Deus escolheu a Noé, para uma misão antes da inundação apocalíptica.Deus escolheu a Noé, para uma misão antes da inundação apocalíptica.Deus escolheu a Noé, para uma misão antes da inundação apocalíptica.
- Prêmios
- 1 vitória e 19 indicações
Nick Nolte
- Samyaza
- (narração)
Mark Margolis
- Magog
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesAccording to writer, producer, and director Darren Aronofsky, the animals seen in this movie are "slightly tweaked designs of real existing animals." No real animals were used in the production at all.
- Erros de gravaçãoAll the animals are sedated and are all seen lying down. An elephant normally only sleeps for about four hours a day. If an elephant were to lie on its side for more than a day (for example) the weight of its internal organs would cause them to rupture and fail.
- Citações
Tubal-cain: I have men at my back, and you stand alone and defy me?
Noah: I'm not alone.
- Cenas durante ou pós-créditosBesides the title of the movie, there are no opening credits
- ConexõesFeatured in Uvda: Episode #20.1 (2013)
Avaliação em destaque
Get your feet wet
Get your feet wet Upon a terrifying nightmare that is clearly an omen, Noah(a roaring and fanatically determined Crowe), along with his family, begin building an ark. They get some unexpected help, but will it be enough? Especially when the king of the land(Winstone at his most vile, representing the wickedness of our species) shows up with his army, threatening that if that boat is the only safe place, they will board it one way or another.
Causing controversy from before anyone had watched it, this is a non-literal update-for-our-times take on the Bible story, that nevertheless seeks to engage with the same, genuinely universal, values – honestly, everything added here is not only critical to even make it a feature length drama(such as adding a present, physical form to the evil that is being drowned out, as it were), it serves to flesh out what was already there. This is aggressively environmental, thus rendering it highly relevant; the Earth(which could be 1000 years in the past, or the future) is here a barren, post-apocalyptic wasteland, and while it could have been made clearer, the idea is that excessive and relentless mining of resources is the cause. Not only are we beyond rescuing, the storm that will come will deliver water sorely needed to reinvigorate nature.
This has everything we've come to expect from Aronofsky: solid production values in every aspect, with a solid, and nicely limited(so that there is room for them all to represent some element endemic to us Homo Sapiens, and this is very much a character study of our titular protagonist, and an examination of humanity) cast, a compelling Clint Mansell score, and, of course, amazing(and all with a distinct purpose, artistically) visuals(the desperation of a dying breed is one of the images that will stick with you, something that is in everything Darren has helmed), employing techniques not often seen in the mainstream, including silhouette(such as a brief and stunning extrapolation of Cain) and time-lapse photography(the construction process itself). If you at all intend to watch this, and your first viewing is not a 3D showing, you will be committing a cardinal sin.
There is a lot of brutal, gory, violent and disturbing content and some sexuality in this, none of it gratuitous. I recommend this to anyone not put off by it being based on a Genesis account or the fact that it takes liberties with it. 7/10
Causing controversy from before anyone had watched it, this is a non-literal update-for-our-times take on the Bible story, that nevertheless seeks to engage with the same, genuinely universal, values – honestly, everything added here is not only critical to even make it a feature length drama(such as adding a present, physical form to the evil that is being drowned out, as it were), it serves to flesh out what was already there. This is aggressively environmental, thus rendering it highly relevant; the Earth(which could be 1000 years in the past, or the future) is here a barren, post-apocalyptic wasteland, and while it could have been made clearer, the idea is that excessive and relentless mining of resources is the cause. Not only are we beyond rescuing, the storm that will come will deliver water sorely needed to reinvigorate nature.
This has everything we've come to expect from Aronofsky: solid production values in every aspect, with a solid, and nicely limited(so that there is room for them all to represent some element endemic to us Homo Sapiens, and this is very much a character study of our titular protagonist, and an examination of humanity) cast, a compelling Clint Mansell score, and, of course, amazing(and all with a distinct purpose, artistically) visuals(the desperation of a dying breed is one of the images that will stick with you, something that is in everything Darren has helmed), employing techniques not often seen in the mainstream, including silhouette(such as a brief and stunning extrapolation of Cain) and time-lapse photography(the construction process itself). If you at all intend to watch this, and your first viewing is not a 3D showing, you will be committing a cardinal sin.
There is a lot of brutal, gory, violent and disturbing content and some sexuality in this, none of it gratuitous. I recommend this to anyone not put off by it being based on a Genesis account or the fact that it takes liberties with it. 7/10
útil•10497
- TBJCSKCNRRQTreviews
- 5 de abr. de 2014
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Detalhes
Bilheteria
- Orçamento
- US$ 125.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 101.200.044
- Fim de semana de estreia nos EUA e Canadá
- US$ 43.720.472
- 30 de mar. de 2014
- Faturamento bruto mundial
- US$ 359.200.044
- Tempo de duração2 horas 18 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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