (Germany) (Blu-ray)
- Universum Film (UFA) (2019) (Germany) (DVD)
Special Effects
Other Companies
- European Film Bonds (completion bond company)
- PS-PostScript (post production script)
- Tonstudio Hanse Warns (foley stage)
- U.S. Law Group (finance legal)
- Visual Data Media Services (quality assurance)
Storyline
| Plot Summary |
Based on the Flannan Isle mystery. A small relief boat approaches a tiny, isolated island where a lighthouse is located. They're to replenish the stocks and replace the crew of 3. After they dock no one greets them. The winch is broken. The lamps are clean and refilled; the table's laid for dinner. There's an upturned chair, 2 sets of yellow oilskins are missing - the 3 men have vanished. Written by Andy Evans |
| Plot Keywords | |
| Taglines | What's left when the lights go out? See more » |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | Four different lighthouses were used to create what is seen in the movie as a singular location: Mull of Galloway lighthouse was used for exterior and interior cottages, lighthouse, lighthouse garden and the headland of the island. Killantrigan lighthouse was used for its interior staircase and side garden. Corsewall lighthouse was used for a single interior shot and to create the cliff for many of the cliff scenes. Cloch lighthouse was used for the interior lightroom as it is no longer operational, yet beautifully preserved. See more » |
| Goofs | At the time of the mysterious disappearance the lighthouse was not equipped with radio, in fact radio-telephone technology was not available in 1900 at all. Radio had been invented and demonstrated just a few years earlier, however, commercial radios were not available at this time. See more » |
| Movie Connections | Featured in The Flannan Isles Mystery (2022). See more » |
| Quotes |
Donald:
You old cunt See more » |