Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink, in the Bathtub, a southern Delta community at the edge of the world. Wink's tough love prepares her for the unraveling of the universe; for a time when he's no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack, temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink's health fading, Hushpuppy goes in search of her lost mother.Written by
Sundance Film Festival
Shares many thematic connections to Court 13's earlier short film Glory at Sea (2008). Both deal with a ravaged community beset by storms. Both reference Greek myths, including "Elysian Fields", and contain fantastic elements in an otherwise very "real" narrative, otherwise known as magic realism. Also, the character of Sergeant Major, played by Jimmy Lee Moore, appears in both films in a significant role. See more »
When leaving the medical center with Wink & his friend's Walrus' clothes keep changing from the medical scrub top, to a white t-shirt and overalls. See more »
All the time, everywhere, everything's hearts are beating and squirting, and talking to each other the ways I can't understand. Most of the time they probably be saying: I'm hungry, or I gotta poop.
[listening to bird's heartbeat]
But sometimes they be talkin' in codes.
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The film is one of those rare examples of every element being extraordinary. The acting, the directing, the script, the music is all superb and blend together to create the magical world of the bathtub. The film looks and sounds amazing. Everything is so beautifully shot, with a crispness and a warmth. The score is used sparingly and is never manipulative. This may be one of those movies that everyone raves about but gets overlooked come Oscar season because it doesn't have a big enough name attached to it or pandered to the Academy enough, but it could easily be nominated for at leave four or five awards. http://amandalovesmovies.com/2012/07/02/beasts-of-the-southern-wild/
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